Contents: The Trouble with You Earth People (1968) Unhuman Sacrifice (1958) The Gambling Hell and the Sinful Girl (1975) Syndrome Johnny (1951) Trouble with Treaties (1959) with Tom Condit The Origin of the Species (1953) Collision Orbit (1954) The Fittest (1951) These Truths (1958) Contagion (1950) Brain Wipe (1973) The Missing Man (1971)

Humans¾there's no understanding them, And no dealing with them either. Or even their planet. Pity the poor aliens, whose shape-changing ability should let them take over the planet Earth before the humans even know they're there-if it weren't for all that omnipresent pollution. Or consider another set of invaders, from a planet where the weather is always mild and the changing of the seasons is hardly noticeable. They land in force and their weapons are more powerful than those of the primitive humans-but they've never before had to deal with below-zero temperatures, flash floods or tornados-not to mention volcanoes. Then there were the aliens who noticed how belligerent humans were, and gave them the "gift" of TV-like devices which would show anything anywhere on Earth, which was sure to lead to war. Imagine how surprised the aliens were when the humans took the gadgets apart, improved them, and started spying on everything the aliens were up to, all over the galaxy. Humans don't make sense, they don't fight fair, and they're making aliens throughout interstellar space think seriously about pulling up stakes and moving to another galaxy! At the publisher's request, this title is sold without DRM (Digital Rights Management).

In the midst of spiraling ecological devastation, multispecies feminist theorist Donna J. Haraway offers provocative new ways to reconfigure our relations to the earth and all its inhabitants. She eschews referring to our current epoch as the Anthropocene, preferring to conceptualize it as what she calls the Chthulucene, as it more aptly and fully describes our epoch as one in which the human and nonhuman are inextricably linked in tentacular practices. The Chthulucene, Haraway explains, requires sym-poiesis, or making-with, rather than auto-poiesis, or self-making. Learning to stay with the trouble of living and dying together on a damaged earth will prove more conducive to the kind of thinking that would provide the means to building more livable futures. Theoretically and methodologically driven by the signifier SF—string figures, science fact, science fiction, speculative feminism, speculative fabulation, so far—Staying with the Trouble further cements Haraway's reputation as one of the most daring and original thinkers of our time.

"Parker hasn't spoken since he watched his father die five years ago. He communicates through writing on slips of paper and keeps track of his thoughts by journaling. A loner, Parker has little interest in school, his classmates, or his future. But everything changes when he meets Zelda, a mysterious young woman with an unusual request: 'treat me like a teenager'"--

Enjoy the best sea adventures, treasure hunt tales and bloody battles, along with learning the truth behind the legends, the real life stories that inspired so many writers and produced so many beloved classics: History of the Robberies and Murders of the Most Notorious Pirates (Captain Charles Johnson) The Book of Buried Treasure Treasure Island (R. L. Stevenson) Blackbeard: Buccaneer (R. D. Paine) Pieces of Eight (Le Gallienne) Captain Singleton (Defoe) Gold-Bug (Edgar Allan Poe) Hearts of Three (Jack London) The Dark Frigate (C. B. Hawes) Isle of Pirate's Doom (Robert E. Howard) Swords of Red Brotherhood (Howard) Queen of Black Coast (Howard) Barbarossa—King of the Corsairs Black Vulmea (Howard) Afloat and Ashore (James F. Cooper) Homeward Bound (Cooper) Red Rover (Cooper) Facing the Flag (Jules Verne) A Pirate of the Caribbees (H. Collingwood) Pirate Gow (Daniel Defoe) The King of Pirates (Defoe) The Pirate (Walter Scott) Rose of Paradise (Howard Pyle) Captain Sharkey (Arthur Conan Doyle) The Pirate (Frederick Marryat) Three Cutters (Marryat) Madman and the Pirate (R. M. Ballantyne) The Offshore Pirate (F. Scott Fitzgerald) Coral Island (Ballantyne) Under the Waves (Ballantyne) Pirate City (Ballantyne) Captain Boldheart (Dickens) Master Key (L. Frank Baum) A Man to His Mate (J. Allan Dunn) Tales of the Fish Patrol (Jack London) Robinson Crusoe (Defoe) Peter Pan and Wendy (J. M. Barrie) Mysterious Island (Jules Verne) Count of Monte Cristo (Dumas) Ghost Pirates (W. H. Hodgson) The Pirate Island (H. Collingwood) Among Malay Pirates The Capture of Panama, 1671 The Malay Proas (James F. Cooper) The Daughter of the Great Mogul (Defoe) Morgan at Puerto Bello The Ways of the Buccaneers Narrative of the Capture of the Ship Derby, 1735 (Captain Anselm) The Fight Between the Dorrill and the Moca Jaddi the Malay Pirate The Terrible Ladrones The Female Captive The Passing of Mogul Mackenzie Sea-Wolves of the Mediterranean Pirates of Panama ...

