This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. (Eleven different topics grouped in one book) The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. (Over 100 poster and film scenes) In addition, each film is linked to Youtube and in most cases the films are viewed in full Movie. Contents of the book: La maschera del demonio (1960), La ragazza che sapeva troppo (1963), I tre volti della paura (1963), La frusta e il corpo (1963), Operazione Paura (1963), Sei donne per l’assassino (1964), Il Rosso Segno della Follia (1970), 5 bambole per la luna di agosto (1970), Ecologia del delitto (1971), Lisa e il Diavolo (1972). Of each film: Poster, Plot, Cast, Production, Development, Filming, Release, Home media, Critical reception, Influence and analysis, Scenes from the film, Footnotes, References, Further reading.

The Haunted World of Mario Bava has now been updated, revised and expanded by author Troy Howarth to give a better overview of Bava's remarkable legacy as a director and "cinema magician."

This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches (eleven different topics grouped in one book), but above all the pleasure of reading a paper book comfortably seated in an armchair The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. (Over 100 poster and film scenes)Contents of the book: La maschera del demonio (1960), La ragazza che sapeva troppo (1963), I tre volti della paura (1963), La frusta e il corpo (1963), Operazione Paura (1963), Sei donne per l'assassino (1964), Il Rosso Segno della Follia (1970), 5 bambole per la luna di agosto (1970), Ecologia del delitto (1971), Lisa e il Diavolo (1972). Of each film: Poster, Plot, Cast, Production, Development, Filming, Release, Home media, Critical reception, Influence and analysis, Scenes from the film, Footnotes, References, Further reading.

"Lucas mimics Stoker's style so well that it's hard to distinguish his own writing from passages interpolated from Dracula. A fully humanized character study.” – Publishers Weekly Perhaps the most infamous supporting character in all of Gothic Horror is R.M. Renfield, the unstable patient under observation at Dr. Seward’s Carfax Asylum in Bram Stoker’s Dracula—a pathetic wretch who prophesies the imminent arrival of “the Master” while covertly feeding on spiders and flies. Yet Stoker’s 1887 classic tells us almost nothing about him. Why—and how—was such an unsavory figure chosen to be the Un-dead Count’s groveling envoy? In this remarkable harbinger of the “mash-up” novel, author Tim Lucas—with the help of Stoker himself—takes us on an illuminating, magical, sometimes strangely erotic investigation into Renfield’s origin, fitted seamlessly within the language and the flurry of correspondence and other documentation found in Dracula. THE BOOK OF RENFIELD reinvigorates Stoker’s seminal horror masterpiece with numerous, uncanny stories within stories—alternately ghastly, marvelous, and hauntingly tender, framing DRACULA’s robust blood-and-thunder with a flair for meta and modernity. This Newly Revised Edition is extensively reworded and restructured, incorporating many paragraphs of content deleted from the original 2005 text. Also included is a contextualizing new Foreword by horror expert Stephen R. Bissette and a substantial Afterword by the author.

The "Gothic" style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author's analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. The foreword is by film director and scriptwriter Ernesto Gastaldi.

Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975.