For as long as he can remember, Blake K. Healy has seen angels and demons. He sees them as clearly as he would see you if you were standing right in front of him. He sees angels dancing in worship services and whispering words of encouragement in people’s ears. He also sees demons latching on to people and perpetuating addiction and bitterness in their hearts. The Veil chronicles how Blake matured in this gifting, while overcoming the fear and confusion of what he saw, how he learned to use his gift of seeing for God’s glory, and how to teach others to do the same. This new and updated version of The Veil also includes a brief guide on how to begin growing in the gift of seeing in the spirit yourself, as well as an appendix of scriptural references to the spirit realm and angels, along with Blake’s commentary on these passages.

A brand new series from New York Times bestselling author Chloe Neill. Seven years ago, the Veil that separates humanity from what lies beyond was torn apart, and New Orleans was engulfed in a supernatural war. Now, those with paranormal powers have been confined in a walled community that humans call the District. Those who live there call it Devil's Isle. Claire Connolly is a good girl with a dangerous secret: she’s a Sensitive, a human endowed with magic that seeped through the Veil. Claire knows that revealing her skills would mean being confined to Devil’s Isle. Unfortunately, hiding her power has left her untrained and unfocused. Liam Quinn knows from experience that magic makes monsters of the weak, and he has no time for a Sensitive with no control of her own strength. But when he sees Claire using her powers to save a human under attack—in full view of the French Quarter—Liam decides to bring her to Devil’s Isle and the teacher she needs, even though getting her out of his way isn’t the same as keeping her out of his head. As more and more Sensitives fall prey to their magic, and unleash their hunger on the city, Claire and Liam must work together to save New Orleans, or else the city will burn…

A shroud of secrecy cloaks a new nineteenth-century sect known simply as the Saints. But that veil is about to be drawn away. Amidst the majestic beauty of 1857 Utah, the members of one secluded religious group claim to want nothing more than to practice their beliefs without persecution. Yet among them are many who engage in secret vows and brutal acts of atonement…all in the name of God. But one young woman, Hannah McClary, dares to question the truth behind the shroud. Soon Hannah and the young man she loves–Lucas Knight, who has been trained from childhood to kill on behalf of the Church–find themselves fighting for their very lives. As a group of unwary pioneer families marches into Utah toward a tragic confrontation with the Saints at a place called Mountain Meadows, Hannah and Lucas are thrust into the most difficult conflict of all–a battle for truth and justice–even as they are learning for the first time about unconditional love, acceptance, and forgiveness.…

In 2004, the French government instituted a ban on the wearing of "conspicuous signs" of religious affiliation in public schools. Though the ban applies to everyone, it is aimed at Muslim girls wearing headscarves. Proponents of the law insist it upholds France's values of secular liberalism and regard the headscarf as symbolic of Islam's resistance to modernity. The Politics of the Veil is an explosive refutation of this view, one that bears important implications for us all. Joan Wallach Scott, the renowned pioneer of gender studies, argues that the law is symptomatic of France's failure to integrate its former colonial subjects as full citizens. She examines the long history of racism behind the law as well as the ideological barriers thrown up against Muslim assimilation. She emphasizes the conflicting approaches to sexuality that lie at the heart of the debate--how French supporters of the ban view sexual openness as the standard for normalcy, emancipation, and individuality, and the sexual modesty implicit in the headscarf as proof that Muslims can never become fully French. Scott maintains that the law, far from reconciling religious and ethnic differences, only exacerbates them. She shows how the insistence on homogeneity is no longer feasible for France--or the West in general--and how it creates the very "clash of civilizations" said to be at the root of these tensions. The Politics of the Veil calls for a new vision of community where common ground is found amid our differences, and where the embracing of diversity--not its suppression--is recognized as the best path to social harmony.

All men know that they must die... It is but reasonable to suppose that God would reveal something in reference to the matter and it is a subject we ought to study more than any other. If we have any claim on our Heavenly Father for anything, it is for knowledge on this important subject (Joseph Smith, History of the Church, Vol. 6 pg. 50). If you enjoyed Return from Tomorrow, if you liked Life after Life, you are going to love Beyond the Veil, Volume III. As I began listening to, and reading [these] stories, I was amazed at the variety of content and experience. I was amazed at the vast abundance of spiritual experiences people are having that have something to do with that thin veil separating us from our spirit brothers and sisters. It is refreshing to know that miracles are happening every day. I hope this book, in its own small way, can add a little strength or momentum to this groundswell. -Lee Nelson

Already a bestseller in France where it was nominated for several literary prizes, this brilliant theological thriller asks--and answers--perhaps the most compelling question there is: "What if God's existence was proven, undeniably and irrefutably?"

In Veil and Vow, Aneeka Ayanna Henderson places familiar, often politicized questions about the crisis of African American marriage in conversation with a rich cultural archive that includes fiction by Terry McMillan and Sister Souljah, music by Anita Baker, and films such as The Best Man. Seeking to move beyond simple assessments of marriage as "good" or "bad" for African Americans, Henderson critically examines popular and influential late twentieth- and early twenty-first-century texts alongside legislation such as the 1996 Defense of Marriage Act and the Welfare Reform Act, which masked true sources of inequality with crisis-laden myths about African American family formation. Using an interdisciplinary approach to highlight the influence of law, politics, and culture on marriage representations and practices, Henderson reveals how their kinship veils and unveils the fiction in political policy as well as the complicated political stakes of fictional and cultural texts. Providing a new opportunity to grapple with old questions, including who can be a citizen, a "wife," and "marriageable," Veil and Vow makes clear just how deeply marriage still matters in African American culture.