Award-winning author Millie Criswell has charmed readers with her joy-filled historical romances. Now, in The Trouble With Mary, she serves up her first contemporary romantic comedy--a palate-pleasing love story of two people with nothing in common. . . except their undeniable attraction.

In Frank Jackson's famous thought experiment, Mary is confined to a black-and-white room and educated through black-and-white books and lectures on a black-and-white television. In this way, she learns everything there is to know about the physical world. If physicalism—the doctrine that everything is physical—is true, then Mary seems to know all there is to know. What happens, then, when she emerges from her black-and-white room and sees the color red for the first time? Jackson's knowledge argument says that Mary comes to know a new fact about color, and that, therefore, physicalism is false. The knowledge argument remains one of the most controversial and important arguments in contemporary philosophy.There's Something About Mary—the first book devoted solely to the argument—collects the main essays in which Jackson presents (and later rejects) his argument along with key responses by other philosophers. These responses are organized around a series of questions: Does Mary learn anything new? Does she gain only know-how (the ability hypothesis), or merely get acquainted with something she knew previously (the acquaintance hypothesis)? Does she learn a genuinely new fact or an old fact in disguise? And finally, does she really know all the physical facts before her release, or is this a "misdescription"? The arguments presented in this comprehensive collection have important implications for the philosophy of mind and the study of consciousness.

A provocative imagining of the later years of the mother of Jesus finds her living a solitary existence in Ephesus years after her son's crucifixion and struggling with guilt, anger, and feelings that her son is not the son of God and that His sacrifice was not for a worthy cause.

Thirteen-year-old Kyle, who is hopeless in math, is tempted to cheat on an exam to please his demanding, heavily drinking father.

Moviegoers know her as the housekeeper in White Christmas, the nurse in Now, Voyager, and the crotchety choir director in Sister Act. This book, filled with never-published behind-the-scenes stories from Broadway and Hollywood, chronicles the life of a complicated woman who brought an assortment of unforgettable nurses, nuns, and housekeepers to life on screen and stage. Wickes (1910–1995) was part of some of the most significant moments in film, television, theatre, and radio history. On that frightening night in 1938 when Orson Welles recorded his earth-shattering “War of the Worlds” radio broadcast, Wickes was waiting on another soundstage for him for a rehearsal of Danton's Death, oblivious to the havoc taking place outside. When silent film star Gloria Swanson decided to host a live talk show on this new thing called television, Wickes was one of her first guests. When Lucille Ball made one of her first TV appearances, Wickes appeared with her—and became Lucy's closest friend for more than thirty years. Wickes was the original Mary Poppins, long before an umbrella carried Julie Andrews across the rooftops of London. And when Disney began creating 101 Dalmatians, Wickes was asked to pose for animators trying to capture the evil of Cruella De Vil. The pinched-face actress who cracked wise by day became a confidante to some of the day's biggest stars by night, including Bette Davis and Doris Day. Bolstered by interviews with almost three hundred people, and by private correspondence from Ball, Davis, Day, and others, Mary Wickes: I Know I've Seen That Face Before includes scores of never-before-shared anecdotes about Hollywood and Broadway. In the process, it introduces readers to a complex woman who sustained a remarkable career for sixty years.

Laughter, Romance, and Action Abound in This New Series from Mary Connealy Swept away when her wagon train attempts a difficult river crossing, Ruthy MacNeil isn't all that upset at being separated from the family who raised her. All they've ever done is work her to the bone. She prayed for a chance to get away, and then came the raging flood. Alive but disoriented, she's rescued by Luke Stone...so unfortunately, there are more chances to die in her immediate future. Luke is heading home to reclaim the ranch stolen from his family. But the men who killed his father are working hard to ensure Luke doesn't make it alive. He has no choice but to keep moving. Still, he can't just abandon Ruthy, so she'll have to come along. His friends--a ragtag group of former Civil War soldiers--take a fast interest in the pretty gal. Luke thinks that's rather rude--he's the one who found her. And the more time he spends around the hard-working young woman who is a mighty good cook, the more he finds himself thinking beyond revenge and toward a different future. For the first time in a long time, Luke is tempted to turn from his destructive path and be swept away by love.

When a lawman who values order gets stuck with a feisty crusader who likes to stir things up, there's going to be trouble in Texas! Now that she's settled in town, Tina Cahill is determined to get Broken Wheel's saloon closed for good. To that end, she pickets outside the place every afternoon. Unfortunately, so far no one has paid any attention. Vince Yates earned the nickname "Invincible Vince" because of his reputation for letting absolutely nothing stop him. But Vince is about to face his biggest challenge yet: his past has just caught up with him. His father, mother, and the sister he didn't know he had show up in Broken Wheel without warning. His father is still a schemer. His mother is showing signs of dementia. And his surprise sister quickly falls for one of Vince's best friends. Vince suddenly has a lot of people depending on him, and Tina doesn't approve of how he's handling any of them. With nearly every other man in town married off, Vince finds himself stuck with strong-willed Tina over and over again. Of course, Tina is the prettiest woman he's ever seen, so if he could just get her to give up her crazy causes, he might go ahead and propose. But he's got one more surprise coming his way: Tina's picketing at the saloon has revealed a dark secret that could put everyone Vince loves in danger.