Landscape—the unique combination of landforms, plants, animals, and weather that compose any natural place—is inherently transient. Each essay in Transient Landscapes introduces this idea of a constantly metamorphosing global landscape, revealing how to see the ubiquity of landscape transience, both that which results through Earth’s natural environmental and climatological processes and that which comes from human intervention. The essays are grouped by type of environmental change: long-term, large-scale transformation driven by geologic forces such as tectonic uplift and volcanism; natural variability at shorter time scales, such as seasonal flooding; and modifications resulting from human activities, such as timber harvest, land drainage, and pollution. Each essay is set in a unique geographic location—including such diverse places as New Zealand, Northern California, Costa Rica, and the Scottish Highlands—and is largely drawn from Wohl’s personal experience researching in the field. A combination of travel writing, nature writing, and science writing, Transient Landscapes is a beautiful and thoughtful journey through the natural world.

The first comprehensive discussion of the historical archaeology of homelessness In a time when the idea of home has become central to living the American dream, The Archaeology of the Homed and the Unhomed brings to the forefront the concept of homelessness. The book points out that homelessness remains underexplored in historical archaeology, a fact which may reflect societal biases and marginalization, and it provides the field’s first comprehensive discussion of the subject. Daniel Sayers argues that the unhomed and the home have been inherently interconnected in the real world across the past several centuries. Sayers builds a conceptual model that focuses on this dynamic and uses it to generate new insights into pre‒Civil War communities of Maroons and Indigenous Americans, Great Depression‒era hobo communities, and Midwest farmsteads. In doing so, he highlights the social complexities, ambiguities, and significance of the home and the unhomed in the archaeological record. Using a variety of data sources including documentary records and material culture and drawing on extensive fieldwork, Sayers illuminates how homelessness is created, reproduced, and disparaged by the dominant culture. The book also emphasizes the importance of applied archaeology. Through these studies, Sayers contends that activist archaeologists have a role—and responsibility—to share their knowledge to help policy makers and stakeholders understand the unhomed, homelessness, and the American experience in this area. A volume in the series the American Experience in Archaeological Perspective, edited by Michael S. Nassaney and Krysta Ryzewski

Latest in the Neolithic Studies Group Seminar Papers series arising from the NSG conference of November 2019. This collection showcases and explores the wide range of current work on causewayed enclosures and related sites, and assesses what we still want to know about these sites in light of the monumental achievement of the seminal publication Gathering Time (2011). Papers comprise reports on recent development-led fieldwork, academic research and community projects, and the volume concludes with a reflection by the authors of Gathering Time. Much archaeological work is concerned with identifying gaps in our knowledge and developing strategies for addressing them; we perhaps spend less time thinking about how research should proceed when we already know, relatively speaking, quite a lot. The programme of dating causewayed enclosures in southern Britain that was published in 2011 as Gathering Time (Oxbow Books) gave us a new, more precise chronology for many individual sites as well as for enclosures as a whole, and as a consequence a far better sense of their significance and place in the story of the British Early Neolithic. Arguably causewayed enclosures are now the best understood type of Neolithic monument. Yet work continues, and in the last few years new discoveries have been made, older excavations published and further work undertaken on well-known sites. Viewing this research within the new framework for these monuments allows us to assess where our understanding of enclosures has got to and where the focus of future research should lie.

Examines portrayals of plants and landscapes in recent German novels and films, addressing the contemporary forms of racism, nationalism, and social and ecological injustice that they expose. Plants, Places, and Power is a study of plants and landscapes in and beyond contemporary German-language literature and film. Stories and images of plants and landscapes in cultural productions are key sites for exposing the violent legacies of German colonialism and Nazism and for addressing contemporary forms of racism, nationalism, social and ecological injustice, and gender inequity. The novels and films discussed in this book address these key political issues in contemporary Europe and propose alternative ways for people to live together on this planet by formulating more inclusive and sustainable concepts of belonging. The book has two main objectives: to offer new approaches to contemporary literature and film from an intersectional, ecological perspective, and to form a canon. All of the works focused on, from Mo Asumang's documentary film Roots Germania (2007) through Faraz Shariat's Futur Drei (2020) and from Yōko Tawada's novel Das nackte Auge (2004) to Sasa Stanisić's Herkunft (2019), are by female artists, artists of color, artists who have experienced forced displacement, and/or queer artists. In five chapters, Maria Stehle reads artworks in reference to ecological systems, develops forms of eco- and social criticism based on art, and intertwines ecological and critical thinking with questions of form, affect, and aesthetics.

A place called Crockett's Corner began as a seventeenth century colonial settlement that grew into a stable and sustainable nineteenth century American agrarian landscape. During thetwentieth century, in a rapid but staged process, the landscape was changed into an edge city. These changes were the direct result, especially after 1938, of prevailing public policies which acted to constrain some land uses while supporting others.Landscape change has had unintended consequences, including local social network destruction,historic building demolition, and unmitigated air and non-point source water pollution. Raising awareness of the deep history of this place may help empower advocates for historic preservation, open space, environmental protection and more sustainable land use practices in the future.

Using language - speaking and understanding it - is a defining ability of human beings, woven into all human activity. It is therefore inevitable that it should be deeply implicated in the design, production and use of buildings. Building legislation, design guides, competition and other briefs, architectural criticism, teaching and scholarly material, and the media all produce their characteristic texts. The authors use texts about such projects as Berlin's new Reichstag, Scotland's new Parliament, and the Auschwitz concentration camp museum to clarify the interaction between texts, design, critical debate and response.