Thornton and Belmont embark on an adventure to find the lost city of El Dorado. excerpt"What do you make of those?" Thornton asked, as he tossed two bits of shining yellow metal upon the table. Belmont, the mining engineer, picked up the objects and examined them curiously. They were obviously gold; thin, crescent-shaped; perhaps two inches in length by an inch in width, and with small eyes or rings at the points of the crescents."They're gold of course," he replied. "Indian ornaments of some sort, I should say.""Yes, you're right both times," laughed Thornton. "But do you realize that you are holding something which no white man since Raleigh's day has ever seen? Those things, Frank, are the 'gold moons' that Sir Walter Raleigh reported having seen in the noses of Guiana Indians.""Jove, is that so!" exclaimed the other. "Discovered a lost tribe, eh? Bully for you. What were they, freaks, cannibals or Amazons?""Neither," declared the explorer, who had recently returned from months in the interior of Guiana and Brazil, and who was dining with his old college chum."The people who wore these," he continued, "are quite ordinary in as far as appearances go. But they prove that Raleigh was right, and, this is what may interest you, the tribe that uses the moons has a secret, unlimited supply of gold.""What?" cried the engineer, instantly interested. "I suppose you mean that they have a rich placer mine. Now you're talking business, old man.""I thought that would wake you up," laughed the explorer. "I can't say as to the placer. Did you ever hear of El Dorado and the City of Manoa?"

From the conversion of the emperor Constantine in the early fourth century, vast sums of money were spent on the building and sumptuous decoration of churches. The resulting works of art contain many of the greatest monuments of late antique and early medieval society. But how did such expenditure fit with Christ's message of poverty and simplicity? In attempting to answer that question, this 1998 study employs theories on the use of metaphor to show how physical beauty could stand for spiritual excellence. As well as explaining the evolving attitudes to sanctity, decorum and display in Roman and medieval society, detailed analysis is made of case studies of Latin biblical exegesis and gold-ground mosaics so as to counterpoint the contemporary use of gold as a Christian image in art and text.

Curses and queens. Pirates and kings. Gods and magic. The final saga of a princess cursed by Midas’s touch, a vengeful Greek god, and a dazzling kingdom in the balance. After barely surviving thieving, bloodthirsty pirates and a harrowing quest at sea to retrieve her stolen treasure, Kora finds readjusting to palace life just as deadly. Her people openly turn against her, threatening to overthrow her as heir to the throne due to fear of her magical powers. When Dionysus puts out a challenge to kill the girl with the golden touch and burn down her kingdom, it’s not just her future on the throne in danger. Kora’s life and entire kingdom are now on contract. With no other choice, Kora sets out to find Dionysus, journeying to the mysterious disappearing island of Jipper. If she wants to save her kingdom and have any chance at reversing her father’s curse, she will have to enter into a deadly game with Dionysus, the greatest trickster the world, or the underworld, has ever seen. A Curse of Gold: Is the highly-anticipated sequel to A Touch of Gold by author Annie Sullivan Is an enchanting and captivating fantasy adventure/fairy tale retelling, perfect for fans of The Wrath and the Dawn and Cinder Is told from the perspective of Kora, King Midas’s daughter and a strong female protagonist Features a beautifully decorated cover Will have strong appeal to readers ages 13 & up