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The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.

The Magi: Legend, Art and Cult includes works of art from the fourth to the sixteenth century, including Magi fi gures in ivory, sculptures, paintings, manuscripts and other works from Italy, Germany and France. It examines the changing symbolism of the Magi, that reached its apex in the age of Gothic cathedrals. Royal affl uence and courtly ceremony of the time are reflected in fashions in the time when each of the artworks was commissioned. Many of the works' donors include themselves in the depiction of the Magi, among them Frederick Barbarossa, who arranged the original transfer of the remains of The Magi from Milan in 1164.

"The perfect Christmas gift for anyone interested in the historical background behind the birth of Jesus of Nazareth." — Robert J. Hutchinson, author of The Politically Incorrect Guide to the Bible, The Dawn of Christianity, and Searching for Jesus. "Utterly refreshing and encouraging." — Eric Metaxas, New York Times bestselling author of Bonhoeffer: Pastor, Martyr, Prophet, Spy and Martin Luther "The best book I know about the Magi." — Sir Colin John Humphreys, Ph.D., author of The Mystery of the Last Supper Modern biblical scholars tend to dismiss the Christmas story of the “wise men from the East” as pious legend. Matthew’s gospel offers few details, but imaginative Christians filled out the story early on, giving us the three kings guided by a magical star who join the adoring shepherds in every Christmas crèche. For many scholars, then, there is no reason to take the gospel story seriously. But are they right? Are the wise men no more than a poetic fancy? In an astonishing feat of detective work, Dwight Longenecker makes a powerful case that the visit of the Magi to Bethlehem really happened. Piecing together the evidence from biblical studies, history, archeology, and astronomy, he goes further, uncovering where they came from, why they came, and what might have happened to them after eluding the murderous King Herod. In the process, he provides a new and fascinating view of the time and place in which Jesus Christ chose to enter the world. The evidence is clear and compelling. The mysterious Magi from the East were in all likelihood astrologers and counselors from the court of the Nabatean king at Petra, where the Hebrew messianic prophecies were well known. The “star” that inspired their journey was a particular planetary alignment—confirmed by computer models—that in the astrological lore of the time portended the birth of a Jewish king. The visitors whose arrival troubled Herod “and all Jerusalem with him” may not have been the turbaned oriental kings of the Christmas carol, but they were real, and by demonstrating that the wise men were no fairy tale, Mystery of the Magi demands a new level of respect for the historical claims of the gospel.