Trauma theory has become a burgeoning site of research in recent decades, often demanding interdisciplinary reflections on trauma as a phenomenon that defies disciplinary ownership. While this research has always been challenged by the temporal, affective, and corporeal dimensions of trauma itself, trauma theory now faces theoretical and methodological obstacles given its growing interdisciplinarity. Trauma and Transcendence gathers scholars in philosophy, theology, psychoanalysis, and social theory to engage the limits and prospects of trauma’s transcendence. This volume draws attention to the increasing challenge of deciding whether trauma’s unassimilable quality can be wielded as a defense of traumatic experience against reductionism, or whether it succumbs to a form of obscurantism. Contributors: Eric Boynton, Peter Capretto, Tina Chanter, Vincenzo Di Nicola, Ronald Eyerman, Donna Orange, Shelly Rambo, Mary-Jane Rubenstein, Hilary Jerome Scarsella, Eric Severson, Marcia Mount Shoop, Robert D. Stolorow, George Yancy.

This volume gathers scholars in philosophy, psychology, religion, and sociology variety of disciplines to meet the challenge of how to think trauma and transcendence inlight of the interdisciplinary character of the field of Trauma Studies and its splintering across the multiple theoretical approaches.

Publisher Description

In recent years a number of high-profile disasters have heightened public awareness of the impact of trauma. This book offers a comprehensive guide to all aspects of trauma counselling, covering: * trauma assessment * resourcing the trauma client * trauma aftercare * working with trauma in private practice * trauma and the therapist * a brief history of trauma. This practical and effective guide to trauma counselling will be invaluable to counsellors, GPs, social workers, human resource managers, emergency response organisations and all those involved in treating trauma victims using counselling skills.

"The Trauma of Gender is a wonderfully crafted text, provocative, insightful, and imaginative. Moglen not only shows us how to read the intrapsychic processes at work in fiction, but offers a careful consideration of the social form that loss, mourning, and desire take in the fictions she considers. Along the way, she develops a nuanced account of the origin of the novel, showing her readers in subtle ways how the beginnings of fiction and the beginnings of fantasy are interwoven. Her text exemplifies psychoanalytic literary criticism at its best, offering a fine and probing study of the social and psychic dimensions of literary works."—Judith Butler, author of Gender Trouble "These extremely powerful and authoritative new readings of important canonical texts will set a new standard for discussions of the novel as a genre. Moglen's work as an interpreter of literary texts and of psychoanalytic theories is superior, and her muscular writing style is well-suited to the pleasurably pessimistic bent of her critical mind."—Lisa L. Moore, author of Dangerous Intimacies: Toward a Sapphic History of the British Novel "In this lucid and perceptive study, Helene Moglen looks steadily at the shadow side of canonical eighteenth-century fiction and sees the psychic costs of waxing individualism. The book is an excellent corrective to the view that the novel is a triumphant expression of bourgeois values."—Catherine Gallagher, author of Nobody's Story: The Vanishing Acts of Women Writers in the Marketplace, 1670-1820