How did the most powerful nation on earth come to embrace terror as the organizing principle of its security policy? In The Theater of Operations, Joseph Masco locates the origins of the present-day U.S. counterterrorism apparatus in the Cold War's "balance of terror." He shows how, after the attacks of 9/11, the U.S. global War on Terror mobilized a wide range of affective, conceptual, and institutional resources established during the Cold War to enable a new planetary theater of operations. Tracing how specific aspects of emotional management, existential danger, state secrecy, and threat awareness have evolved as core aspects of the American social contract, Masco draws on archival, media, and ethnographic resources to offer a new portrait of American national security culture. Undemocratic and unrelenting, this counterterror state prioritizes speculative practices over facts, and ignores everyday forms of violence across climate, capital, and health in an unprecedented effort to anticipate and eliminate terror threats—real, imagined, and emergent.

This exhibition catalogue, accompanying the major building-wide exhibition Theater of Operations: The Gulf Wars 1991-2011, includes four new commissioned texts by scholars of Iraqi art Zainab Bahrani, Rijin Sahakian, and Nada Shabout, as well as a media-focused critique from McKenzie Wark. The book will also feature essays from our curators Ruba Katrib and Peter Eleey, as well as critical reproductions from contemporaneous media artifacts, ranging from the Baghdad Diaries--the personal diaries during Iraqi occupation and sanction of artist Nuha Al-Radi--as well as entries from the still-anonymous blogger Riverbend's Baghdad Burning blog chronicling her time living under occupation, as well as texts from Serge Daney, Jean Baudrillard. As this conflict was the first to disseminate via a 24hr televised news cycle, this publication examines the impact of this period of ongoing conflict and its pervasive effects on visual culture.

A description of General Eisenhower's wartime command, focusing on the general, his staff, and his superiors in London and Washington and contrasting Allied and enemy command organizations.

With the publication of "Riviera to the Rhine", the Center of Military History completes its series of operational histories treating the activities of the U.S. Army's combat forces during World War II. This volume examines the least known of the major units in the European theater, General Jacob L. Devers' 6th Army Group. Under General Devers' leadership, two armies, the U.S. Seventh Army under General Alexander M. Patch and the First French Army led by General Jean de Lattre de Tassigny, landing on the Mediterranean coast near Marseille in August 1944, cleared the enemy out of southern France and then turned east and joined with army groups under Field Marshal Sir Bernard L. Montgomery and General Omar N. Bradley in the final assault on Germany. In detailing the campaign of these Riviera-based armies, the authors have concentrated on the operational level of war, paying special attention to the problems of joint, combined, and special operations and to the significant roles of logistics, intelligence, and personnel policies in these endeavors. They have also examined in detail deception efforts at the tactical and operational levels, deep battle penetrations, river-crossing efforts, combat in built-up areas, and tactical innovations at the combined arms level.

The outbreak of World War II set in motion a massive expansion of the United States Marine Corps, leading to a 24-fold increase in size by August 1945. This book is the first of several volumes to examine the Corps's meteoric wartime expansion and the evolution of its units. It covers the immediate pre-war period, the rush to deploy defense forces in the war's early months, and the Marines' first combat operations on Guadalcanal, New Georgia, and Bougainville. It focuses on the 1st, 2d, and 3d Marine Divisions (MarDivs) and the provisional 1st, 2d, and 3d Marine Brigades (MarBdes).

Doctrine provides a military organization with unity of effort and a common philosophy, language, and purpose. This manual, "Theater Army Operations" (FM3-93), discusses the organization and operations of the theater army headquarters, including its role as the Army Service component command (ASCC) to the geographic combatant commander (GCC) and the relationships between the theater army headquarters and the theater enabling commands. The manual also discusses theater army responsibilities for setting the theater, Title 10 functions and responsibilities, generally referred to as the combatant commander's daily operations requirements, as well as the operational employment of the theater army's contingency command post (CCP) to directly mission command limited types of operations.