From the author of The Trellis and the Vine comes an opportunity to pause and take stock of our lives, and to discover the life-changing purpose that God has for each one of us.

One of Real Simple’s Best Books of the Year “I loved this book. . . . Funny, heartbreaking and clever with a mystery at its heart.” —Jojo Moyes “With an eye as keen for human idiosyncrasies as Miranda July’s, and a sense of humor as bright and surprising as Maria Semple’s, this is a novel of pure velocity.” —Publishers Weekly (starred review) Twenty years ago, Abigail Sorenson’s brother Robert went missing one day before her sixteenth birthday, never to be seen again. That same year, she began receiving scattered chapters in the mail of a self-help manual, the Guidebook, whose anonymous author promised to make her life soar to heights beyond her wildest dreams. The Guidebook’s missives have remained a constant in Abi’s life—a befuddling yet oddly comforting voice through her family’s grief over her brother’s disappearance, a move across continents, the devastating dissolution of her marriage, and the new beginning as a single mother and café owner in Sydney. Now, two decades after receiving those first pages, Abi is invited to an all-expenses paid weekend retreat to learn “the truth” about the Guidebook. It’s an opportunity too intriguing to refuse. If Everything is Connected, then surely the twin mysteries of the Guidebook and a missing brother must be linked? What follows is completely the opposite of what Abi expected––but it will lead her on a journey of discovery that will change her life––and enchant readers. Gravity Is the Thing is a smart, unusual, wickedly funny novel about the search for happiness that will break your heart into a million pieces and put it back together, bigger and better than before.

FROZEN HELL is the original version of John W. Campbell's classic novella, Who Goes There? (filmed as The Thing). Recently discovered among Campbell's papers, this version adds another 45 pages to the story. Includes a Preface by Alec Nevala-Lee and an Introduction by Robert Silverberg.

The Thing Is . . .A novel, a confession, a poem, an autofiction, a commonplace book, a prose poem.By turns serious and playful, profound and trivial, sad and joyful, The Thing Is is a shape-shifting narrative: one that starts out as written by an alien, seeing the earth and its inhabitants from the outside. This perspective then becomes that of an everychild, who vaguely remembers having once been an alien, and evolves into the biography of everybody who has ever lived.The narrative moves deftly from an ingenious theory about the origins of the universe and the emergence of life, to a riff on the poetic power of doorways (and other thresholds); or from stories about things hidden from view or buried by time, to what it feels like to be alive at this particular moment in history.Beautifully wrought, often funny and poignant, The Thing Is is designed to be read in a variety of ways: in gobbets, all in one go, slowly, quickly, repeatedly. This slow/fast read is the perfect novel for our fast/slow times. Whatever The Thing Is to you, it will provide a new twist on the continuing adaptability of the form that we call the novel.

A celebrated and diverse group of poets have contributed the beautiful selections that make up Poetry of Presence. This book of mindfulness poems provides a refuge of quiet clarity that is much needed in today's restless, chaotic world. Every reader will find favorites to share and to return to, again and again.

Here he is, husband and father, scruffy romantic, a shambolic scholar--a man adrift in the wake of his wife's sudden, accidental death. And there are his two sons who like him struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised. In this moment of violent despair they are visited by Crow--antagonist, trickster, goad, protector, therapist, and babysitter. This self-described "sentimental bird," at once wild and tender, who "finds humans dull except in grief," threatens to stay with the wounded family until they no longer need him. As weeks turn to months and the pain of loss lessens with the balm of memories, Crow's efforts are rewarded and the little unit of three begins to recover: Dad resumes his book about the poet Ted Hughes; the boys get on with it, grow up. Part novella, part polyphonic fable, part essay on grief, Max Porter's extraordinary debut combines compassion and bravura style to dazzling effect. Full of angular wit and profound truths, Grief Is the Thing with Feathers is a startlingly original and haunting debut by a significant new talent.

W. G. Sebald meets Maggie Nelson in an autobiographical narrative of embodiment, visual art, history, and loss. How do the bodies we inhabit affect our relationship with art? How does art affect our relationship to our bodies? T Fleischmann uses Felix Gonzáles-Torres’s artworks—piles of candy, stacks of paper, puzzles—as a path through questions of love and loss, violence and rejuvenation, gender and sexuality. From the back porches of Buffalo, to the galleries of New York and L.A., to farmhouses of rural Tennessee, the artworks act as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity and community.