The anthology is a ubiquitous presence in Jewish literature--arguably its oldest literary genre, going back to the Bible itself, and including nearly all the canonical texts of Judaism: the Mishnah, the Talmud, classical midrash, and the prayerbook. In the Middle Ages, the anthology became the primary medium in Jewish culture for recording stories, poems, and interpretations of classical texts. In modernity, the genre is transformed into a decisive instrument for cultural retrieval and re-creation, especially in works of the Zionist project and in modern Yiddish and Hebrew literature. No less importantly, the anthology has played an indispensable role in the creation of significant fields of research in Jewish studies, including Hebrew poetry, folklore, and popular culture. This volume is the first book to bring together scholarly and critical essays that investigate the anthological character of these works and what might be called the "anthological habit" in Jewish literary culture--the tendency and proclivity for gathering together discrete, sometimes conflicting traditions and stories, and preserving them side by side as though there were no difference, conflict, or ambiguity between them. Indeed, The Anthology in Jewish Literature is the first book to recognize this habit and genre as one of the formative categories in Jewish literature and to investigate its manifold roles. The seventeen essays, each of which focuses on a specific literary work, many of them the great classics of Jewish tradition, consider such questions as: What are the many types of anthologies? How have anthologists, editors, even printers of anthologies been creative shapers of Jewish tradition and culture? What can we learn from their editorial practices? How have politics, gender, and class figured into the making of anthologies? What determinative role has the anthology played in creating the Jewish canon? How has the anthology served, especially in the modern period, to create and recreate Jewish culture. This landmark volume will interest educated laypersons as well as scholars in all areas of Jewish literature and culture, as well as students of world literature and cultural studies.

This anthology sets forth, in three volumes, a selection of Talmudic discussions of problems of enduring social importance. Utilizing the categories that uniformly serve in the description, analysis, and interpretation of a religion that sets forth a theory of the social order, in this case, a Judaism, we ask about how the Talmud of Babylonia discusses topics concerning Torah, God, and Israel. Those categories in their native and classical setting speak of ø1! God's ø2! revealing the Torah ø3! to Israel the holy people. These categories may be represented by the secular words ø1! ethos, ø2! ethics, and ø3! ethnos. They correspond, in a religious system, to the world view, way of life, and social entity. In each case, there is an introduction to a discussion, which specifies how the ancient sages address an issue of acute contemporary consequence. The way in which the Talmud presents its authors' ideas on issues that concern humanity in the twenty-first century is laid out in the Talmud's own language and idiom.

Volume three contains an English translation of the commentary on Romans through Revelation. Hermann L. Strack and Paul Billerbeck's Commentary on the New Testament from the Talmud and Midrash is an important reference work for illustrating the concepts, theological background, and cultural assumptions of the New Testament. The commentary walks through each New Testament book verse by verse, referencing potentially illuminating passages from the Talmud and Midrash and providing easy access to the rich textual world of rabbinic material. Originally published between 1922 and 1928 as Kommentar zum Neuen Testament aus Talmud und Midrasch, Strack and Billerbeck's commentary has been unavailable in English until now. Translated by Joseph Longarino and edited by Jacob N. Cerone, this volume also includes an introduction by David Instone-Brewer.

This book is a collection of letters from a religious Jew in Israel to a Christian friend in Barcelona on life as an Orthodox Jew. Equal parts lighthearted and insightful, it's a thorough and entertaining introduction to the basic concepts of Judaism.

Trans Talmud places eunuchs and androgynes at the center of rabbinic literature and asks what we can learn from them about Judaism and the project of transgender history. Rather than treating these figures as anomalies to be justified or explained away, Max K. Strassfeld argues that they profoundly shaped ideas about law, as the rabbis constructed intricate taxonomies of gender across dozens of texts to understand an array of cultural tensions. Showing how rabbis employed eunuchs and androgynes to define proper forms of masculinity, Strassfeld emphasizes the unique potential of these figures to not only establish the boundary of law but exceed and transform it. Trans Talmud challenges how we understand gender in Judaism and demonstrates that acknowledging nonbinary gender prompts a reassessment of Jewish literature and law.