Civil War scholars have long used soldiers’ diaries and correspondence to flesh out their studies of the conflict’s great officers, regiments, and battles. However, historians have only recently begun to treat the common Civil War soldier’s daily life as a worthwhile topic of discussion in its own right. The View from the Ground reveals the beliefs of ordinary men and women on topics ranging from slavery and racism to faith and identity and represents a significant development in historical scholarship—the use of Civil War soldiers’ personal accounts to address larger questions about America’s past. Aaron Sheehan-Dean opens The View from the Ground by surveying the landscape of research on Union and Confederate soldiers, examining not only the wealth of scholarly inquiry in the 1980s and 1990s but also the numerous questions that remain unexplored. Chandra Manning analyzes the views of white Union soldiers on slavery and their enthusiastic support for emancipation. Jason Phillips uncovers the deep antipathy of Confederate soldiers toward their Union adversaries, and Lisa Laskin explores tensions between soldiers and civilians in the Confederacy that represented a serious threat to the fledgling nation’s survival. Essays by David Rolfs and Kent Dollar examine the nature of religious faith among Civil War combatants. The grim and gruesome realities of warfare—and the horror of killing one’s enemy at close range—profoundly tested the spiritual convictions of the fighting men. Timothy J. Orr, Charles E. Brooks, and Kevin Levin demonstrate that Union and Confederate soldiers maintained their political beliefs both on the battlefield and in the war’s aftermath. Orr details the conflict between Union soldiers and Northern antiwar activists in Pennsylvania, and Brooks examines a struggle between officers and the Fourth Texas Regiment. Levin contextualizes political struggles among Southerners in the 1880s and 1890s as a continuing battle kept alive by memories of, and identities associated with, their wartime experiences. The View from the Ground goes beyond standard histories that discuss soldiers primarily in terms of campaigns and casualties. These essays show that soldiers on both sides were authentic historical actors who willfully steered the course of the Civil War and shaped subsequent public memory of the event.

An anthology spanning six decades of on-the-scene journalism from “one of the most eloquent witnesses of the twentieth century” (Bill Buford, Granta). For nearly sixty years, Martha Gellhorn traveled the globe to report on the tumult and extremity of life in the twentieth century. The View from the Ground, as Gellhorn explains, “is a selection of articles written during six decades; peace-time reporting. That is to say, the countries in the background were at peace at the moment of writing; not that there was peace on earth.” Included here are accounts of America during the Depression, Israel and Palestine in the 1950s, post-Franco Spain, protests at the White House, domestic life in Africa, and Gellhorn’s return to Cuba after a forty-one-year absence—among many other topics. Informed by the horrors of fascism in Spain and Germany, the modern terror in Central America, and by the courage of those who stand up to the thugs both in an out of government, The View from the Ground is a singular act of testimony that, like its companion volume, The Face of War, is “an eloquent, unforgettable history of a chaotic century” (San Francisco Chronicle).

A Little Piece Of Ground will help young readers understand more about one of the worst conflicts afflicting our world today. Written by Elizabeth Laird, one of Great Britain’s best-known young adult authors, A Little Piece Of Ground explores the human cost of the occupation of Palestinian lands through the eyes of a young boy. Twelve-year-old Karim Aboudi and his family are trapped in their Ramallah home by a strict curfew. In response to a Palestinian suicide bombing, the Israeli military subjects the West Bank town to a virtual siege. Meanwhile, Karim, trapped at home with his teenage brother and fearful parents, longs to play football with his friends. When the curfew ends, he and his friend discover an unused patch of ground that’s the perfect site for a football pitch. Nearby, an old car hidden intact under bulldozed building makes a brilliant den. But in this city there’s constant danger, even for schoolboys. And when Israeli soldiers find Karim outside during the next curfew, it seems impossible that he will survive. This powerful book fills a substantial gap in existing young adult literature on the Middle East. With 23,000 copies already sold in the United Kingdom and Canada, this book is sure to find a wide audience among young adult readers in the United States.

