It's school spirit day at Blossom Hill School, and everyone's enjoying the fun. Especially Abby Hunter's teacher, Miss Hershey. She does all sorts of wacky things, like wearing her clothes backward. And there's the new girl at school with a BIG secret. Leslie Groff--with bright red pigtails--dares Abby's class to guess her secret. In just one school day! Can the Cul-de-sac Kids do it? Or will spunky Leslie outsmart them all?

During School Spirit Week, the new girl in school challenges the Cul-de-sac Kids to guess her secret.

Jason Birchall is saving all his money for a super mountain bike. He's been working hard and counting every penny. He's even storing his money in a secret place that no one can find. But Jason's mom is on a health kick, and she's making him eat vegetables...and beans. Jason comes up with a way to hide some of the icky food, but it turns out to be a bad mistake. Will Jason and the Cul-de-sac Kids still be able to come up with a way to get that bike?

When a space scooter race on CLEO-7 becomes a battle between the boys and the girls, the AstroKids need a reminder to work together as a team.

The gang thought Camp Little Dipper would be fun, but instead it proves to be something else entirely. Ages 6-8.

A glimpse into a beloved novelist’s inner world, shaped by family, art, and literature. In her fiction, Claire Messud "has specialized in creating unusual female characters with ferocious, imaginative inner lives" (Ruth Franklin, New York Times Magazine). Kant’s Little Prussian Head and Other Reasons Why I Write opens a window on Messud’s own life: a peripatetic upbringing; a warm, complicated family; and, throughout it all, her devotion to art and literature. In twenty-six intimate, brilliant, and funny essays, Messud reflects on a childhood move from her Connecticut home to Australia; the complex relationship between her modern Canadian mother and a fiercely single French Catholic aunt; and a trip to Beirut, where her pied-noir father had once lived, while he was dying. She meditates on contemporary classics from Kazuo Ishiguro, Teju Cole, Rachel Cusk, and Valeria Luiselli; examines three facets of Albert Camus and The Stranger; and tours her favorite paintings at Boston’s Museum of Fine Arts. In the luminous title essay, she explores her drive to write, born of the magic of sharing language and the transformative powers of “a single successful sentence.” Together, these essays show the inner workings of a dazzling literary mind. Crafting a vivid portrait of a life in celebration of the power of literature, Messud proves once again "an absolute master storyteller" (Rebecca Carroll, Los Angeles Times).