* Finalist for the National Book Award for Translated Literature * An engrossing, incantatory novel about the legacy of historical crimes by the author of Space Invaders It is 1984 in Chile, in the middle of the Pinochet dictatorship. A member of the secret police walks into the office of a dissident magazine and finds a reporter, who records his testimony. The narrator of Nona Fernández’s mesmerizing and terrifying novel The Twilight Zone is a child when she first sees this man’s face on the magazine’s cover with the words “I Tortured People.” His complicity in the worst crimes of the regime and his commitment to speaking about them haunt the narrator into her adulthood and career as a writer and documentarian. Like a secret service agent from the future, through extraordinary feats of the imagination, Fernández follows the “man who tortured people” to places that archives can’t reach, into the sinister twilight zone of history where morning routines, a game of chess, Yuri Gagarin, and the eponymous TV show of the novel’s title coexist with the brutal yet commonplace machinations of the regime. How do crimes vanish in plain sight? How does one resist a repressive regime? And who gets to shape the truths we live by and take for granted? The Twilight Zone pulls us into the dark portals of the past, reminding us that the work of the writer in the face of historical erasure is to imagine so deeply that these absences can be, for a time, spectacularly illuminated.

The Twilight Zone explores the possibilities inhering in the ordinary. A Twilight Zone episode can move us by being poignant and intimate, rambunctious or thought provoking. It can also be orchestrated as a set of intertwined plot developments or as a serial progression. But regardless of whether it takes place on an asteroid, in a city pool room, or in the backwoods, it will usually convey both a folklorist's eye for detail and the born raconteur's sense of pace. Rod Serling, the show's founder, main scriptwriter, and artistic director, knew how much burden he could place on his rhetorical and dramatic gifts. Deservedly celebrated as a pioneer in TV science fiction, he also writes about history and loyalty, the grip of everyday reality, and the dangers of both forgetting about one's ghosts and giving them the upper hand.

Can you live your life by what The Twilight Zone has to teach you? Yes, and maybe you should. The proof is in this lighthearted collection of life lessons, ground rules, inspirational thoughts, and stirring reminders found in Rod Serling’s timeless fantasy series. Written by veteran TV critic, Mark Dawidziak, this unauthorized tribute is a celebration of the classic anthology show, but also, on another level, a kind of fifth-dimension self-help book, with each lesson supported by the morality tales told by Serling and his writers. The notion that “it’s never too late to reinvent yourself” soars through “The Last Flight,’’ in which a World War I flier who goes forward in time and gets the chance to trade cowardice for heroism. A visit from an angel blares out the wisdom of “follow your passion” in “A Passage for Trumpet.” The meaning of “divided we fall” is driven home with dramatic results when neighbors suspect neighbors of being invading aliens in “The Monsters Are Due on Maple Street.” The old maxim about never judging a book by its cover is given a tasty twist when an alien tome is translated in “To Serve Man.”

Richard Matheson, author of "I Am Legend," has captivated, inspired, and terrified three generations of horror, fantasy, and science fiction fans. This work is the first complete celebration of the man and his formidable legacy.

A visually stunning backstage glimpse through time and space into the history and making of Rod Serling's The Twilight Zone. This is an invitation to explore a portion of the show's archives: over 300 original behind-the-scenes production stills taken during filming, accompanied by insightful captions, rare documents and interviews with 40 producers, directors, writers and actors who worked on the series including Bill Murray and Earl Hammer, Jr. With a foreword by Neil Gaiman.