THE BOOK OF PIRATES brings together an unprecedented collection of over 70 adventure classics, legendary tales, and true historical accounts of the notorious buccaneers that have fascinated readers for centuries. This anthology is a testament to the rich tapestry of literary styles and narratives that define the pirate genre, from swashbuckling adventures on the high seas to intricate studies of pirate lives and the societies they interacted with. The diversity within this collection showcases the evolution of pirate-themed literature, touching upon the works of esteemed authors as well as uncovering hidden gems that provide new perspectives on piracy. The standout pieces within this anthology are not attributed to single authors, emphasizing the collective importance of the works and their shared thematic focus on the allure and danger of pirate life. The contributing authors and editors of THE BOOK OF PIRATES are luminaries from the 19th and early 20th centuries, whose careers span a range of genres but who are united in this collection by their fascination with piracy. Authors such as Jules Verne, Charles Dickens, and Arthur Conan Doyle, among others, bring their unique voices to the theme, enriching the anthology with their distinct historical, cultural, and literary perspectives. This confluence of authors aligns with various literary movements of their times, from romanticism to realism, offering readers a comprehensive view of the evolution of pirate literature and its impact on popular culture. THE BOOK OF PIRATES is recommended for readers seeking to immerse themselves in the world of maritime adventure and the notorious figures who have navigated its waters, both real and fictional. This anthology offers an unparalleled opportunity to explore a multitude of perspectives, narratives, and literary styles, all centered around the captivating theme of piracy. Through its pages, readers are invited to embark on journeys across the seven seas, engage with the multifaceted representations of pirates, and appreciate the breadth of insight and dialogue fostered among the diverse authors' works. It stands as an essential collection for educators, students, and enthusiasts of literary history, providing a comprehensive tour through the lore and legend of pirates.

Come along on a great pirate adventure with hand-picked literary classics and true stories about the legendary outlaws: History of the Robberies and Murders of the Most Notorious Pirates (Captain Charles Johnson) The Book of Buried Treasure The Pirates' Own Book Treasure Island (R. L. Stevenson) Captain Blood (Rafael Sabatini) Sea Hawk (Sabatini) Blackbeard: Buccaneer (R. D. Paine) Pieces of Eight (Le Gallienne) Captain Singleton (Defoe) Gold-Bug (Edgar Allan Poe) Hearts of Three (Jack London) The Dark Frigate (C. B. Hawes) Isle of Pirate's Doom (Robert E. Howard) Swords of Red Brotherhood (Howard) Queen of Black Coast (Howard) Black Vulmea (Howard) Afloat and Ashore (James F. Cooper) Homeward Bound (Cooper) Red Rover (Cooper) Facing the Flag (Jules Verne) Pirate Gow (Daniel Defoe) The King of Pirates (Defoe) The Pirate (Walter Scott) Rose of Paradise (Howard Pyle) Captain Sharkey (Arthur Conan Doyle) The Pirate (Frederick Marryat) Three Cutters (Marryat) Madman and the Pirate (R. M. Ballantyne) The Offshore Pirate (F. Scott Fitzgerald) Martin Conisby's Vengeance (J. Farnol) Coral Island (Ballantyne) Pirate of Panama (W. M. Raine) Under the Waves (Ballantyne) Pirate City (Ballantyne) Gascoyne (Ballantyne) Captain Boldheart (Dickens) The Ways of the Buccaneers (J. Masefield) Master Key (L. Frank Baum) Black Bartlemy's Treasure (J. Farnol) A Man to His Mate (J. Allan Dunn) Tales of the Fish Patrol (Jack London) Barbarossa—King of the Corsairs (E. H. Currey) Robinson Crusoe (Defoe) Jim Davis (J. Masefield) Peter Pan and Wendy (J. M. Barrie) Mysterious Island (Jules Verne) Count of Monte Cristo (Dumas) Ghost Pirates (W. H. Hodgson) The Pagan Madonna (H. MacGrath) A Pirate of the Caribbees (H. Collingwood) The Pirate Island (H. Collingwood) The Devil's Admiral (F. F. Moore) The Pirate of the Mediterranean (W. H. G. Kingston) The Black Buccaneer (Stephen W. Meader) The Third Officer (P. Westerman) Narrative of the Capture of the Ship Derby ...