Vengeance was in the humid night air of the Louisiana bayou, but it wasn't the kind Charlie Buck wanted. Before them, lit by the glowing coals of the campfire and stark light of the full moon, three men lay asleep. A fourth man, sitting with a rifle propped over his shoulder, was asleep too. Charlie glanced over at his companion, the strange Voodoo doctor he had met just before the attack. The man's black torso was bare except for the large snake curled around his neck. Despite the heat, Charlie shivered. All he wanted was to find out his father's murderer. But it was complicated. The clues had led to two places: the bayou and the cathedral in New Orleans. Guilt pointed at the priest. Charlie could not accept that. Where did Voodoo, and of all things, counterfeit money, fit with his Father's murder? His mind touched momentarily on the memory of his lost love, Rachel. She was still here too, just as beautiful as ever. But she was in love with his brother, another one of his suspects. Too many questions and not enough answers. Still, here he was. Charlie Buck drew his Colt and cocked the hammer.

After finding himself caught up in one of Louisiana’s oldest and bloodiest family rivalries, Detective Dave Robicheaux must battle the most terrifying adversary he has ever encountered: a time-traveling superhuman assassin. The Shondell and Balangie families are longtime enemies in the New Iberia criminal underworld and show each other no mercy. Yet their youngest heirs, Johnny Shondell and Isolde Balangie, rock and roll-musician teenagers with magical voices, have fallen in love and run away after Isolde was given as a sex slave to Johnny’s uncle. As he seeks to uncover why, Detective Dave Robicheaux gets too close to both Isolde’s mother and the mistress of her father, a venomous New Orleans mafioso whose jealousy has no bounds. In retribution, he hires a mysterious assassin to go after Robicheaux and his longtime partner, Clete Purcel. This hitman is unlike any the “Bobbsey Twins from Homicide” have ever faced. He has the ability to induce horrifying hallucinations and travels on a menacing ghost ship that materializes without warning. In order to defeat him and rescue Johnny and Isolde, Robicheaux will have to overcome the demons that have tormented him throughout his adult life—alcoholism, specters from combat in Vietnam, and painful memories of women to whom he opened his heart only to see killed. A Private Cathedral, James Lee Burke’s fortieth book, is his most powerful tale, one that will captivate readers—mixing crime, romance, mythology, horror, and science fiction to produce a thrilling story about the all-consuming, all-conquering power of love.

Some issues include separately paged sections: Better management, Physical theatre, extra profits; Review; Servisection.

By the author of the acclaimed Eat Dat, a brand-new guide to New Orleans's scary side, from Voodoo rituals to historic cemeteries and haunted mansions Fear Dat New Orleans explores the eccentric and often macabre dark corners of America’s most unique city. In addition to detailed histories of bizarre burials, ghastly murders, and the greatest concentration of haunted places in America, Fear Dat features a “bone watcher’s guide” with useful directions of who’s buried where, from Marie Laveau to Ruthie the Duck Girl. You’ll also find where to buy the most authentic gris-gris or to get the best psychic reading. The Huffington Post tagged Michael Murphy’s first book Eat Dat, about the city’s food culture, the #1 “essential” book to read before coming to New Orleans. New Orleans Living called it “both reverent and irreverent, he manages to bring a sense of humor to serious eating—and that’s what New Orleans is all about.” In Fear Dat, Murphy brings similar insights and irreverence to New Orleans voodoo, vampires, graveyards, and ghosts.

Includes a section called Correction, please!

In Killing Hope, William Blum, author of the bestselling Rogue State: A Guide to the World's Only Superpower, provides a devastating and comprehensive account of America's covert and overt military actions in the world, all the way from China in the 1940s to the invasion of Iraq in 2003 and - in this updated edition - beyond. Is the United States, as it likes to claim, a global force for democracy? Killing Hope shows the answer to this question to be a resounding 'no'.