First Published in 1981 The Architectural History of Canterbury Cathedral traces the entire architectural history of the church from Anglo-Saxon times to the present day. Every major epoch of English architecture is represented, from the Norman Conquest to the splendours of the Tudor age. One of the main concerns has been a reconstruction of the two Norman phases – Lanfranc’s cathedral from 1070 and the great choir of St Anselm begun in 1096. Dr Woodman puts forward new and provocative ideas about the architecture of William of Sens and his original proposals for the new Gothic choir and Trinity Chapel. The Perpendicular phases are detailed for the first time, including an important reattribution and redating of the splendid pulpitum. It analyses for the first time the precise areas of building completed by individual master masons, and he discusses details revealed by archaeological excavations and restoration work that are no longer visible. This stimulating study is a must read for scholars and researchers of British architecture, architectural history and architecture in general.

This book includes four hitherto unpublished papers together with a substantial introductory historiographical and bibliographical overview. Many of the studies concern the liturgical views of figures like Lanfranc, St Hugh of Lincoln, and William of Malmesbury (an edition of William’s Abbreviatio Amalarii is included) and the ways Thomas Becket and the Venerable Bede were viewed liturgically. Others reveal the achievement of an 11th-century Canterbury scribe, lay out a hagiographical puzzle as to the saints venerated on the 19th January, ask why calendars come to be attached to psalters, demonstrate that monks at Canterbury Cathedral were still reading Old English homilies in the 1180s, and present a fascinating, previously misunderstood, psalter owned by bishop Ralph Baldock, c.1300. Two final papers deal with ’Sarum’ services in late medieval parish churches and with the devotional practice called St Gregory’s Trental.

Mappa mundi texts and images present a panorama of the medieval world-view, c.1300; the Hereford map studied in close detail. Filled with information and lore, mappae mundi present an encyclopaedic panorama of the conceptual "landscape" of the middle ages. Previously objects of study for cartographers and geographers, the value of medieval maps to scholars in other fields is now recognised and this book, written from an art historical perspective, illuminates the medieval view of the world represented in a group of maps of c.1300. Naomi Kline's detailed examination of the literary, visual, oral and textual evidence of the Hereford mappa mundi and others like it, such as the Psalter Maps, the '"Sawley Map", and the Ebstorf Map, places them within the larger context of medieval art and intellectual history. The mappa mundi in Hereford cathedral is at the heart of this study: it has more than one thousand texts and images of geographical subjects, monuments, animals, plants, peoples, biblical sites and incidents, legendary material, historical information and much more; distinctions between "real" and "fantastic" are fluid; time and space are telescoped, presenting past, present, and future. Naomi Kline provides, for the first time, a full and detailed analysis of the images and texts of the Hereford map which, thus deciphered, allow comparison with related mappae mundi as well as with other texts and images. NAOMI REED KLINE is Professor of Art History at Plymouth State College.

An investigaton of the growth and influence of the cult of St Edmund, and how it manifested itself in medieval material culture.