This new, fully-annotated translation by a leading expert on Hesiodic poems combines accuracy with readability and includes an introduction and explanatory notes on these two works by one of the oldest known Greek poets. The Theogony contains a systematic genealogy and account of the struggles of the gods, and the Works and Days offers a compendium of moral and practical advice for a life of honest husbandry.

Hesiod Theogony 800-700 B.C. is a highly engaging book that provides a practical methodology for studying the ancient Greek language. The longest of the three surviving works of Hesiod, Theogony is a story consisting of 1022 verses that describe the creation of the cosmos and the birth of the Gods. The work is divided into five sections and begins when Hesiod is authorized by Mousai to hear the story of the universal creation. Inspired by these tales, he composes Theogony. Theogony depicts the story of the creation of the universe from Khaos and the elements of the first deities. Being the creator and the leader of the universal civilization, the God Zeus plays a major role in the story. It is his weddings to Metis, Themis, Mnemosyne, and Eurynome, who represent law, institutions, and justice, that enable him to form the basis for serenity and prosperity among the cosmos. Dimitrios Kiriakopoulos grew up in a small village in central Greece, near Mt. Olympus. Although he moved to Toronto, Canada at 17, he maintained an affinity for the Gods of Olympus who were said to live on the mountain. A restaurant owner by profession, he still resides in Toronto with his wife and two children.In his free time he enjoys reading and writing. Hesiod Theogony 800-700 B.C. is his first published effort. Publisher's website: http: //sbpra.com/Metaphrasis-DimitriosKiriakopoulo

This volume offers analysis of the narratological structure of the Theogony with the purpose of elucidating a major, unifying theme in this poem: the relationship between the divine and mortal realms. The techniques of narratology are herein employed to support the argument that Hesiod portrays the cosmos as sharply divided between gods and men. The Theogony should therefore be read as a didactic poem explaining primarily the position of man vis-à-vis the gods. The first half of this book discusses relevant scholarship and introduces the theme of relationship of gods to men in the Theogony. The second half of the book discusses how Hesiod employs Character-Text, Attributive Discourse, Embedded Focalization, Anachrony, and Commentary to achieve his didactic purposes.

Hesiod's Theogony, written by legendary author Hesiod, is widely considered to be one of the greatest classic texts of all time. This great classic will surely attract a whole new generation of readers. For many, Hesiod's Theogony is required reading for various courses and curriculums. And for others who simply enjoy reading timeless pieces of classic literature, this gem by Hesiod is highly recommended. Published by Classic Books International and beautifully produced, Hesiod's Theogony by Hesiod would make an ideal gift and it should be a part of everyone's personal library.

For this eagerly anticipated revised edition, Athanassakis has provided an expanded introduction on Hesiod and his work, subtly amended his faithful translations, significantly augmented the notes and index, and updated the bibliography. --Johns Hopkins University Press.

This new edition of Anthology of Classical Myth offers selections from key Near Eastern texts—the Babylonian Epic of Gilgamesh, Epic of Creation (Enuma Elish), and Atrahasis; the Hittite Song of Emergence; and the flood story from the book of Genesis—thereby enabling students to explore the many similarities between ancient Greek and Mesopotamian mythology and enhancing its reputation as the best and most complete collection of its kind.

Stephen Scully both offers a reading of Hesiod's Theogony and traces the reception and shadows of this authoritative Greek creation story in Greek and Roman texts up to Milton's own creation myth, which sought to "soar above th' Aonian Mount [i.e., the Theogony]...and justify the ways of God to men." Scully also considers the poem in light of Near Eastern creation stories, including the Enûma elish and Genesis, as well as the most striking of modern "scientific myths," Freud's Civilization and its Discontents. Scully reads Hesiod's poem as a hymn to Zeus and a city-state creation myth, arguing that Olympus is portrayed as an idealized polity and--with but one exception--a place of communal harmony. This reading informs his study of the Theogony's reception in later writings about polity, discord, and justice. The rich and various story of reception pays particular attention to the long Homeric Hymns, Solon, the Presocratics, Pindar, Aeschylus, Aristophanes, and Plato in the Archaic and Classical periods; to the Alexandrian scholars, Callimachus, Euhemerus, and the Stoics in the Hellenistic period; to Ovid, Apollodorus, Lucian, a few Church fathers, and the Neoplatonists in the Roman period. Tracing the poem's reception in the Byzantine, medieval, and early Renaissance, including Petrarch and Erasmus, the book ends with a lengthy exploration of Milton's imitations of the poem in Paradise Lost. Scully also compares what he considers Hesiod's artful interplay of narrative, genealogical lists, and keen use of personified abstractions in the Theogony to Homeric narrative techniques and treatment of epic verse.