This early work by William J. Wintle was originally published in 1921 and we are now republishing it as part of our Cryptofiction Classics series. 'The Voice in the Night' is a short story about a mysterious presence that materialises after dark. Wintle started writing in his thirties, and during the early part of the 20th century produced two much-circulated essays: “Life in Our New Century” (1901) and “Can You Explain It? True Stories of the Ghost World” (1903). Later, he turned to fiction, producing a number of well-remembered stories, including “The Red Rosary”, “When the Twilight Fell”, “The House on the Cliff”, “The Ghost at the Blue Dragon”, “The Spectre Spiders”, “The Footsteps on the Stairs”, “The Chamber of Doom”, “When Time Stood Still”, and “The Black Cat”. These and others were collected in a 1921 collection entitled Ghost Gleams. Wintle died in 1934, aged 73. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.

These early works by various authors were written between the Middle Ages and the early 20th century and we are now republishing them with a brand new introduction as part of our Cryptofiction Classics series. 'The Wolf in the Moonlight' contains a collection of short stories about the charismatic creature, the wolf, and includes 'The White Wolf of the Hartz Mountains' by Frederick Marryat (1839), 'The Wolf' by Guy de Maupassant (1882), 'Olalla' by by Robert Louis Stevenson (1885), and many more. Homo sapiens and canis lupus have a long and chequered history together. Amongst early agricultural societies, the wolf was widely feared for its tendency to devastate supplies of livestock. This fear was passed down through the generations, codified in countless legends and folktales, so that, by the Early Middle Ages, as academic and wolf expert Beryl Rowland puts it, the wolf was established as the “universal baleful symbol.” The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.

This early work by Seabury Quinn was originally published in 1923 and we are now republishing it with a brand new introductory biography as part of our Cryptofiction Classics series. 'The Phantom Farmhouse' is a short story containing a lycanthropic mystery. Seabury Grandin Quinn was born in Washington D.C. in 1889. In 1910, he graduated from law school, and was admitted to the District of Columbia Bar. Quinn's stories were incredibly popular, and between the twenties and fifties he appeared in 'Weird Tales' magazine more times than both Robert E. Howard and H. P. Lovecraft. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.

These early works by various authors were originally published in the late 19th century and early 20th century and we are now republishing them with a brand new introduction as part of our Cryptofiction Classics series. 'Cryptofiction - Volume II.' contains a collection of short stories that include 'The Messenger' by Robert W. Chambers, 'The Brazilian Cat' by Arthur Conan Doyle, 'A Relic of the Pliocene' by Jack London, and many other classic tales of strange creatures. The genre of cryptofiction has grown up in the shadow of its older brothers, science fiction and fantasy, and specialises in the concept of mysterious creatures such as sea monsters, wolf-men, and lost pre-historic creatures. Cryptofiction takes its name from another, non-literary practice: cryptozoology. This is generally regarded as a pseudoscience by mainstream scientists, relying as it does upon anecdotal, often unverifiable evidence. However, it still boasts many enthusiasts, and continues to exert considerable artistic allure. Cryptofiction is here to stay, and the stories in this collection map the development of a genre which is as strange as it is fascinating. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.

These early works by various authors were originally published in the late 19th century and early 20th century and we are now republishing them with a brand new introduction as part of our Cryptofiction Classics series. 'Weird Tales of Weird Tails' contains a collection of short stories about supernatural felines, and includes 'The King of the Cats' by Thomas Lyttelton (1807), 'The Gray Cat' by Barry Pain (1901), 'Ancient Sorceries' by Algernon Blackwood (1908), and many more. Therianthropy – the metamorphosis of humans into animals – is one of literature's oldest themes, and the werecat appears in some form in the folklore of virtually every global culture. African legends are replete with tales of people morphing into lions or leopards; Asian folklore features the often malevolent figure of the weretiger; and in Europe, werecats are found in the writings of Ancient Greece, and were explicitly condemned as heretical creatures during the witch trials of the early Modern period. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.

This early work by Algernon Blackwood was originally published in 1908 and we are now republishing it with a brand new introductory biography as part of our Cryptofiction Classics series. 'The Camp of the Dog' is a short story of a group's visit to the outback that is disturbed by the presence of a werewolf. Algernon Henry Blackwood was born in Shooter's Hill, South East England, in 1869. In his youth he trained as a doctor at Wellington College in Berkshire, and went on to pursue a number of careers, in areas as varied as milk farming, modelling, journalism and violin teaching. In his thirties, Blackwood returned to England from New York, where he had spent a number of years, and began to write stories of the supernatural. Blackwood was extremely prolific, producing over the course of his life some ten original collections of short stories, fourteen novels, several children's books, and a number of plays. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, were-wolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.

These early works by various authors were originally published in the early 20th century and we are now republishing them with a brand new introduction as part of our Cryptofiction Classics series. 'Cryptofiction - Volume III.' contains a collection of short stories that include 'The She-Wolf' by H. H. Munro, 'The Horror of the Heights' by Arthur Conan Doyle, 'After Dark in the Playing Fields' by M. R. James, and many other classic tales of strange creatures. The genre of cryptofiction has grown up in the shadow of its older brothers, science fiction and fantasy, and specialises in the concept of mysterious creatures such as sea monsters, wolf-men, and lost pre-historic creatures. Cryptofiction takes its name from another, non-literary practice: cryptozoology. This is generally regarded as a pseudoscience by mainstream scientists, relying as it does upon anecdotal, often unverifiable evidence. However, it still boasts many enthusiasts, and continues to exert considerable artistic allure. Cryptofiction is here to stay, and the stories in this collection map the development of a genre which is as strange as it is fascinating. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.