In 1954 Drs. Thigpen adn Cleckley wrote a technical article, "A Case of Multiple Personality", for the Journal of Abnormal and Social Psychology. This appeared before they had completed the work on the case. The Three Faces of Eve is an extension of that collaboration - a complete account of this extraordinary case which is likely to engage the lay reader's interest as vividly as that of physicians and professional workers in psychology and sociology. Eve White was a shy, saintly housewife and mother. Eve Black was a coarse, seductive beauty with a passion for drinking, dancing and the company of strangers. Jane was the third Eve. She was a mature, poised woman - but her tormented soul held the key to Eve's deepest mystery. They were all one woman - and they were all unlike the Eve that finally emerged. --Google Books

Dr. Ross provides a documented account of the exploitation of Chris Sizemore, the real Eve, by her psychiatrist, Dr. Corbett Thigpen.

The autobiography of the award-winning actress describes her loving relationship with her husband and family, the devastating impact of his death, and her long and successful career, with anecdotes about such celebrities as Joan Crawford and the Marx brothers

On the t.p.: The woman who was known as Eve tells the story of her triumph over multiple personality disorder.

This national bestseller, now in paperback, reveals how all humans are descended from seven prehistoric women--the Seven Daughters of Eve.

Journalist Debbie Nathan reveals the true story behind the famous case of Sybil, the woman with sixteen different personalities.

Milton's Ovidian Eve presents a fresh and thorough exploration of the classical allusions central to understanding Paradise Lost and to understanding Eve, one of Milton's most complex characters. Mandy Green demonstrates how Milton appropriates narrative structures, verbal echoes, and literary strategies from the Metamorphoses to create a subtle and evolving portrait of Eve. Each chapter examines a different aspect of Eve's mythological figurations. Green traces Eve's development through multiple critical lenses, influenced by theological, ecocritical, and feminist readings. Her analysis is gracefully situated between existing Milton scholarship and close textual readings, and is supported by learned references to seventeenth-century writing about women, the allegorical tradition of Ovidian commentary, hexameral literature, theological contexts and biblical iconography. This detailed scholarly treatment of Eve simultaneously illuminates our understanding of the character, establishes Milton's reading of Ovid as central to his poetic success, and provides a candid synthesis and reconciliation of earlier interpretations.