A book without words, recounting a day in the life of an office worker, told completely in the symbols, icons, and logos of modern life. Twenty years ago I made Book from the Sky, a book of illegible Chinese characters that no one could read. Now I have created Book from the Ground, a book that anyone can read. —Xu Bing Following his classic work Book from the Sky, the Chinese artist Xu Bing presents a new graphic novel—one composed entirely of symbols and icons that are universally understood. Xu Bing spent seven years gathering materials, experimenting, revising, and arranging thousands of pictograms to construct the narrative of Book from the Ground. The result is a readable story without words, an account of twenty-four hours in the life of “Mr. Black,” a typical urban white-collar worker. Our protagonist's day begins with wake-up calls from a nearby bird and his bedside alarm clock; it continues through tooth-brushing, coffee-making, TV-watching, and cat-feeding. He commutes to his job on the subway, works in his office, ponders various fast-food options for lunch, waits in line for the bathroom, daydreams, sends flowers, socializes after work, goes home, kills a mosquito, goes to bed, sleeps, and gets up the next morning to do it all over again. His day is recounted with meticulous and intimate detail, and reads like a postmodern, post-textual riff on James Joyce's account of Bloom's peregrinations in Ulysses. But Xu Bing's narrative, using an exclusively visual language, could be published anywhere, without translation or explication; anyone with experience in contemporary life—anyone who has internalized the icons and logos of modernity, from smiley faces to transit maps to menus—can understand it.

How does gentrification affect residents who stay in the neighborhood?

From the New York Times bestselling author of Blood and Thunder and Ghost Soldiers, a chronicle of the extraordinary feats of heroism by Marines called on to do the impossible during the greatest battle of the Korean War. "Superb ... A masterpiece of thorough research, deft pacing and arresting detail...This war story—the fight to break out of a frozen hell near the Chosin Reservoir—has been told many times before. But Sides tells it exceedingly well, with fresh research, gritty scenes and cinematic sweep." —The Washington Post On October 15, 1950, General Douglas MacArthur, Supreme Commander of UN troops in Korea, convinced President Harry Truman that the Communist forces of Kim Il-sung would be utterly defeated by Thanksgiving. The Chinese, he said with near certainty, would not intervene in the war. As he was speaking, 300,000 Red Chinese soldiers began secretly crossing the Manchurian border. Led by some 20,000 men of the First Marine Division, the Americans moved deep into the snowy mountains of North Korea, toward the trap Mao had set for the vainglorious MacArthur along the frozen shores of the Chosin Reservoir. What followed was one of the most heroic--and harrowing--operations in American military history, and one of the classic battles of all time. Faced with probable annihilation, and temperatures plunging to 20 degrees below zero, the surrounded, and hugely outnumbered, Marines fought through the enemy forces with ferocity, ingenuity, and nearly unimaginable courage as they marched their way to the sea. Hampton Sides' superb account of this epic clash relies on years of archival research, unpublished letters, declassified documents, and interviews with scores of Marines and Koreans who survived the siege. While expertly detailing the follies of the American leaders, On Desperate Ground is an immediate, grunt's-eye view of history, enthralling in its narrative pace and powerful in its portrayal of what ordinary men are capable of in the most extreme circumstances. Hampton Sides has been hailed by critics as one of the best nonfiction writers of his generation. As the Miami Herald wrote, "Sides has a novelist's eye for the propulsive elements that lend momentum and dramatic pace to the best nonfiction narratives."

This anthology chronicles the Plains Indians' struggle to maintain their traditional way of life in the changing world of the nineteenth century. Its rich variety of 34 primary sources -- including narratives, myths, speeches, and transcribed oral histories -- gives students the rare opportunity to view the transformation of the West from Native American perspective. Calloway's introduction offers information on western expansion, territorial struggles among Indian tribes, the slaughter of the buffalo, and forced assimilation through the reservation system. More than 30 pieces of Plains Indian art are included, along with maps, headnotes, questions for consideration, a bibliography, a chronology, and an index.