This classic book is a powerful indictment of contemporary attitudes to race. By accusing British intellectuals and politicians on both sides of the political divide of refusing to take race seriously, Paul Gilroy caused immediate uproar when this book was first published in 1987. A brilliant and explosive exploration of racial discourses, There Ain’t No Black in the Union Jack provided a powerful new direction for race relations in Britain. Still dynamite today and as relevant as ever, this Routledge Classics edition includes a new introduction by the author.

Known the world over as a symbol of the United Kingdom, the Union Jack is an intricate construction based on the crosses of St, George, St, Andrew and St, Patrick. Nick Groom traces its long and fascinating past, from the development of the Royal Standard and 17th-century clashes over the precise balance of the English and Scottish elements of the first Union Jack to the modern controversies over the flag as a symbol of empire and its exploitation by ultra-rightwing political groups.

The British Labour Party has at times been a force for radical change in the UK, but one critical aspect of its makeup has been consistently misunderstood and underplayed: its Britishness. Throughout the party's history, its Britishness has been an integral part of how it has done politics, acted in government and opposition, and understood the UK and its nations and regions. The People's Flag and the Union Jack is the first comprehensive account of how Labour has tried to understand Britain and Britishness and to compete in a political landscape defined by conservative notions of nation, patriotism and tradition. At a time when many of the party faithful regard national identity as a toxic subject, academics Gerry Hassan and Eric Shaw argue that Labour's Britishness and its ambiguous relationship with issues of nationalism matter more today than ever before, and will continue to matter for the foreseeable future, when the UK is in fundamental crisis. As debate rages about Brexit, and the prospect of Scottish independence remains live, this timely intervention, featuring contributions from a wealth of pioneering thinkers, offers an illuminating and perceptive insight into Labour's past, present and future.

Union Jack faces a host of deadly foes, including the vile vampire Baroness Blood, as he defends Britain from all threats. Illustrated by fan favourite John Cassaday (Astonishing X-Men).

Spinning out of Captain America, Britain's premiere super hero has mere hours to prevent multiple terrorist attacks on London by an army of super-villains! Union Jack leads Sabra and the new Arabian Knight into battle! But when his boss at MI5 risks innocent lives to bring down the enemy, Union Jack faces a tough choice - and the fate of London itself rests on his decision. Don't miss the book that redefines Union Jack for the 21st century, with stunning pencils by fan-favorite Captain America artist Mike Perkins! Guest-starring Sabra, Arabian Knight, Batroc the Leaper, Machette, Zaran, Boomerang, Crossfire, Jack O'lantern, Shockwave and more! Collects Union Jack #1-4.

‘As my future crumbled before my eyes, I grasped for the rope. My entire life’s struggle was ending here, in plain view of my enemies. How was it possible? How had I let things come to this?’ This is not the story of a celebrity sportsman. It’s not the story of a life covered in glory with its attendant cavalcade of famous friends, easy wins and glamorous encounters. Errol Christie may have been one of the most promising British boxers of his generation – a Fight Night poster boy, captain of the England boxing team, English and European champion, and a cocky, Ali-esque dancer with a reputation for devastating early knockouts – but this is not that story. This is a story about fighting. Coventry in the dying days of the Seventies was a tough place to grow up – especially if you were poor and black. At the same time as the young Errol Christie was raising the flag in the ring, his fists were seeing off skinhead tormentors and NF bootboys on the streets. Britain was sickening from a vicious racial divide, and even when the big time turned up Errol soon discovered that a black boxer who refused to play by the rules – white rules – would never be tolerated. In 1985, after a string of professional knockouts, Errol faced Mark Kaylor in a brutal bout that tore open the country’s simmering racial enmities. In the eighth round he went down – and stayed down, the roar of the hard right in his ears. But the years that followed would see Errol square up against a far tougher adversary – as he found himself out in the cold, struggling to get by, and alone with only his own shattered confidence and no place to hide.