In this erudite and gracefully written ethnography, Mariane Ferme explores the links between a violent historical and political legacy, and the production of secrecy in everyday material culture. The focus is on Mende-speaking southeastern Sierra Leone and the surrounding region. Since 1990, this area has been ravaged by a civil war that produced population displacements and regional instability. The Underneath of Things documents the rural impact of the progressive collapse of the Sierra Leonean state in the past several decades, and seeks to understand how an even earlier history is reinscribed in the present.

There is nothing lonelier than a cat who has been loved, at least for a while, and then abandoned on the side of the road. A calico cat, about to have kittens, hears the lonely howl of a chained-up hound deep in the backwaters of the bayou. She dares to find him in the forest, and the hound dares to befriend this cat, this feline, this creature he is supposed to hate. They are an unlikely pair, about to become an unlikely family. Ranger urges the cat to hide underneath the porch, to raise her kittens there because Gar-Face, the man living inside the house, will surely use them as alligator bait should he find them. But they are safe in the Underneath...as long as they stay in the Underneath. Kittens, however, are notoriously curious creatures. And one kitten’s one moment of curiosity sets off a chain of events that is astonishing, remarkable, and enormous in its meaning. For everyone who loves Sounder, Shiloh, and The Yearling, for everyone who loves the haunting beauty of writers such as Marjorie Kinnan Rawlings, Flannery O’Connor, and Carson McCullers, Kathi Appelt spins a harrowing yet keenly sweet tale about the power of love—and its opposite, hate—the fragility of happiness and the importance of making good on your promises.

With New Agey parents and a Pakistani heritage, it might have been difficult for Sunny Pryce-Shah to fit in. Thankfully, she had her older, popular cousin Shiri to talk to—until now. Shiri’s shocking suicide brings heart-wrenching pain and grief, and also seems to have triggered a new and disturbing ability in Sunny: hearing people’s thoughts.

"A delicious novel full of wonderfully unexpected twists and turns where you can't help but root for plucky thief Gemma and fish-out-of-water prince Tollan. If you love court intrigues, political backstabbings, romance, and heartbreak, then read this book!" - Rin Chupeco In a city on the brink of war, it isn't a king that the people need to save them—but a thief queen from Under. Yigris is a world divided—where aristocrats in Above rule from grand palaces, and thieves, sex workers, and assassins reign in the shadowy tunnels of Under. When the leaders of Above and Under are both murdered on the same night, the fissure between the two opposite worlds grows and suspicion threatens to break the tenuous peace. Gemma, a former orphan-thief and new queen of Under, and Tollan, heir to the Above throne, must salvage a truce to rescue the city. But they soon discover that the conflict is far bigger than two murders, as the city falls into an enchanted sleep and a cage of deadly brambles slowly ensnares the streets, buildings, and tunnels of both districts. With the fate of Yigris at stake, only Gemma and Tollan have the power to prevent another civil war from tearing their world apart forever.

Underneath Everything is a seductive, gorgeously written debut about two girls bound by an obsessive and toxic friendship, perfect for fans of Lauren Oliver and Courtney Summers. Mattie shouldn't be at the bonfire. She should be finding new maps for her collection, hanging out with Kris, and steering clear of almost everyone else, especially Jolene. After all, Mattie and Kris dropped off the social scene the summer after sophomore year for a reason. But now Mattie is a senior, and she's sick of missing things. So here she is. And there's Jolene: Beautiful. Captivating. Just like the stories she wove. Mattie would know—she used to star in them. She and Jolene were best friends. Mattie has the scar on her palm to prove it, and Jolene has everything else, including Hudson. But when Mattie runs into Hudson and gets a glimpse of what could have been, she decides to take it all back: the boyfriend, the friends, the life she was supposed to live. Problem is, Mattie can't figure out where Jolene's life ends and hers begins. Because there's something Mattie hasn't told anyone: She walked away from Jolene over a year ago, but she never really left.

In 2002, as Sierra Leone prepared to announce the end of its brutal civil war, the distinguished anthropologist, poet, and novelist Michael Jackson returned to the country where he had intermittently lived and worked as an ethnographer since 1969. While his initial concern was to help his old friend Sewa Bockarie (S. B.) Marah—a prominent figure in Sierra Leonean politics—write his autobiography, Jackson’s experiences during his stay led him to create a more complex work: In Sierra Leone, a beautifully rendered mosaic integrating S. B.’s moving stories with personal reflections, ethnographic digressions, and meditations on history and violence. Though the Revolutionary United Front (R.U.F.) ostensibly fought its war (1991–2002) against corrupt government, the people of Sierra Leone were its victims. By the time the war was over, more than fifty thousand were dead, thousands more had been maimed, and over one million were displaced. Jackson relates the stories of political leaders and ordinary people trying to salvage their lives and livelihoods in the aftermath of cataclysmic violence. Combining these with his own knowledge of African folklore, history, and politics and with S. B.’s bittersweet memories—of his family’s rich heritage, his imprisonment as a political detainee, and his position in several of Sierra Leone’s post-independence governments—Jackson has created a work of elegiac, literary, and philosophical power.

A reckless woman, a story of violence, the possibility of redemption... Ex-journalist Kay and her family are spending the summer in a rented farmhouse in Vermont. Kay is haunted by her traumatic past in Africa, and is struggling with her troubled marriage and the constraints of motherhood. Then her husband is called away unexpectedly on business and Kay finds herself alone with the children, obsessed by the idea that something terrible has happened to the owners of the house. The locals are reticent when she asks about their whereabouts; and she finds disturbing writing scrawled across one of the walls. As she starts to investigate she becomes involved with a local man, Ben, whose life is complicated by his own violent past, his involvement in a drug-trafficking operation, and his desire to adopt an abused child. Their two stories collide and intertwine, heading towards a dramatic denouement. The Underneath is a tense, intelligent, beautifully written thriller which is also a considered exploration of violence, both personal and national, and whether it can ever be justified.