The Undiscovered Chekhov gives us, in rich abundance, a new Chekhov. Peter Constantine's historic collection presents 38 new stories and with them a fresh interpretation of the Russian master. In contrast to the brooding representative of a dying century we have seen over and over, here is Chekhov's work from the 1880s, when Chekhov was in his twenties and his writing was sharp, witty and innovative. Many of the stories in The Undiscovered Chekhov reveal Chekhov as a keen modernist. Emphasizing impressions and the juxtaposition of incongruent elements, instead of the straight narrative his readers were used to, these stories upturned many of the assumptions of storytelling of the period. Here is "Sarah Bernhardt Comes to Town," written as a series of telegrams, beginning with "Have been drinking to Sarah's health all week! Enchanting! She actually dies standing up!..." In "Confession...," a thirty-nine year old bachelor recounts some of the fifteen times chance foiled his marriage plans. In "How I Came to be Lawfully Wed," a couple reminisces about the day they vowed to resist their parents' plans that they should marry. And in the more familiarly Chekhovian "Autumn," an alcoholic landowner fallen low and a peasant from his village meet far from home in a sad and haunting reunion in which the action of the story is far less important than the powerful impression it leaves with the reader that each man must live his life and has his reasons.

A revelatory portrait of Chekhov during the most extraordinary artistic surge of his life. In 1886, a twenty-six-year-old Anton Chekhov was publishing short stories, humor pieces, and articles at an astonishing rate, and was still a practicing physician. Yet as he honed his craft and continued to draw inspiration from the vivid characters in his own life, he found himself—to his surprise and ocassional embarassment—admired by a growing legion of fans, including Tolstoy himself. He had not yet succumbed to the ravages of tuberculosis. He was a lively, frank, and funny correspondant and a dedicated mentor. And as Bob Blaisdell discovers, his vivid articles, stories, and plays from this period—when read in conjunction with his correspondence—become a psychological and emotional secret diary. When Chekhov struggled with his increasingly fraught engagement, young couples are continually making their raucous way in and out of relationships on the page. When he was overtaxed by his medical duties, his doctor characters explode or implode. Chekhov’s talented but drunken older brothers and Chekhov’s domineering father became transmuted into characters, yet their emergence from their families serfdom is roiling beneath the surface. Chekhov could crystalize the human foiibles of the people he knew into some of the most memorable figures in literature and drama. In Chekhov Becomes Chekhov, Blaisdell astutely examines the psychological portraits of Chekhov's distinct, carefully observed characters and how they reflect back on their creator during a period when there seemed to be nothing between his imagination and the paper he was writing upon.

The essays collected in this book constitute a new contribution to our understanding of the originality and significance of Chekhov’s prose. A close textual analysis of his work is provided, and especially of previously neglected works—some long overdue for in-depth investigation—that Chekhov himself rightfully considered to be masterpieces. Analysis of both these and other previously analyzed works offers a new interpretation which contrasts with those offered by previous Chekhov scholars. Works examined include those dealing with Chekhov’s astonishingly accurate and artistic portrayal of a wide variety of illnesses—without the use of any medical terms. These works are shown to be not mere “clinical studies,” but genuine, impressive works of art. The author, who suffered half of his life from tuberculosis, effectively portrayed many characters afflicted with this disease which was incurable at the time. Many of these works reveal an indisputable symbiosis of the doctor and the artist. Chekhov maintained that “in Goethe the poet lived amicably side by side with the scientist”—a fitting description of him as well. Doctors, the most frequently portrayed characters in Chekhov’s oeuvre are appropriately subjected to extensive analysis, as are the themes of fate and death and dying that figure so prominently in Chekhov’s work. Attention is accorded to imaginative fictional works dealing with philosophy and the theme of crime and punishment, as well as The Island of Sakhalin, a narrative of non-fictional sociological content.

In his brief life, Chekhov was a doctor, essayist, dramatist and a humanitarian. He saw no conflict between art and science or art and medicine. This collection of stories presents powerful portraits of doctors in their everyday lives, struggling with their own personal problems.

Stories by a 19th century Russian master, written for newspapers and magazines when he was an unknown. In one, a man discovers he does not have the money to pay for the goods he bought, another is on an arranged engagement.

Chekhov's works are unflinching in the face of human frailty. With their emphasis on the dignity and value of individuals during unique moments, they help us better understand how to exist with others when we are fundamentally alone. Written in Russia at the end of the nineteenth century, when the country began to move fitfully toward industrialization and grappled with the influence of Western liberalism even as it remained an autocracy, Chekhov's plays and stories continue to influence contemporary writers. The essays in this volume provide classroom strategies for teaching Chekhov's stories and plays, discuss how his medical training and practice related to his literary work, and compare Chekhov with writers both Russian and American. The volume also aims to help instructors with the daunting array of new editions in English, as well as with the ever-growing list of titles in visual media: filmed theater productions of his plays, adaptations of the plays and stories scripted for film, and amateur performances freely available online.