In this book Professor Baldry describes the development of the unity of mankind amongst the Greeks from Homer to Cicero when, although the traditional divisions and prejudices still remained string, the idea of unity had become part of the outlook of civilised man.

In The Pity of Achilleus, Jinyo Kim examines how the major themes of the Iliad--Achilleus' 'wrath, ' heroic values such as honor and glory, and human mortality and suffering, to mention the most widely recognized--are connected to each other in a way that reveals the poem's structural coherence and unity. Kim asks whether Achilleus' pity toward Priam at the poem's close is, as is widely believed, a poetic deus ex machina. In other words, is the conception of Achilleus' pity an expression of a 'later' and 'more civilized' era, as a way of 'correcting' the warlike savagery that is an undeniable and significant part of the poem? She concludes, rather, that Achilleus' final reconciliation with the old king of Troy-- his 'enemy' according to the warrior ethos in the Iliad-- represents the integral and ultimate resolution of the theme of Achilleus' 'wrath' that is announced in the poem's opening lines. This book will be valuable for students and scholars of classical literature and classical civilization.

With an introduction to the oral tradition which lay at the source of the Homeric epics and a discussion on the reception of the Homeric poems in Antiquity, this volume explores the mysterious figure of Homer, an author about whom little is known. Ruth Webb's translation is a revised and much expanded version of the original French text.

Andrew Ford here addresses, in a manner both engaging and richly informed, the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Through fresh readings of the Iliad and the Odyssey, and referring to other early epics as well, Ford deepens our understanding of what poetry was at a time before written texts, before a developed sense of authorship, and before the existence of institutionalized criticism. Placing what is known about Homer's art in the wider context of Homer's world, Ford traces the effects of the oral tradition upon the development of the epic and addresses such issues as the sources of the poet's inspiration and the generic constraints upon epic composition. After exploring Homer's poetic vocabulary and his fictional and mythical representations of the art of singing, Ford reconstructs an idea of poetry much different from that put forth by previous interpreters. Arguing that Homer grounds his project in religious rather than literary or historical terms, he concludes that archaic poetry claims to give a uniquely transparent and immediate rendering of the past. Homer: The Poetry of the Past will be stimulating and enjoyable reading for anyone interested in the traditions of poetry, as well as for students and scholars in the fields of classics, literary theory and literary history, and intellectual history.