In this accessible new study, Toby Lincoln offers the first history of Chinese cities from their origins to the present. Despite being an agricultural society for thousands of years, China had an imperial urban civilization. Over the last century, this urban civilization has been transformed into the world's largest modern urban society. Throughout their long history, Chinese cities have been shaped by interactions with those around the world, and the story of urban China is a crucial part of the history of how the world has become an urban society. Exploring the global connections of Chinese cities, the urban system, urban governance, and daily life alongside introductions to major historical debates and extracts from primary sources, this is essential reading for all those interested in China and in urban history.

From its first designation as temporary capital in 1138, the city of Hangzhou (then called Lin’an) was deemed representative of the diminished empire of the Song (960–1279), in all its contradictory aspects. The exquisite beauty of the city confirmed its destiny to become an imperial residence, but it also portended its fatal corruption. The wealth and ease of Hangzhou epitomized the vigor of the southern empire as well as its oblivious decadence. The city was paramount and feeble, aweinspiring and threatened, the most admired city in the civilized world and a disgrace to the dynastic founders. Rather than perpetuating the debate about the merit of these polemical judgments, the contributors of Senses of the City treat them as expressions of their historical moment, revealing of ideological conviction or aesthetic preference, rather than of historical truth. By reading the sources as expressions of individual experience and political conviction, the contributors defy the impassioned rhetoric of past generations in order to recover the solid ground of historical evidence. Leading scholars of the field, including Beverly Bossler, Stephen West, and Martin Powers have produced essays that relate changes in literary convention to shifts in territorial boundaries, and analyze writing, painting, dance, and music as means by which individual literati placed themselves in time and space. The contributors reestablish the historical connections between writing and meaningful action, between text and world, between the sources and their own words, and between the page and the senses. Their efforts to retrieve the sounds, sights, and smells of Hangzhou from Southern Song texts replicate, in reverse direction, the attempts of twelfth and thirteenthcentury authors to devise effective tropes and suitable genres that would preserve their living impressions of the city in writing.

Since the 1990s, the urban landscape of China has witnessed revolutionary changes that are unrivalled in any country of the world throughout history. Rapid urbanization, facilitated by the modern planning mechanism for growth, provides a feast for property developers. Yet, associated urban problems such as housing affordability, traffic congestion, energy consumption, and environmental deterioration are aggravated. This book takes a historic approach to investigate the planning philosophy, urban form and life of the past. Through a detailed study of urban development from early times through the imperial period with a focus on the Tang-Song dynasties, this book attempts to articulate the good qualities of urban landscapes from the past that still have instructive value for modern practices. The focus on the Tang-Song period is not only because China was the most advanced civilization of its time, but also because it underwent a similar process of 'urbanization', evident by tremendous economic growth, a dramatic rise of urban population, and an extended building boom. Through evaluating the streets, city layout, public places, urban communities, houses and gardens, and using interdisciplinary research in urban planning, urban design, architecture, history, and cultural studies, this book asserts that the past is quintessentially important. The past not only truthfully records the course of social and cultural formation of urban community and its associated physical fabric, but also regulates the directions we may take in the future.

This volume seeks to study the connections between two well-studied epochs in Chinese history: the mid-imperial era of the Tang and Song (ca. 800-1270) and the late imperial era of the late Ming and Qing (1550-1900). Both eras are seen as periods of explosive change, particularly in economic activity, characterized by the emergence of new forms of social organization and a dramatic expansion in knowledge and culture. The task of establishing links between these two periods has been impeded by a lack of knowledge of the intervening Mongol Yuan dynasty (1271-1368). This historiographical "black hole" has artificially interrupted the narrative of Chinese history and bifurcated it into two distinct epochs. This book aims to restore continuity to that historical narrative by filling the gap between mid-imperial and late imperial China. The contributors argue that the Song-Yuan-Ming transition (early twelfth through the late fifteenth century) constitutes a distinct historical period of transition and not one of interruption and devolution. They trace this transition by investigating such subjects as contemporary impressions of the period, the role of the Mongols in intellectual life, the economy of Jiangnan, urban growth, neo-Confucianism and local society, commercial publishing, comic drama, and medical learning.

In this fascinating and detailed profile, Benn paints a vivid picture of life in the Tang Dynasty (618-907), traditionally regarded as the golden age of China. 40 line illustrations.

"Opening up questions about women's lives, about gender, about why we read history at all and how we write it, Patricia Buckley Ebrey has made The Inner Quarters a place we need to enter."—from the Foreword

Just over a thousand years ago, the Song dynasty emerged as the most advanced civilization on earth. Within two centuries, China was home to nearly half of all humankind. In this concise history, we learn why the inventiveness of this era has been favorably compared with the European Renaissance, which in many ways the Song transformation surpassed. With the chaotic dissolution of the Tang dynasty, the old aristocratic families vanished. A new class of scholar-officials—products of a meritocratic examination system—took up the task of reshaping Chinese tradition by adapting the precepts of Confucianism to a rapidly changing world. Through fiscal reforms, these elites liberalized the economy, eased the tax burden, and put paper money into circulation. Their redesigned capitals buzzed with traders, while the education system offered advancement to talented men of modest means. Their rationalist approach led to inventions in printing, shipbuilding, weaving, ceramics manufacture, mining, and agriculture. With a realist’s eye, they studied the natural world and applied their observations in art and science. And with the souls of diplomats, they chose peace over war with the aggressors on their borders. Yet persistent military threats from these nomadic tribes—which the Chinese scorned as their cultural inferiors—redefined China’s understanding of its place in the world and solidified a sense of what it meant to be Chinese. The Age of Confucian Rule is an essential introduction to this transformative era. “A scholar should congratulate himself that he has been born in such a time” (Zhao Ruyu, 1194).