There’s a fine line between matchmaking and meddling...

This collection explores the translation of dialogue from the adaptations of literary classics across audiovisual media, engaging with the question of what makes a classic through an audiovisual translation lens. The volume seeks to fill a gap on the translation of classic texts in AVT research which has tended to focus on contemporary media. The book features well-known British literary texts but places a special emphasis on adaptations of the works of Jane Austen and William Shakespeare, figures whose afterlives have mirrored each other in the proliferation of film and television adaptations of their work. Chapters analyze myriad modes of AVT, including dubbing, subtitling, SDH, and voice-over, to demonstrate the unique ways in which these modes come together in adaptations of classics and raise questions about censorship, language ideologies, cultural references, translation strategies, humor, and language variation. In focusing on translations across geographic contexts, the book offers a richer picture of the linguistic, cultural, and ideological implications of translating literary classics for the screen and the enduring legacy of these works on a global scale. This book will be of interest to scholars in audiovisual translation, literary translation, comparative literature, film and television studies, and media studies.

What was Mr. Darcy's life like before he met Elizabeth Bennet? - before he stepped onto the Pride and Prejudice stage at the Meryton assembly? More importantly, where is he and what is he doing all the time he's absent from the page thereafter? And what is his relationship to a woman named Amelia?With "Fitzwilliam Darcy, in His Own Words," the iconic literary hero finally tells his own story, from the traumas of his early life to the consummation of his love for Elizabeth and everything in between.This is not a variation but a supplement to the original story, chronicled in Darcy's point of view - a behind-the-scenes look at the things Jane Austen didn't tell us. As it happens, Darcy's journey was more tortuous than she let on, his happy ending with Elizabeth in jeopardy at every turn in his struggle between duty and his heart's desire, between the suitable lady he has promised to marry and the woman he can't stop thinking about.

Emma is one of Jane Austen's most popular novels, in large part due to the impact of Emma Woodhouse, the "handsome, clever and rich" heroine. This lively, informed and insightful guide to Emma explores the style, structure, themes, critical reputation and literary influence of Jane Austen's classic novel and also discusses its film and TV versions. It includes points for discussion, suggestions for further study and an annotated guide to relevant reading. This introduction to the text is the ideal companion to study, offering guidance on the literary and historical context, reading the text, the critical reception and publishing history, adaptation and interpretation and a guide to further reading.

This Guide discusses the range of critical reactions to three of Jane Austen's most widely-studied and popular novels. Annika Bautz takes the reader chronologically through the profusion of criticism by selecting key approaches from the immense variety of responses these three Austen novels have provoked over the last two centuries.

What better place than pale England to hide a secret society of gentlemen vampires? In this hilarious retelling of Jane Austen's Emma, screenwriter Wayne Josephson casts Mr. Knightley as one of the most handsome and noble of the gentlemen village vampires. Blithely unaware of their presence, Emma, who imagines she has a special gift for matchmaking, attempts to arrange the affairs of her social circle with delightfully disastrous results. But when her dear friend Harriet Smith declares her love for Mr. Knightley, Emma realizes she's the one who wants to stay up all night with him. Fortunately, Mr. Knightley has been hiding a secret deep within his unbeating heart—his (literal) undying love for her... A brilliant mash-up of Jane Austen and the undead.