Murtaza Bhutto, 1954-1996, political leader from Pakistan.

The founder of Blackwater offers the gripping true story of the world’s most controversial military contractor. In 1997, former Navy SEAL Erik Prince started a business that would recruit civilians for the riskiest security jobs in the world. As Blackwater’s reputation grew, demand for its services escalated, and its men eventually completed nearly 100,000 missions for both the Bush and Obama administrations. It was a huge success except for one problem: Blackwater was demonized around the world. Its employees were smeared as mercenaries, profiteers, or worse. And because of the secrecy requirements of its contracts with the Pentagon, the State Department, and the CIA, Prince was unable to correct false information. But now he’s finally able to tell the full story about some of the biggest controversies of the War on Terror, in a memoir that reads like a thriller.

It was believed that September 11th would make certain kinds of films obsolete, such as action thrillers crackling with explosions or high-casualty blockbusters where the hero escapes unscathed. While the production of these films did ebb, the full impact of the attacks on Hollywood's creative output is still taking shape. Did 9/11 force filmmakers and screenwriters to find new methods of storytelling? What kinds of movies have been made in response to 9/11, and are they factual? Is it even possible to practice poetic license with such a devastating, broadly felt tragedy? Stephen Prince is the first scholar to trace the effect of 9/11 on the making of American film. From documentaries like Fahrenheit 9/11 (2004) to zombie flicks, and from fictional narratives such as The Kingdom (2007) to Mike Nichols's Charlie Wilson's War (2007), Prince evaluates the extent to which filmmakers have exploited, explained, understood, or interpreted the attacks and the Iraq War that followed, including incidents at Abu Ghraib. He begins with pre-9/11 depictions of terrorism, such as Alfred Hitchcock's Sabotage (1936), and follows with studio and independent films that directly respond to 9/11. He considers documentary portraits and conspiracy films, as well as serial television shows (most notably Fox's 24) and made-for-TV movies that re-present the attacks in a broader, more intimate way. Ultimately Prince finds that in these triumphs and failures an exciting new era of American filmmaking has taken shape.

“In the world of black-op thrillers, Mitch Rapp continues to be among the best of the best” (Booklist, starred review), and he returns in the #1 New York Times bestselling series alone and targeted by a country that is supposed to be one of America’s closest allies. After 9/11, the United States made one of the most secretive and dangerous deals in its history—the evidence against the powerful Saudis who coordinated the attack would be buried and in return, King Faisal would promise to keep the oil flowing and deal with the conspirators in his midst. But when the king’s own nephew is discovered funding ISIS, the furious President gives Rapp his next mission: he must find out more about the high-level Saudis involved in the scheme and kill them. The catch? Rapp will get no support from the United States. Forced to make a decision that will change his life forever, Rapp quits the CIA and assembles a group of independent contractors to help him complete the mission. They’ve barely begun unraveling the connections between the Saudi government and ISIS when the brilliant new head of the intelligence directorate discovers their efforts. With Rapp getting too close, he threatens to go public with the details of the post-9/11 agreement between the two countries. Facing an international incident that could end his political career, the President orders America’s intelligence agencies to join the Saudis’ effort to hunt the former CIA man down. Rapp, supported only by a team of mercenaries with dubious allegiances, finds himself at the center of the most elaborate manhunt in history. With white-knuckled twists and turns leading to “an explosive climax” (Publishers Weekly), Enemy of the State is an unputdownable thrill ride that will keep you guessing until the final page.

An inside look at the kingdom of Saudi Arabia discusses Wahhabism, the corruption within the Saudi royal family, its ties to terrorism, and the threat it poses to the Western world.

On the New York Times Best Seller list for 12 weeks (August 12-October 28, 1990) “This is a comprehensive history of Israel’s security establishment. The authors celebrate successes like Eichmann’s capture, but far more interestingly, they do not shy away from examining the security services’ failures... the book is riveting because Israel’s early intelligence feats still resonate in today’s world... the book makes valuable reading for anyone interested in Israel’s world-wide plans to deal with matters affecting its security.” — Wall Street Journal “The authors... obviously found enough talkative sources... to provide them with the remarkable case histories they describe here. Even though some of the Israeli operatives sound boastful, the book is not propaganda or disinformation. While it is filled with many examples of how Mossad pulled off major coups, the authors are at pains to point out that the Israelis sometimes goofed... The authors flesh out stories that once made headlines with fresh material. Not all the Israeli intelligence triumphs involved violence. The Israelis managed to outrun the C.I.A. and all of Western Europe’s spy agencies in getting their hands on a copy of Nikita S. Khrushchev’s secret speech in 1956 to a special Communist Party Congress in Moscow that exposed the horrors of the Stalin era... The story of the 1960 capture in Buenos Aires of Adolf Eichmann, the Nazi war criminal, by Mossad and Shin Bet, Israel’s internal security agency, is lovingly re-created. A high point of Israeli intelligence came in 1967, during the Six-Day War, when foreknowledge of enemy positions and abilities paved the way for a rapid victory. The astonishing rescue in 1976 by army commandos of hijacked passengers from Entebbe airport in distant Uganda gained added respect for Israel in the Western world. Against the triumphs, the authors balance these failures: Mossad’s misjudgments in Lebanon, Shin Bet’s killings of Arab terrorists in captivity, and the involvement of Israel in the disarray of Irangate. In addition, double agents were used in Britain and caught there; an American, Jonathan Pollard, was encouraged to spy and sell military secrets to Israel, and faulty intelligence resulted in ‘misleading the Government over the future of the occupied territories, just as a Palestinian uprising was beginning.’... [a] highly revealing book.” — New York Times “Everything you wanted to know about Israel’s spies and secret services — but were afraid to discover. This comprehensive history and analysis of the Israeli intelligence community offers many original insights into the secret psyche of the Jewish State... The book presents new information on some of Israel’s greatest intelligence coups and failures.” — Kirkus “Basing their work on interviews with former operatives and on declassified documents, CBS news correspondent Raviv and Israeli journalist Melman here produced a revealing critical history of the rise and decline of Israel’s vaunted security and intelligence arm.“ — Publishers Weekly “[A] detailed history of Israel’s intelligence agencies.“ — Washington Post “Every Spy a Prince is by far the best book ever published on Israel’s intelligence community, filled with new and fascinating information, skillfully and intelligently written and, above all, bold and judicious in its assessments of the triumphs and failures of one of the most remarkable espionage organizations in the world.” — San Francisco Chronicle “A highly readable, well-organized portrait of the main Israeli intelligence services .. . . Every Spy a Prince is a valuable, balanced addition to the mushrooming literature about the world’s second oldest profession.” — Newsday