United in fear.

UNBALANCED PIECES', Part Two ...Tracking supernatural killers was a lot easier when Sara Pezzini, bearer of the Witchblade, lived in her hometown of New York and was a police detective. Now she must do it while avoiding butting heads with the Chicago PD and trying to make ends meet as a private detective. The new creative team of TIM SEELEY (HACK/SLASH) and DIEGO BERNARD (The Man With No Name) continue to shake up the status quo of WITCHBLADE! Featuring two covers by JOHN TYLER CHRISTOPHER (ARTIFACTS) and DIEGO BERNARD!

On the surface, the zombie seems the polar opposite of the human--they are the living dead; we, in essence, are the dying alive. But the zombie is also "us." Although decaying, it looks like us, dresses like us, and sometimes (if rarely) acts like us. In this volume, essays by scholars from a range of disciplines examine the zombie as a thematic presence in literature, film, video games, legal language, and philosophy, exploring topics including zombies and the environment, litigation, the afterlife, capitalism, and the erotic. Through this wide-ranging examination of the zombie phenomenon, the authors seek to discover what the zombie can teach us about being human. Instructors considering this book for use in a course may request an examination copy here.

In this volume of the NYT bestselling survival horror, Rick and his band of survivors work to build a larger network of thriving communities, and soon discover that Negan's 'Saviors' prove to be a larger threat than they could have fathomed. Crossing Negan will lead to serious, dire consequences for the group; it seems that for the first time since the Governor's reign of terror that Rick may have Something to Fear. Collects THE WALKING DEAD 97-102

Historically, zombies have been portrayed in films and television series as mindless, shuffling monsters. In recent years, this has changed dramatically. The undead are fast and ferocious in 28 Days Later... (2002) and World War Z (2013). In Warm Bodies (2013) and In the Flesh (2013-2015), they are thoughtful, sensitive and capable of empathy. These sometimes radically different depictions of the undead (and the still living) suggest critical inquiries: What does it mean to be human? What makes a monster? Who survives the zombie apocalypse, and why? Focusing on classic and current movies and TV shows, the author reveals how the once-subversive modern zombie, now more popular than ever, has been co-opted by the mainstream culture industry.

Presents a behind-the-scenes look at George A. Romero's classic horror movie with never-before-seen photographs, special effects secrets, and interviews with the cast and crew.

From the beginning, both Robert Kirkman's comics and AMC's series of The Walking Dead have brought controversy in their presentations of race, gender and sexuality. Critics and fans have contended that the show's identity politics have veered toward the decidedly conservative, offering up traditional understandings of masculinity, femininity, heterosexuality, racial hierarchy and white supremacy. This collection of new essays explores the complicated nature of relationships among the story's survivors. In the end, characters demonstrate often-surprising shifts that consistently comment on identity politics. Whether agreeing or disagreeing with critics, these essays offer a rich view of how gender, race, class and sexuality intersect in complex new ways in the TV series and comics.