Can three warriors convince an uninterested and unwilling betrothed to accept their bond and help lead an alien race? Evie Flint is feeling underappreciated in her professional life, and just a tad lonely in her personal life - but getting kidnapped by three gorgeous alien hunks who claim she's their missing betrothed is not the solution she was looking for. Dane, Taz and Cort are surprised by their resistant consort and employ all their powers of persuasion in order to convince their woman to take them as partners. Evie has to decide—can she take them all?

I am a gender criminal. I am Unmale, yet I write as though I am a person. Driven by a Machiavellian mind and ego, Tiresius has risen through the ranks of the Autokracy to become Imperial Treasurer, has won over the trust of the Autokrator himself, and yet, has broken the society’s most scared rules: She has posed as a male for many years. In the eyes of the Autokracy, this gender crime is one of the most heinous a person can commit, and punishable by death. In this deeply etched speculative world, women — Unmales — have been relegated to non-person status with their reproduction strictly controlled. Their only role is to serve men, and to do so from the shadows. Tiresius’s rebellion against the Autokracy coincides with that of a Domestic — a female labourer — named Cera. Cera’s son, who was taken from her at birth as demanded by tradition, is the successor to the Autokracy. She is desperate to be part of his life and takes dangerous steps toward revealing herself to him, becoming a gender criminal herself. The fates of both women become intertwined as they are driven to discover what cost gender and power exact.

This book retraces the life and experience of Princess Louisa Ulrika of Prussia (1720-1782), who became queen of Sweden, with a particular emphasis on her political role and activities. As crown princess (1744-1751), queen (1751-1771) and then queen dowager (1771-1782) of Sweden, Louisa Ulrika took an active role in political matters. From the moment she arrived in Sweden, and throughout her life, Louisa Ulrika worked tirelessly towards increasing the power of the monarchy. Described variously as fierce, proud, haughty, intelligent, self-conscious of her due royal prerogatives, filled with political ambitions, and accused by many of her contemporaries of wanting to restore absolutism, she never diverted from her objective to make the Swedish monarchy stronger, despite obstacles and adversities. As such, she embodied the perfect example of a female consort who was in turn a political agent, instrument and catalyst. More than just a biography, this book places Louisa Ulrika within the wider European context, thus shedding light on gender and politics in the early modern period.

White Poetry To The Muse is a book of Pagan poetry. The book strives to recapture the ancient matriarchal spirit of The Great Goddess found the world over. Many world mythologies have been redacted by scribes with a patriarchal agenda at some time or another. Ergo, this book is meant to transcend these past endeavors of mendacity, and reconstruct the essence of the myths as they once were. The poems seek to reflect the beauty and chivalry once found in all clan-based gynarchies dating back deep into antiquity. Many of the poems reveal the veracious meaning of a given mythology; expounding upon the political and theological shifts of the epoch in question. In this way, the poetry is exposing the original beauty of the matriarchal themes and theologies; thus discounting any patriarchal recompositions of eschatological or political campaigning by misogynistic propaganda. These poems are not a reconstruction of history, but rather an allegorical reconstruction of Her-Story. These chivalric principles can and will change the face of modernity. As we, the children of the earth, grow ever more weary of war, famine and hate-mongering; we shall increasingly seek out the lost wisdom of The Old Code. By'r Lady of Birth, Love and Death Blessed be.

This title was first published in 2001. Concentrating exclusively on the dramatic content of Verdi's opera, this text illuminates the characters and plot scenarios that inspired one of the greatest composers of opera. Organized alphabetically, the reference contains over 250 entries, with synopses and first performance and cast details.