The Thin Man (1934) is a detective novel by Dashiell Hammett, made famouos by the series of movies based on it starring William Powell and Myrna Loy. The story is set in New York City during the Christmas season of 1932, in the last days of Prohibition in the United States. Nick Charles, a retired private detective, and Nora, his socialite wife, become embroiled in a mystery.

Before the Thin Man - The Prequel to Dashiell Hammett's "The Thin Man" is the sequel to the original Hammett masterpiece published in 1934 and the following Thin Man series. The story is set in 1928 and answers the questions of who are Nick and Nora Charles, where did they come from, and how did they meet to eventually become the iconic couple created by Dashiell Hammett.

From the beginning, Myrna Loy’s screen image conjured mystery, a sense of something withheld. "Who is she?" was a question posed in the first fan magazine article published about her in 1925. This first ever biography of the wry and sophisticated actress best known for her role as Nora Charles, wife to dapper detective William Powell in The Thin Man, offers an unprecedented picture of her life and an extraordinary movie career that spanned six decades. Opening with Loy’s rough-and-tumble upbringing in Montana, the book takes us to Los Angeles in the 1920s, where Loy’s striking looks caught the eye of Valentino, through the silent and early sound era to her films of the thirties, when Loy became a top box office draw, and to her robust post–World War II career. Throughout, Emily W. Leider illuminates the actress’s friendships with luminaries such as Cary Grant, Clark Gable, and Joan Crawford and her collaborations with the likes of John Barrymore, David O. Selznick, Sam Goldwyn, and William Wyler, among many others. This highly engaging biography offers a fascinating slice of studio era history and gives us the first full picture of a very private woman who has often been overlooked despite her tremendous star power.

An anthology of eighteen short stories includes a number of previously unpublished pieces as well as early screen treatments for "On the Make" and "The Kiss-Off."

"In the twenty-second century, a future in which mortaline wire controls the weather on the settled planets and entire refugee camps drowse in drug-induced slumber, no one-- alive or dead, human or alien-- is quite what they seem. When terrorists manage to crash Coral, the moon, into its home planet of Ribon, forcing evacuation, it's up to Dave Crowell and Alan Brindos, contract detectives for the Network Intelligence Organization, to solve a case of interplanetary consequences. Crowell and Brindos are forced to fight through the intrigue to discover the depths of an interstellar conspiracy. And to answer the all-important question: Who, and what, is the Ultra Thin Man?"--

Speaking about the kind of filmmaking now known as Classic Hollywood, the most popular and influential cinema ever invented, Vincente Minnelli once gave away its secret: "I feel that a picture that stays with you is made up of a hundred or more hidden things. They're things that the audience is not conscious of, but that accumulate." What are those hidden things? Can we invent a method that will enable us to discover them? Robert Ray attempts to answer those questions by looking closely at four movies from the 1930-1945 period when the American studio system reached the peak of its economic and cultural power: Grand Hotel, The Philadelphia Story, The Maltese Falcon, and Meet Me in St. Louis. To avoid the predictable generalizations that have plagued film studies, Ray works with the movies' details-Grand Hotel's room assignments or Meet Me in St. Louis's ketchup-which are treated as mysterious but promising clues. By producing at least one entry for every letter of the alphabet, Ray demonstrates that a movie's details have much to tell us. The ABCs of Classic Hollywood is a movie primer, a deceptively simple book that spells out a fascinating account of the most powerful storytelling system ever designed.