The definitive history of the societal forces affecting blind people in the United States and the professions that evolved to provide services to people who are visually impaired, The Unseen Minority was originally commissioned to commemorate the fiftieth anniversary of the American Foundation for the Blind in 1971. Updated with a new foreword outlining the critical issues that have arisen since the original publication and with time lines presenting the landmark events in the legislative arena, low vision, education, and orientation and mobility, this classic work has never been more relevant.

The inspiring, true coming-of-age story of a ferociously determined young man who, armed only with his intellect and his willpower, fights his way out of despair. In 1993, Cedric Jennings was a bright and ferociously determined honor student at Ballou, a high school in one of Washington D.C.’s most dangerous neighborhoods, where the dropout rate was well into double digits and just 80 students out of more than 1,350 boasted an average of B or better. At Ballou, Cedric had almost no friends. He ate lunch in a classroom most days, plowing through the extra work he asked for, knowing that he was really competing with kids from other, harder schools. Cedric Jennings’s driving ambition—which was fully supported by his forceful mother—was to attend a top college. In September 1995, after years of near superhuman dedication, he realized that ambition when he began as a freshman at Brown University. But he didn't leave his struggles behind. He found himself unprepared for college: he struggled to master classwork and fit in with the white upper-class students. Having traveled too far to turn back, Cedric was left to rely on his intelligence and his determination to maintain hope in the unseen—a future of acceptance and reward. In this updated edition, A Hope in the Unseen chronicles Cedric’s odyssey during his last two years of high school, follows him through his difficult first year at Brown, and tells the story of his subsequent successes in college and the world of work. Eye-opening, sometimes humorous, and often deeply moving, A Hope in the Unseen weaves a crucial new thread into the rich and ongoing narrative of the American experience.

Higher education hails Asian American students as model minorities who face no educational barriers given their purported cultural values of hard work and political passivity. Described as “over-represented,” Asian Americans have been overlooked in discussions about diversity; however, racial hostility continues to affect Asian American students, and they have actively challenged their invisibility in minority student discussions. This study details the history of Asian American student activism at the University of Illinois Urbana-Champaign, as students rejected the university’s definition of minority student needs that relied on a model minority myth, measures of under-representation, and a Black-White racial model, concepts that made them an “unseen unheard minority.” This activism led to the creation on campus of one of the largest Asian American Studies programs and Asian American cultural centers in the Midwest. Their histories reveal the limitations of understanding minority student needs solely along measures of under-representation and the realities of race for Asian American college students.

In Racial Melancholia, Racial Dissociation critic David L. Eng and psychotherapist Shinhee Han draw on case histories from the mid-1990s to the present to explore the social and psychic predicaments of Asian American young adults from Generation X to Generation Y. Combining critical race theory with several strands of psychoanalytic thought, they develop the concepts of racial melancholia and racial dissociation to investigate changing processes of loss associated with immigration, displacement, diaspora, and assimilation. These case studies of first- and second-generation Asian Americans deal with a range of difficulties, from depression, suicide, and the politics of coming out to broader issues of the model minority stereotype, transnational adoption, parachute children, colorblind discourses in the United States, and the rise of Asia under globalization. Throughout, Eng and Han link psychoanalysis to larger structural and historical phenomena, illuminating how the study of psychic processes of individuals can inform investigations of race, sexuality, and immigration while creating a more sustained conversation about the social lives of Asian Americans and Asians in the diaspora.

Making the Invisible Visible is a study of Asian Americans in the workplace and provides a framework through which to transform the same qualities that are contributing to this invisibility phenomenon into a positive leadership approach that provides a counterweight to balance the showmanship approach to leadership.

Explores the minority peoples on their skiffs and herders on the steppe. Closely observing daily life in these remote regions, they document the many lifestyles and adventures of the Chinese natives, among them the visit of an old Catholic fisherman at a church that has been without a priest for over 40 years.

Hundreds of stunning images from Black history have been buried in the New York Times photo archives for decades. Four Times staff members unearth these overlooked photographs and investigate the stories behind them in this remarkable collection. New York Times photo editor Darcy Eveleigh made an unwitting discovery when she found dozens of never-before-published photographs from Black history in the crowded bins of the Times archives in 2016. She and three colleagues, Dana Canedy, Damien Cave, and Rachel L. Swarns, began exploring the often untold stories behind the images and chronicling them in a series entitled “Unpublished Black History” that was later published by the newspaper. Unseen showcases those photographs and digs even deeper into the Times’s archives to include 175 photographs and the stories behind them in this extraordinary collection. Among the entries is a 27-year-old Jesse Jackson leading an anti-discrimination rally in Chicago; Rosa Parks arriving at a Montgomery courthouse in Alabama; a candid shot of Aretha Franklin backstage at the Apollo Theater; Ralph Ellison on the streets of his Manhattan neighborhood; the firebombed home of Malcolm X; and a series by Don Hogan Charles, the first black photographer hired by the Times, capturing life in Harlem in the 1960s. Why were these striking photographs not published? Did the images not arrive in time to make the deadline? Were they pushed aside by the biases of editors, whether intentional or unintentional? Unseen dives deep into the Times’s archives to showcase this rare collection of photographs and stories for the very first time.