"Invest when there is blood in the streets" was not just a metaphor-it was his reality. Against the backdrop of a crucial period in the Middle East, "Don't Stand Under a Tree When It Rains" exposes the dilemmas of investing during the Egyptian uprising and provides advice on dining, bargaining, traveling, praying, and mastering the cultural nuances of working in a foreign country. A mix of "A Year in Provence" and "Adventure Capitalist," this memoir reveals a unique perspective on Arab culture and on business in an increasingly globalized world.

With the help of Great-Grandmother Earth, Watakame, a hard-working Indian, survives a great flood and begins a new life.

The many different animals that live in a great Kapok tree in the Brazilian rainforest try to convince a man with an ax of the importance of not cutting down their home.

Our knowledge of the ecology of tropical rain-forest trees is limited, yet a good understanding of the trees is essential to unravelling the workings of the forest itself. This book aims to summarise contemporary understanding of the ecology of tropical rain-forest trees, with particular emphasis on comparative ecology.

Tells about a variety of rain forest plants, how they are used, why they are in danger, and how they are being protected.

A volume of poems concerned with intimacy and wholeness, and with history and how the world endures it—from the Pulitzer Prize-winning author and “one of the greatest poets of our age … the Thoreau of our era” (Edward Hirsch). A literary event—a new volume of poems by one of the masters of modern poetry—The Rain in the Trees is W. S. Merwin's first book since the publication of his Opening the Hand. Almost no other poet of our time has been able to voice in so subtle a fashion such a profound series of comments on the passing of history over the contemporary scene. To do this, he seems to have reinvented the poem—so that the experience of reading Merwin is unlike the reading of any other poetry. In such famous books as The Lice, The Moving Target and (most recently) Opening the Hand, he has produced a body of work of great profundity and power made from the simplest and most beautiful poetic speech. Merwin can now rightfully be called a master, and this book shows in every way why this is the case.