Batman's nemesis is The Joker. Superman's main supervillain is Lex Luthor. The Avenger's arch enemies are, well, all the rest of the Bad Guys whose mission in life is to terrorize the you-know-what out of Humanity. But what about us Christians? Who are our "arch enemies"? Who are our "Bad Guys"? In Ephesians 6:12, the Bible says; "For we are not fighting against flesh-and-blood enemies, but against evil rulers and authorities of the unseen world, against mighty powers in this dark world, and against evil spirits in the heavenly places." (NLT - New Living Translation) Thus, in this refreshingly hilarious yet surprisingly profound Inspirational Chapbook, YOU, dear Reader, are the main "hero" in this entertaining fictitious tale about the Believer's "conflicts" with satanic opposition which we sometimes find ourselves in a Showdown against, as we travel this marvelous maze of a Christian Journey. If you liked Part 1 - The Greatest Touch, and if you loved Part 2 - Another World, then, my fellow Traveler, prepare to be utterly wowed by an epic Fantasy/Adventure like you have NEVER read before! Introducing, The Traveler's Touch Saga Part 3 - Showdown in the Land of Zo. "I don't think you ever stop giving. I really don't. I think it's an on-going process. And it's not just about being able to write a check. It's being able to touch somebody's life." - Oprah Winfrey

The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and its audience. This process, embodied by the Hollywood studio system, has been sustained primarily through genres, those popular narrative formulas like the Western, musical and gangster film, which have dominated the screen arts throughout this century.

This personal observation of Tanna, an island in the southern part of the Vanuatu archipelago, presents an extraordinary case study of cultural resistance. Based on interviews, myths and stories collected in the field, and archival research, The Tree and the Canoe analyzes the resilience of the people of Tanna, who, when faced with an intense form of cultural contact that threatened to engulf them, liberated themselves by re-creating, and sometimes reinventing, their own kastom. Following a lengthy history of Tanna from European contact, the author discusses in detail original creation myths and how Tanna people revived them in response to changes brought by missionaries and foreign governments. The final chapters of the book deal with the violent opposition of part of the island population to the newly established National Unity government.

From the acclaimed author and scholar James C. Scott, the compelling tale of Asian peoples who until recently have stemmed the vast tide of state-making to live at arm’s length from any organized state society For two thousand years the disparate groups that now reside in Zomia (a mountainous region the size of Europe that consists of portions of seven Asian countries) have fled the projects of the organized state societies that surround them—slavery, conscription, taxes, corvée labor, epidemics, and warfare. This book, essentially an “anarchist history,” is the first-ever examination of the huge literature on state-making whose author evaluates why people would deliberately and reactively remain stateless. Among the strategies employed by the people of Zomia to remain stateless are physical dispersion in rugged terrain; agricultural practices that enhance mobility; pliable ethnic identities; devotion to prophetic, millenarian leaders; and maintenance of a largely oral culture that allows them to reinvent their histories and genealogies as they move between and around states. In accessible language, James Scott, recognized worldwide as an eminent authority in Southeast Asian, peasant, and agrarian studies, tells the story of the peoples of Zomia and their unlikely odyssey in search of self-determination. He redefines our views on Asian politics, history, demographics, and even our fundamental ideas about what constitutes civilization, and challenges us with a radically different approach to history that presents events from the perspective of stateless peoples and redefines state-making as a form of “internal colonialism.” This new perspective requires a radical reevaluation of the civilizational narratives of the lowland states. Scott’s work on Zomia represents a new way to think of area studies that will be applicable to other runaway, fugitive, and marooned communities, be they Gypsies, Cossacks, tribes fleeing slave raiders, Marsh Arabs, or San-Bushmen.

For use in schools and libraries only. You've seen the hit TV show on The CW, but those episodes are only part of the story! Barry's adventures continue in THE FLASH: SEASON ZERO, chronicling even more of the early adventures of the Flash and the crew at S.T.A.R. Labs. As Barry, Cisco, Caitlin and Dr. Wells study the scope of the Flash's power, Barry must balance his regular life with his new role as Central City's newest hero! With stories by The Flash executive producer Andrew Kreisberg and fellow writers behind the TV show, plus art from Phil Hester (GREEN ARROW), Marcus To (RED ROBIN) and others, these stories take you even deeper into the world of the hit series! This volume collects issues #1-24 of the digital series, including crossover appearances by Arrow's Felicity Smoak and the Suicide Squad!