Edgar Wallace's 'The Twelve African Novels' is a remarkable collection that showcases the complexities of African society and culture through a series of intriguing stories. Written in a gripping and engaging literary style, each novel offers a unique perspective on various aspects of African life, from tribal customs to colonial experiences. Wallace's attention to detail and vivid storytelling bring the characters and settings to life, immersing readers in the rich tapestry of African narratives. This collection is a valuable contribution to African literature, providing a nuanced and authentic portrayal of the continent's diverse heritage. Edgar Wallace, known for his extensive travels and keen interest in different cultures, brings a deep understanding of Africa to these novels, offering readers a truly immersive and enlightening reading experience. His passion for storytelling and dedication to authentic representation shine through in each of the twelve tales, making this collection a must-read for anyone interested in African literature or cultural studies.

The Twelve Best Books by African Women is a collection of critical essays on eleven works of fiction and one play, an important but belated affirmation of women writers on the continent and a first step toward establishing a recognized canon of African women's literature.

Edgar Wallace's 'African Novels: Premium Collection of ALL 12 Novels' is a comprehensive collection of riveting tales set in the exotic landscapes of Africa. Wallace's literary style encompasses thrilling adventures, intricate mysteries, and vivid descriptions of the African continent, capturing the essence of the colonial era. Each novel showcases the author's masterful storytelling skills, keeping readers engaged from start to finish. The collection provides a window into the historical context of Africa during the early 20th century, offering valuable insights into the complexities of race, power, and identity during that time. Readers can expect a captivating blend of suspense, drama, and cultural exploration in these timeless works.

Engaging questions of language, identity, and reception to restore South African and diaspora writing to the African literary tradition

An ambitious look at the African novel and its connections to African philosophy in the twentieth and twenty-first centuries The African Novel of Ideas focuses on the role of the philosophical novel and the place of philosophy more broadly in the intellectual life of the African continent, from the early twentieth century to today. Examining works from the Gold Coast, South Africa, Uganda, and Zimbabwe, and tracing how such writers as J. E. Casely Hayford, Imraan Coovadia, Tendai Huchu, Jennifer Nansubuga Makumbi, and Stanlake Samkange reconcile deep contemplation with their social situations, Jeanne-Marie Jackson offers a new way of reading and understanding African literature. Jackson begins with Fante anticolonial worldliness in prenationalist Ghana, moves through efforts to systematize Shona philosophy in 1970s Zimbabwe, looks at the Ugandan novel Kintu as a treatise on pluralistic rationality, and arrives at the treatment of “philosophical suicide” by current southern African writers. As Jackson charts philosophy's evolution from a dominant to marginal presence in African literary discourse across the past hundred years, she assesses the push and pull of subjective experience and abstract thought. The first major transnational exploration of African literature in conversation with philosophy, The African Novel of Ideas redefines the place of the African experience within literary history.

In The African Novel in English Keith Booker uses eight African novels to illustrate the scopes, varieties and the general aesthetic, cultural, and political concerns that have motivated African authors.

“This funny, perceptive and ambitious work of historical fiction by a Kenyan poet and novelist explores his country’s colonial past and its legacy.” —The New York Times Book Review, Editors’ Choice Set in the shadow of Kenya’s independence from Great Britain, Dance of the Jakaranda reimagines the special circumstances that brought black, brown and white men together to lay the railroad that heralded the birth of the nation. The novel traces the lives and loves of three men—preacher Richard Turnbull, the colonial administrator Ian McDonald, and Indian technician Babu Salim—whose lives intersect when they are implicated in the controversial birth of a child. Years later, when Babu’s grandson Rajan—who ekes out a living by singing Babu’s epic tales of the railway’s construction—accidentally kisses a mysterious stranger in a dark nightclub, the encounter provides the spark to illuminate the three men’s shared, murky past. With its riveting multiracial, multicultural cast and diverse literary allusions, Dance of the Jakaranda could well be a story of globalization. Yet the novel is firmly anchored in the African oral storytelling tradition, its language a dreamy, exalted, and earthy mix that creates new thresholds of identity, providing a fresh metaphor for race in contemporary Africa. “Destined to become one of the greats . . . This is not hyperbole: it’s a masterpiece.” —The Gazette “A fascinating part of Kenya’s history, real and imagined, is revealed and reclaimed by one of its own.” —Minneapolis Star Tribune “Kimani’s novel has an impressive breadth and scope.” —Los Angeles Review of Books “Highlighted by its exquisite voice, Kimani’s novel is a standout debut.” —Publishers Weekly “Lyrical and powerful.” —Kirkus Reviews