A re-examination of the historical development of urban identity and community along the Swahili Coast.

The nineteenth century in Africa was a time of revolution and tumultuous change in virtually all spheres. Violent dry spells, the staggered abolition of the slave trade, mass migrations and an influx of new settlers characterized the century. Regional trade links grew stronger and spread further. The century also saw the beginnings of the ruthless and bloody quest for foreign dominion.

This unique contribution to the growing field of western Indian Ocean studies brings new light and new perspective on the early 19th century expansion of both Omani Sultan and the British. The important role played by the Baluch in East Africa is here discussed thanks to little known archive documents integrated with field work.

This work consists of the translation and annotation of three East African Arabic / Swahili manuscripts together with the original texts. They cover aspects of the history of the coast from the early Himyaritic period up to the beginning of the 20th century. By the use of earlier, in some cases hitherto unused Arabic sources, the authors of the texts have contributed to a fuller picture of the East African coastal history. The texts relate directly to works on East African coastal history that have appeared since the latter part of the 19th century. They are presented against the background of general Arabic and Islamic history. The annotations indicate, and some case stress, significant hints and references to matters that need to be borne in mind, along with archeological and other evidences.

Bengt Sundkler's long-awaited book on African Christian churches will become the standard reference for the subject.

The multiauthored book accompanying the World on the Horizon exhibition organized by Krannert Art Museum is the first interdisciplinary study of Swahili visual arts and their historically deep and enduring connections to eastern and central Africa, the port towns of the western Indian Ocean, Europe, and the United States. At once exhibition catalogue and scholarly inquiry, the publication features eighteen essays in a mix of formats - personal reflections, object biographies, as well as more in-depth critical treatments - and includes never before published images of works from the National Museums of Kenya and Bait Al Zubair Museum in Oman. By approaching the east African coast as a vibrant arena of global cultural convergence, these essays offer compelling new perspectives on the situated yet mobile and deeply networked social lives of Swahili objects. Moving between the broader structural relations of political economic change to more intimate narratives through which such change is experienced, the essays throw light on the ways in which the material fabric of the arts structure Swahili people's sense of self and community in an ever-changing world of oceanic and terrestrial movement.