“A book to hold against your heart long after the last page is turned.” —New York Times bestselling author Susan Wiggs This warm and heartfelt novel will appeal to avid followers of Reese’s Book Club picks. Twenty captures the provocative moral questions presented in the works of Jodi Picoult but with a hint of mystical wonder. What happens when you decide to go…right when you finally learn how to live again…. “Along with naming me Marguerite after her favorite daisy, Mama gave me three things: Red hair that hasn’t faded. A love of nature. And a belief that somewhere between heaven and earth there is magic.” At age fifty-five, Meg’s life is too filled with loss for her to remember what magic feels like. All she has left is a yard brimming with plants that are wilting in the scorching Iowa summer—and a bone-deep feeling that she’s through with living. Meg has something else too: a bottle of mysterious pills, given to her years ago by an empathetic doctor. He promised that they would offer her dying mother a quick, painless end in exactly twenty days. Though her mother never needed them, Meg does. But a strange thing happens after Meg swallows the little green pearls . . . Now that she’s decided to leave this world, Meg is rediscovering the joy in it. She sheds everything she no longer needs—possessions, regrets, guilt—and reconnects with those she cares for. Finally confronting the depth of her grief, she’s learning that love runs deeper still. But is it too late to choose to stay? “Twenty reminds us to live with our hearts wide open even when they’ve been broken, and how to love even when it hurts.” —Julie Cantrell, New York Times and USA Today bestselling author of Perennials “Written with such strong and heartfelt faith in the magic and power of never-ending love, it will renew your own.” —Judy Reene Singer, author of In the Shadow of Alabama

An NPR Best Book of the Year Written during the height of the 1970s Italian domestic terror, a cult novel, with distinct echoes of Lovecraft and Borges, makes its English-language debut. In the spare wing of a church-run sanatorium, some zealous youths create "the Library," a space where lonely citizens can read one another’s personal diaries and connect with like-minded souls in "dialogues across the ether." But when their scribblings devolve into the ugliest confessions of the macabre, the Library’s users learn too late that a malicious force has consumed their privacy and their sanity. As the city of Turin suffers a twenty-day "phenomenon of collective psychosis" culminating in nightly massacres that hundreds of witnesses cannot explain, the Library is shut down and erased from history. That is, until a lonely salaryman decides to investigate these mysterious events, which the citizenry of Turin fear to mention. Inevitably drawn into the city’s occult netherworld, he unearths the stuff of modern nightmares: what’s shared can never be unshared. An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a fervent cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fueled by social media, we can find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet—and the apocalyptic repercussions of oversharing—this bleak, prescient story is more disturbingly pertinent than ever. Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters such as Edgar Allan Poe and H. P. Lovecraft. Hauntingly imaginative, with visceral prose that chills to the marrow, the novel is an eerily clairvoyant magnum opus, long overdue but ever timely.

Winner of the 2014 John Collier Jr. Award Winner of the Jo Anne Stolaroff Cotsen Prize Life at Home in the Twenty-First Century cross-cuts the ranks of important books on social history, consumerism, contemporary culture, the meaning of material culture, domestic architecture, and household ethnoarchaeology. It is a distant cousin of Material World and Hungry Planet in content and style, but represents a blend of rigorous science and photography that these books can claim. Using archaeological approaches to human material culture, this volume offers unprecedented access to the middle-class American home through the kaleidoscopic lens of no-limits photography and many kinds of never-before acquired data about how people actually live their lives at home. Based on a rigorous, nine-year project at UCLA, this book has appeal not only to scientists but also to all people who share intense curiosity about what goes on at home in their neighborhoods. Many who read the book will see their own lives mirrored in these pages and can reflect on how other people cope with their mountains of possessions and other daily challenges. Readers abroad will be equally fascinated by the contrasts between their own kinds of materialism and the typical American experience. The book will interest a range of designers, builders, and architects as well as scholars and students who research various facets of U.S. and global consumerism, cultural history, and economic history.

Dying St. Louis is turned inside-out by the appointment of a charismatic young woman from Bombay as police chief, an act which launches the city's prominent citizens into political conspiracy. Franzen's first novel is already a classic of contemporary fiction.

A six-hundred-mile canoe trip in the Canadian wilderness is a seventeen-year-old's dream adventure, but after he is mauled by a grizzly bear, it's all about staying alive. This true-life wilderness survival epic recounts seventeen-year-old Alex Messenger's near-lethal encounter with a grizzly bear during a canoe trip in the Canadian tundra. The story follows Alex and his five companions as they paddle north through harrowing rapids and stunning terrain. Twenty-nine days into the trip, while out hiking alone, Alex is attacked by a barren-ground grizzly. Left for dead, he wakes to find that his summer adventure has become a struggle to stay alive. Over the next hours and days, Alex and his companions tend his wounds and use their resilience, ingenuity, and dogged perseverance to reach help at a remote village a thousand miles north of the US-Canadian border. The Twenty-Ninth Day is a coming-of-age story like no other, filled with inspiring subarctic landscapes, thrilling riverine paddling, and a trial by fire of the human spirit.

Terrorism in the Twenty-First Century helps readers understand terrorism, responses to it, and current trends that affect the future of this phenomenon. Putting terrorism into historical perspective and analyzing it as a form of political violence, this text presents the most essential concepts, the latest data, and numerous case studies to promote effective analysis of terrorist acts. Terrorism in the Twenty-First Century objectively breaks down the who-what-why-how of terrorism, giving readers a way both to understand patterns of behavior and to more critically evaluate forthcoming patterns. New to the 8th Edition Provides a more intense exploration of religion as a primary cause of contemporary terrorism. Focuses on the role of social media in recruitment and propaganda. Examines the radicalization and recruitment by ISIS to fighting and to domestic young people to carry out attacks at home. Explores the growing threat – and reality – of cyber attacks. Updates the material on the networking of terrorism today.