NATIONAL BESTSELLER • Considering a trip to a quaint English village? You’ll think twice after learning about the countless murderous possibilities lurking behind the bucolic façades, thanks to this illustrated guide from #1 bestselling author Maureen Johnson and illustrator Jay Cooper—perfect for fans of cozy mysteries. A weekend roaming narrow old lanes, touring the faded glories of a country manor, and quaffing pints in the pub. How charming. That is, unless you have the misfortune of finding yourself in an English Murder Village, where danger lurks around each picturesque cobblestone corner and every sip of tea may be your last. If you insist on your travels, do yourself a favor and bring a copy of this little book. It may just keep you alive. Brought to life with dozens of Gorey-esque drawings by illustrator Jay Cooper and peppered with allusions to classic crime series and unmistakably British murder lore, Your Guide to Not Getting Murdered in a Quaint English Village gives you the tools you need to avoid the same fate, should you find yourself in a suspiciously cozy English village (or simply dream of going). Good luck! And whatever you do, avoid the vicar.

What happens after your dreams come true? Patisserie-Chef Stevie is stuck in a rut. Her beloved Great Aunt Peggy has passed away and she’s lost both her job and the love of her life. Then she gets the call from the solicitor's office about Peggy’s will, and everything changes. When Stevie sees a quirky tea shop up for sale in the beautiful village of Tanglewood, she decides to take Peggy’s advice and turn her life around. But the village isn't as idyllic as it may at first have seemed, and when the gorgeous but grouchy local stable-owner, Nick, shows up he seems like just another fly in the pastry batter... This laugh-out-loud romantic comedy is perfect for fans of Daisy James and Holly Martin.

A Publishers Weekly Best Book of 2022 "A frothy picaresque that ... vibrates to the “sweet celestial confusion” of Soutine’s painting: delirious and earthy, reverent and irreligious." -- The New York Times Book Review A wild, effervescent, absinthe-soaked novel that tells of the life of the extraordinary artist Chaim Soutine Steve Stern’s astonishing new novel The Village Idiot begins on a glorious spring day in Paris 1917. Amid the carnage of World War I, some of the foremost artists of the age have chosen to stage a boat race. At the head of the regatta is Amedeo Modigliani, seated regally in a bathtub pulled by a flock of canvasback ducks. But unbeknownst to the competition, he has a secret advantage: his young friend, the immigrant painter Chaim Soutine, is hauling the tub from underwater. Soutine, an unwashed, misfit artist (who incidentally can’t swim) has been persuaded by the Italian to don a ponderous diving suit and trudge along the floor of the river Seine. Disoriented and confused by the artificial air in his helmet Chaim stumbles through the events of his past and future life. It’s quite an extraordinary life. From his impoverished beginnings in an East European shtetl to his equally destitute days in Paris during the Années Folles, the Crazy Years, from the Cinderella patronage of the American collector Albert Barnes, who raises him from poverty to international attention, to his perilous flight from the Nazi occupation of France, Chaim Soutine remains driven by his unrelenting passion to paint. To be sure, there are notable distractions, such as his unlikely friendship with Modigliani, who drags him from brothels to midnight felonies to a duel at dawn; there are the romances with remarkable women who compete with and sometimes salvage his obsession. But there is also, always on the horizon, the coming storm that threatens to sweep away Chaim and a generation of gifted Jewish refugees from a tradition that would outlaw their longing to make art. Wildly inventive, as funny as it is heart-breaking, The Village Idiot is a luminous fever-dream of a novel, steeped in the heady atmosphere of a Paris that was the cultural capital of the universe, a place where anything seemed possible.

Stephen Rosenfield, founder and director of the American Comedy Institute, the premier comedy school in the United States, has taught literally dozens of major standup comics in North America, and has also pioneered comedy as an academic discipline in many universities, a trend that is rapidly spreading. Mastering Stand-Up draws on Rosenfield's own extensive experience (and those of countless stars like Lenny Bruce, Richard Pryor, Chris Rock, Rodney Dangerfield, Louis C.K., Steve Martin, Roseanne, and Johnny Carson) to show the reader—and would-be comic—what works, what doesn't, and why. Forty sharply written chapters cover every conceivable angle of the joke and how to tell it. There are a number of books on comedy and how to do it, but none has the breadth and authority Rosenfield brings to his theme. It's not for nothing that the New York Times has described him as "probably the best-known comedy teacher in the country." Rosenfield's book is sure to become the classic text on its subject. And it should help thousands who long to make others laugh to realize their fondest hopes.

“If you only read one book in your life, it probably shouldn’t be this one. However, if you’re not operating an inexplicable one-book policy, these stories are funny, touching, and more than worth your time.” — John Oliver “Josh Gondelman is one of the most original hilarious voices out there today. This book will hook you and make you laugh and laugh.” — Amy Schumer Emmy-Award winning writer and comedian Josh Gondelman’s collection of personal stories of best intentions and mixed results. Josh Gondelman knows a thing or two about trying—and failing. The Emmy Award-winning stand-up comic—dubbed a “pathological sweetheart” by the New York Observer—is known throughout the industry as one of comedy’s true “nice guys.” Not surprisingly, he’s endured his share of last-place finishes. But he keeps on bouncing back. In this collection of hilarious and poignant essays (including his acclaimed New York Times piece “What if I Bombed at My Own Wedding?”), Josh celebrates a life of good intentions—and mixed results. His true tales of romantic calamities, professional misfortunes, and eventual triumphs reinforce the notion: we get out of the world what we put into it. Whether he’s adopting a dog from a suspicious stranger, mitigating a disastrous road trip, or trying MDMA for the first (and only) time, Josh only wants the best for everyone—even as his attempts to do the right thing occasionally implode. Full of the warm and relatable humor that’s made him a favorite on the comedy club circuit, Nice Try solidifies Josh Gondelman’s reputation as not just a good guy, but a skilled observer of the human condition.