The larger sutra on Amitāyus (Taishō volume 12, number 360) -- The sutra on contemplation of Amitāyus (Taishō volume 12, number 365) -- The smaller sutra on Amitāyus (Taishō volume 12, number 366).

This is a free translation of two Buddhist texts on what is arguably the most popular of all Buddhist conceptions of an ideal world, the "Land of Bliss" of the Buddha Amitabha, the Buddha of Infinite Light. The two texts, known to Western students of Buddhism as the "Smaller" and "Larger" Sukhavatiyuha Sutra, explain the conditions that lead to rebirth in the Pure Land and the manner in which human beings are reborn there.

"Infinite Life Sutra" by Anonymous (translated by Max Müller). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

An introductory guide to the beliefs and key concepts of Pure Land Buddhism, the most widely practiced form of Buddhism in East Asia. Pure Land is a brief introduction to the history and practices of Pure Land Buddhism, a popular and growing global tradition. Pure Land practices center on Amitābha Buddha, rebirth in his pure buddha-land, and the guaranteed attainment of buddhahood. It constitutes the dominant tradition of most Buddhists in East Asia and is the most common form of practice within immigrant Buddhist communities in America, yet it remains elusive to many general readers of Buddhism. This brief introduction summarizes the core teachings of this tradition and charts its growth throughout the world. Part of the Buddhist Foundations series, Pure Land covers the spiritual tenets behind the tradition before describing how prayer and devotion to Amitābha allow for rebirth in a realm free from suffering and ideal for progress on the path to enlightenment. It then outlines specific Pure Land practices, all the while providing historical context to account for its widespread popularity throughout East Asia. The author also covers contemporary Pure Land traditions, providing a useful touch point for modern readers. Pure Land practitioners and readers interested in Asian-American Buddhist communities now have a concise guide to the ideas, practices, and origins of this widely popular spiritual tradition.

The Lotus Sutra has been the most widely read and most revered Buddhist scripture in East Asia since its translation in the third century. The miracles and parables in the "king of sutras" inspired a variety of images in China, in particular the sweeping compositions known as transformation tableaux that developed between the seventh and ninth centuries. Surviving examples in murals painted on cave walls or carved in relief on Buddhist monuments depict celestial journeys, bodily metamorphoses, cycles of rebirth, and the achievement of nirvana. Yet the cosmos revealed in these tableaux is strikingly different from that found in the text of the sutra. Shaping the Lotus Sutra explores this visual world. Challenging long-held assumptions about Buddhist art, Eugene Wang treats it as a window to an animated and spirited world. Rather than focus on individual murals as isolated compositions, Wang views the entire body of pictures adorning a cave shrine or a pagoda as a visual mapping of an imaginary topography that encompasses different temporal and spatial domains. He demonstrates that the text of the Lotus Sutra does not fully explain the pictures and that a picture, or a series of them, constitutes its own "text." In exploring how religious pictures sublimate cultural aspirations, he shows that they can serve both political and religious agendas and that different social forces can co-exist within the same visual program. These pictures inspired meditative journeys through sophisticated formal devices such as mirroring, mapping, and spatial programming - analytical categories newly identified by Wang. The book examines murals in cave shrines at Binglingsi and Dunhuang in northwestern China and relief sculptures in the grottoes of Yungang in Shanxi, on stelae from Sichuan, and on the Dragon-and-Tiger pagoda in Shandong, among other sites. By tracing formal impulses in medieval Chinese picture-making, such as topographic mapping and pictorial illusionism, the author pieces together a wide range of visual evidence and textual sources to reconstruct the medieval Chinese cognitive style and mental world. The book is ultimately a history of the Chinese imagination. Read an interview with the author: http: //dgeneratefilms.com/cinematalk/cinematalk-interview-with-professor-eugene-wang-on-chinese-art-and-film/