Travel across the pond and bear witness to the grand unveiling of the Union! A team of super heroes gathered from all over the United Kingdom, including Union Jack, Snakes, Kelpie, Choir - and their fearless leader, Brittania! Proud to represent their nation, the Union believes they're ready to take on any foe. But when disaster strikes during their public debut, the fledgling team immediately finds themselves pushed to their very limits!

The grand unveiling of the Union! A team of super heroes gathered from across the United Kingdom - including Union Jack, Snakes, Kelpie, Choir and their fearless leader, Britannia! But when the alien god Knull and his symbiote dragons attack Earth, the fledgling team finds itself immediately pushed to its limits! The heroes of the Union must battle for their lives (and one another) as the King in Black's invasion reaches its crescendo! And who are Bulldog and Doc Croc? One will join them, but the other may destroy them! Thrust onto the global stage just as a devastating blow to the team rocks it to its very core, will the members of the Union prove themselves - or crumble under the pressure as the entire world watches? Collects THE UNION #1-5.

This wide-ranging and ground-breaking book, especially relevant given Brexit and renewed Scottish independence campaigning, provides in-depth analysis of ways Scottishness has been performed and modified over the centuries. Alongside theatre, television, comedy, and film, it explores performativity in public events, Anglo-Scottish relations, language and literary practice, the Scottish diaspora and concepts of nation, borders and hybridity. Following discussion of the 1320 Declaration of Arbroath and the real meanings of the 1706/7 Treaty of Union, it examines the differing perceptions of what the ‘United Kingdom’ means to Scots and English. It contrasts the treatment of Shakespeare and Burns as ‘national bards’ and considers the implications of Scottish scholars’ invention of ‘English Literature’. It engages with Scotland’s language politics –rebutting claims of a ‘Gaelic Gestapo’ – and how borders within Scotland interact. It replaces myths about ‘tartan monsters’ with level-headed evidence before discussing in detail representations of Scottishness in domestic and international media.

England's Insular Imagining is vital reading for anyone interested in British nationhood. It shows how the English used Geoffrey of Monmouth's mythical 'British History' (1137) first to justify an attempted Scottish conquest, then to make Scotland's nationhood vanish in new literary, legal and cartographic figurations of English sea-sovereignty.

Though British history and identity in the early modern period are intensively researched areas, the role of literature in the construction of 'Britishness' is under-examined. English history of the sixteenth and seventeenth centuries often overlooks the contribution of Ireland, Scotland and Wales to the formation of the British state. Historians describe 'Britain' as a multiple kingdom, with a long history of conflict. In this 2002 volume, a team of leading Renaissance literary critics read a broad range of texts from the period, including plays of Shakespeare, in light of British history. Prominent historians respond to the issues raised by the volume. This collection opened up a different kind of literary history and has pressing relevance for discussions of 'Britishness'.

Challenging the dominant view of a broken and discontinuous dramatic culture in Scotland, this book outlines the variety and richness of the nation ́s performance traditions and multilingual theatre history. Brown illuminates enduring strands of hybridity and diversity which use theatre and theatricality as a means of challenging establishment views, and of exploring social, political, and religious change. He describes the ways in which politically and religiously divisive moments in Scottish history, such as the Reformation and political Union, fostered alternative dramatic modes and means of expression. This major revisionist history also analyses the changing relationships between drama, culture, and political change in Scotland in the 20th and 21st centuries, drawing on the work of an extensive range of modern and contemporary Scottish playwrights and drama practitioners. Ian Brown is a playwright, poet and Professor of Drama at Kingston University, London. Until recently Chair of the Scottish Society of Playwrights, he was General Editor of the Edinburgh History of Scottish Theatre (EUP, 2007) and editor of From Tartan to Tartanry: Scottish Culture, History and Myth (EUP, 2010) and The Edinburgh Companion to Scottish Drama (EUP, 2011). He has published widely on theatre, cultural policy and literature and language.

This volume provides a fresh perspective on the ways in which writers have dealt with the relationship between literature and union, especially in Scottish literary contexts. It interrogates, from various angles, the assumption of a binary opposition between organic Scottish values and those supposedly imposed by an overbearing imperial England.