The biggest Depression in the whole-wide world hanging over the horizon, the nightmare of war a threat from over the waters, the scattering of a family on the death of a good and true father, the harsh working conditions of the hot Texas cotton-patch, the terrors of school-yard bullies for a fatherless kid, so how's a kid coming of age in 1940's Texas going to learn life's lessons and have some fun? Follow these adventures of a young but not-quite wimpy Leon and his red-haired scrappy cousin, Melvin Junior, and discover against the back-drop of adult faults and blunders a lively tale of innocence lost the hard way and true courage earned in the tough comedy of kids growing up country style.

The author discusses the writers and trends in Texas literature beginning with early twentieth-century writer J. Frank Dobie and Larry McMurtry during the 1960s and places writers, politicians, and cultural leaders in the context of each age.

Eddie Fung has the distinction of being the only Chinese American soldier to be captured by the Japanese during World War II. He was then put to work on the Burma-Siam railroad, made famous by the film The Bridge on the River Kwai. In this moving and unforgettable memoir, Eddie recalls how he, a second-generation Chinese American born and raised in San Francisco's Chinatown, reinvented himself as a Texas cowboy before going overseas with the U.S. Army. On the way to the Philippines, his battalion was captured by the Japanese in Java and sent to Burma to undertake the impossible task of building a railroad through 262 miles of tropical jungle. Working under brutal slave labor conditions, the men completed the railroad in fourteen months, at the cost of 12,500 POW and 70,000 Asian lives. Eddie lived to tell how his background helped him endure forty-two months of humiliation and cruelty and how his experiences as the sole Chinese American member of the most decorated Texan unit of any war shaped his later life.

Do historians “write their biographies” with the subjects they choose to address in their research? In this collection, editors Alan M. Kraut and David A. Gerber compiled eleven original essays by historians whose own ethnic backgrounds shaped the choices they have made about their own research and writing as scholars. These authors, historians of American immigration and ethnicity, revisited family and personal experiences and reflect on how their lives helped shape their later scholarly pursuits, at times inspiring specific questions they asked of the nation’s immigrant past. They address issues of diversity, multiculturalism, and assimilation in academia, in the discipline of history, and in society at large. Most have been pioneers not only in their respective fields, but also in representing their ethnic group within American academia. Some of the women in the group were in the vanguard of gender diversity in the discipline of history as well as on the faculties of the institutions where they have taught. The authors in this collection represent a wide array of backgrounds, spanning Europe, Africa, Asia, the Middle East, and Latin America. What they have in common is their passionate engagement with the making of social and personal identities and with finding a voice to explain their personal stories in public terms. Contributors: Theresa Alfaro-Velcamp, John Bodnar, María C. García, David A. Gerber, Violet M. Showers Johnson, Alan M. Kraut, Timothy J. Meagher, Deborah Dash Moore, Dominic A. Pacyga, Barbara M. Posadas, Eileen H. Tamura, Virginia Yans, Judy Yung

A courageous young woman comes of age in the midst of an historical tragedy, from the author of Dark Water Rising. Mercy Kaplan doesn't want to be like her mother, saddled with crying kids and failing crops for the rest of her life. Mercy longs to be on her own—until her wish comes true in the worst possible way. It is 1918 and a deadly flu epidemic ravages the country, leaving her utterly alone and penniless. Mercy soon finds a job with Mrs. Wilder. But there's something unsettling about the woman, whose brother died under mysterious circumstances. And then there's Daniel, who could sweep a girl off her feet if she isn't careful. “The history—of the epidemic and of early feminism—creates a dramatic story, and Mercy’s personal struggle for independence is universal.” —Booklist “Mercy tells her story in a gentle, cadenced voice filled with youthful hope, simple wisdom and gritty endurance. Perfect similes capture the flavor of Mercy's bittersweet life during the epidemic of 1918.” —Kirkus Reviews