‘I’m about to make you an offer you can’t refuse.’ Tiffany Davis takes her first delicious step into the exclusive masquerade ball hosted by the secretive Q Virtus gentlemen’s club. There, behind the mask, Tiffany can hide her scars and reveal her true self: a powerful businesswoman with an offer for the President of Bregnovia, Ryzard Vrbancic.

In the special edition of #1 New York Times bestselling author Stephanie Laurens' The Edge of Desire, receive a free bonus excerpt from her new book, The Lady Risks All, available wherever books are sold September 25th! In The Edge of Desire, they proved their bravery fighting for His Majesty's Secret Service and were rewarded with brides of great beauty and breeding. But one member of the Bastion Club has remained a bachelor . . . until now. "Christian, I need your help. There is no one else I can turn to . . . L." When Christian Allardyce, 6th Marquess of Dearne, reads those words, his world turns upside down. Lady Letitia Randall is a woman like no other, and the day he left her behind to fight for king and country was the most difficult of his life. He never forgot the feel of her lips against his, but never expects to see her again. Yet now she seeks his help, and Christian knows he will not resist her plea. Letitia believes that Christian abandoned her when she needed him most, and she hates to call on his aid. But to clear her brother's name, she has sworn to use every weapon at her command, even if it means seducing her ex-lover. Yet all the while, Christian is waging a war of his own—a campaign of pure pleasure and sweet revenge that will take them both beyond The Edge of Desire.

Which sort of seducer could you be? Siren? Rake? Cold Coquette? Star? Comedian? Charismatic? Or Saint? This book will show you which. Charm, persuasion, the ability to create illusions: these are some of the many dazzling gifts of the Seducer, the compelling figure who is able to manipulate, mislead and give pleasure all at once. When raised to the level of art, seduction, an indirect and subtle form of power, has toppled empires, won elections and enslaved great minds. In this beautiful, sensually designed book, Greene unearths the two sides of seduction: the characters and the process. Discover who you, or your pursuer, most resembles. Learn, too, the pitfalls of the anti-Seducer. Immerse yourself in the twenty-four manoeuvres and strategies of the seductive process, the ritual by which a seducer gains mastery over their target. Understand how to 'Choose the Right Victim', 'Appear to Be an Object of Desire' and 'Confuse Desire and Reality'. In addition, Greene provides instruction on how to identify victims by type. Each fascinating character and each cunning tactic demonstrates a fundamental truth about who we are, and the targets we've become - or hope to win over. The Art of Seduction is an indispensable primer on the essence of one of history's greatest weapons and the ultimate power trip. From the internationally bestselling author of The 48 Laws of Power, Mastery, and The 33 Strategies Of War.

When Devil, the most infamous member of the Cynster family, is caught in a compromising position with plucky governess Honoria Wetherby, he astonishes the entire town by offering his hand in marriage. No one dreamed this scandalous rake would ever take a bride. And as society mamas swooned at the loss of England′s most eligible bachelor, Devil′s infamous Cynster cousins began to place wagers on the wedding date. But Honoria wasn′t about to bend society′s demands and marry a man "just" because they′d been found together virtually unchaperoned. No, she craved adventure, and while solving the murder of a young Cynster cousin fit the bill for a while, she decided that once the crime was solved she′d go off to see the world. But the scalding heat of her unsated desire for Devil soon had Honoria craving a very different sort of excitement. Could her passion for Devil cause her to embrace the enchanting peril of a lifelong adventure of the heart?

James L. Machor offers a sweeping exploration of how American fiction was received in both public and private spheres in the United States before the Civil War. Machor takes four antebellum authors—Edgar Allan Poe, Herman Melville, Catharine Sedgwick, and Caroline Chesebro'—and analyzes how their works were published, received, and interpreted. Drawing on discussions found in book reviews and in private letters and diaries, Machor examines how middle-class readers of the time engaged with contemporary fiction and how fiction reading evolved as an interpretative practice in nineteenth-century America. Through careful analysis, Machor illuminates how the reading practices of nineteenth-century Americans shaped not only the experiences of these writers at the time but also the way the writers were received in the twentieth century. What Machor reveals is that these authors were received in ways strikingly different from how they are currently read, thereby shedding significant light on their present status in the literary canon in comparison to their critical and popular positions in their own time. Machor deftly combines response and reception criticism and theory with work in the history of reading to engage with groundbreaking scholarship in historical hermeneutics. In so doing, Machor takes us ever closer to understanding the particular and varying reading strategies of historical audiences and how they impacted authors’ conceptions of their own readership.

When first published, Marshall McLuhan's Understanding Media made history with its radical view of the effects of electronic communications upon man and life in the twentieth century.