This book was a revelation. I was simply enthralled by Joel Hagen's brilliance in reviewing the emergence of the discipline of ecosystem ecology (the study of biotic-abiotic interaction and nutrient flows in ecological systems). He does a magnificent job of introducing the personalities that midwived the new science. He explains their intellectual struggles, philosophical cross-currents, and different academic milieux. He also expertly illuminates sociopolitical context. Through his in-depth research he is able to dispel some misconceptions and truismsm, arriving at the heart of what made each scientist tick. Even when exploring some of the arcane figures and dead-end developments, he is so compelling that they become integral to the story, not sidetracks. His breadth of knowledge, his discerning inclusiveness, his clarity of thought, all make _An Entangled Bank_ a stimulating read. Very often in science courses we are presented only with the canonical "state of the science," having to swallow its agglomerated whole free of context. Hagen reveals the wisdom of understanding intellectual foundations. Through study of the origins and development of a science, we may better grasp the received tenets of current scientific understanding. As a young science, ecosystem ecology has a historical context that is relatively accessible to us, if less romantic than a tale of the origins of astronomy might be. A peek into the labs and offices of botanists, limnologists, and biogeochemists might not seem like the acme of excitement. Hagen inspires us with his insights. He makes his subject meaningful to us. Though it is not pleasure reading by any stretch, its clear-sighted intellectual vigor makes _An Entangled Bank_ pure enjoyment.

Darwin's discovery of evolution is as celebrated as Galileo's laws of motion or Newton's discovery of gravity. But this was only half the story. Not content to prove that evolution had happened, Darwin sought to convey its full humbling implications. Thus he formulated the theory of natural selection. Contrary to popular belief, this theory ran exactly counter to scientific reason and was consequently rejected by the scientific community of the time. This wasn’t the only reason Darwin’s critics recoiled. His theory robbed the ruling orders of any easy recourse to consolatory tales of nature’s harmony and design. The fate of his ideas, for the time being at least, would be left to the heretics he inspired in other domains. Darwin's radical thought anticipated Nietzsche's Godless philosophy, Marx's class-based economics and Freud's psychological theories of the unconscious. It would take a further 80 years for Darwinism to become accepted as mainstream science, but it came at the expense of its counter-scientific core. For the remainder of the twentieth century a popularized Darwinism would become the touchstone for backlash movements in philosophy, economics and psychology—disciplines he once so radicalized. This is the story of how the most revolutionary idea of the nineteenth century became the most reactionary idea of the twentieth.

This original study investigates the role played by literature in Sigmund Freud's creation and development of psychoanalysis. Graham Frankland analyses the whole range of Freud's own texts from a literary-critical perspective, providing a comprehensive reappraisal of his life's work. Freud was steeped in classical European literature but seems initially to have repressed all literary influences on his scientific work. Frankland traces their re-emergence, examining in detail Freud's many literary allusions and quotations as well as the rhetoric and imagery of his writing. He explores Freud's own attempts at analysing literature, the influence of literary criticism on his approach to analysing patients and his creation of psychoanalytical 'novels', quasi-literary fictions fraught with profoundly personal subtexts. Freud's Literary Culture sheds new light on a multi-faceted, contradictory writer who continues to have an unparalleled impact on our postmodern culture precisely because he was so deeply rooted in European literary tradition.

""Discusses the cultural history of Europe from prehistory to the modern day. Includes illustrations, maps and case studies"--Provided by publisher"--

This major contribution to the idea of Europe sweeps the continent from its Celtic and German origins through the influence of the Greeks and Romans to the fruitful--and sometimes bloody--contacts with other cultures. Peter Rietbergen portrays Europe's history as a series of four grand phases of continuity and change set in the context of political, social and economic developments. These phases are new forms of: surviving; believing; looking at man and the world; and consumption and communication. Rietbergen's descriptions are supported by a selection of illuminating excerpts such as: Chaucer's description of London in 1378; Michelangelo on Italian art; and popular music lyrics of Iron Maiden and Sting.

Examining the emergence of modernism from the fin-de-siecle primitivist project this volume shows how ethnographic materials shaped a variety of high and low discourses (ethnology, social theory, gender construction, classical scholarship, as well as travel photography) at the turn of the century. Illustrated with 98 photographs and drawings."