This collection of Norman MacCaig's poems is offered as the definitive edition of his work. It has been edited by his son, Ewen. A prolific writer, MacCaig left about 600 unpublished poems after his death; 99 have been selected for inclusion here. The aim of the selection process was to sustain the overall quality of the 1990 Collected Poems, which was compiled by the poet. Unusually, MacCaig's creativity did not decline with age, and most of the unpublished poems date from his seventies and early eighties, adding significantly to his published work from that period. Insight to the writer's life and work is provided in an appreciative introduction by author and critic Alan Taylor, focusing on MacCaig's life and times, and in a collection of MacCaig's words on his own and others' writing.

You used to swing me on our garden gate. In and out, in and out - out and in, me, on top of the gate, safe because I was in your arms, my father's big strong arms. Recalling events that may or may not have happened, people he may or may not have known, an elderly father weaves his life, funny, angry, poignant, as if in a dream.His daughter, perched outside his window, as close as the pandemic allows, responds with conflicting memories. They sing and argue, they broach dangerous ground, their profound love apparent despite themselves, until the visiting hour is up. Written during the Covid-19 lockdown of 2020, Frank McGuinness's The Visiting Hour premiered in April 2021 at the Gate Theatre, Dublin, in the first online Gate At Home production.

“A gripping and poignant memoir.”–Kirkus In this powerful and unforgettable memoir, award-winning writer Amy Butcher examines the shattering consequences of failing a friend when she felt he needed one most. Four weeks before their college graduation, twenty-one-year-old Kevin Schaeffer walked Amy Butcher to her home in their college town of Gettysburg, Pennsylvania. Hours after parting ways with Amy, he fatally stabbed his ex-girlfriend, Emily Silverstein. While he was awaiting trial, psychiatrists concluded that he had suffered an acute psychotic break. Although severely affected by Kevin’s crime, Amy remained devoted to him as a friend, believing that his actions were the direct result of his untreated illness. Over time, she became obsessed—determined to discover the narrative that explained what Kevin had done. The tragedy deeply shook her concept of reality, disrupted her sense of right and wrong, and dismantled every conceivable notion she’d established about herself and her relation to the world. Eventually realizing that she would never have the answers, or find personal peace, unless she went after it herself, Amy returned to Gettysburg—the first time in three years since graduation—to sift through hundreds of pages of public records: mental health evaluations, detectives’ notes, inventories of evidence, search warrants, testimonies, and even Kevin’s own confession. Visiting Hours is Amy Butcher’s deeply personal, heart-wrenching exploration of how trauma affects memory and the way a friendship changes and often strengthens through seemingly insurmountable challenges. Ultimately, it’s a testament to the bonds we share with others and the profound resilience and strength of the human spirit.

Visiting Hours chronicles the cold, clear February morning, Mary Interlandi drove to the top of the Nashville Sheraton parking garage and leapt to her death, seven stories below. She was 19 years old. The author had know her and her family his entire life. Visiting Hours chronicles their friendship, her sudden death, and the psychological, social, and political aftermath of suicide.

In the vein of Waiting for an Echo and Dead Man Walking, a deeply immersive look at justice in America, told through the interwoven lives of condemned prisoners and the men and women who come to visit them . . . In 2018, after nearly a decade’s hiatus, the state of Tennessee began executing death row inmates, bucking national trends that showed the death penalty in decline. In less than two years, the state put seven men to death, more than any other state but Texas in that time period. It was an execution spree unlike any seen in Tennessee since the 1940s, one only brought to a halt by a global pandemic. Award-winning journalist Steven Hale was the leading reporter on these executions, covering them both locally for the Nashville Scene alt-weekly and nationally for The Appeal. In Death Row Welcomes You, Hale traces the lives of condemned prisoners at the Riverbend Maximum Security Institution—and the people who come to visit them. What brought them—the visitors and convicted murderers alike—to death row? The visitors are, for the most part, not activists—or at least they did not start out that way. Nor are they the sort of killer-obsessed death row groupies such settings sometimes attract. In fact, in most cases they are average people whose lives, not to mention their views on the death penalty, were turned upside down by a face-to-face meeting with a death row prisoner. Hale’s access to the people that make up that community afforded him a perspective that no other journalist has been granted, largely because Tennessee’s Department of Correction has all but shut off official media access. Combining topics that have long fascinated readers—crime, death, and life inside prison—Hale writes with humanity, empathy, and insight earned by befriending death row prisoners . . . and standing witness to their final moments.

The definitive story collection “by one of the most celebrated American short-story writers…. Powerful, important, compassionate, and full of dark humor. This is a book that will be reread with admiration and love many times over” (Vanity Fair). Joy Williams has been celebrated as a master of the short story for four decades, her renown passing as a given from one generation to the next even in the shifting landscape of contemporary writing. At long last the incredible scope of her singular achievement is put on display: thirty-three stories drawn from three much-lauded collections, and another thirteen appearing here for the first time in book form. Forty-six stories in all, far and away the most comprehensive volume in her long career, showcasing her crisp, elegant prose, her dark wit, and her uncanny ability to illuminate our world through characters and situations that feel at once peculiar and foreign and disturbingly familiar. Virtually all American writers have their favorite Joy Williams stories, as do many readers of all ages, and each one of them is available here.