Originally published: London: Viking, 1999.

Transporting readers to the menacing yet majestic world of eighteenth-century Turkey, biographer and Middle East expert Janet Wallach brilliantly re-imagines the life of Aimee Dubucq, cousin of Empress Josephine, in her first novel "Seraglio. At the age of thirteen, when en route from France to her home in Martinique, Aimee Dubucq is kidnapped by Algerian pirates. Blonde and blue-eyed, the genteel young girl is a valuable commodity, and she is soon placed in service in the Seraglio - the Ottoman Sultan's private world - in Topkapi Palace. As Dubucq, renamed Nakshidil ("embroidered on the heart") discovers the erotic secrets that win favor of kings and deftly learns the affairs of the empire, she struggles to retain her former identity, including her Catholic faith. Overtime Nakshidil becomes the intimate of several powerful sultans: wife to one, lover and confidante to another, and adoptive mother to a third. Her life often treads the tenuous line between sumptuous pleasures and mere survival until her final years when she is awarded control of the harem as the valide, mother of the Sultan. With phenomenal research and a mesmerizing voice, Janet Wallach provides a powerful and passionate glimpse of East-West history through one woman's distinctly European eyes.

A survey of Western accounts of "Oriental despotism" in the 17th and 18th centuries, focusing particularly on portrayals of the Ottoman empire and the supposedly enigmatic structure of the despot's court - the seraglio - with its viziers, dwarfs, mutes, eunuchs and countless wives.

“A confident One Thousand and One Nights for our present . . . Furious pop entertainment—full of sex, passion, violence, and magic.” —Slant magazine This is the story of the legendary City of Women, told through the tales of those who founded it, championed it, and made it flourish. When the city of Bessa undergoes a violent coup, its lazy, laissez-faire ruler, Bokhari Al-Bokhari, is replaced by the religious zealot Hakkim Mehdad. With little use for the pleasures of the flesh, Hakkim sends his predecessor’s 365 concubines to a neighboring sultan as a gift. But when the new sultan discovers the concubines are harboring Al-Bokhari’s youngest son—a child who might grow up to challenge his rule—he repents of his mercy and sends his soldiers to slaughter the seraglio down to the last woman and child. What he doesn’t count on is a concubine trained in the art of murder—or the courage and fortitude of the women who will rise up with her to forge their own city out of the unforgiving desert. It’s an undertaking beset with challenges: hunger and thirst, Hakkim’s relentless hate, and the struggle to make a place for themselves in a world determined to underestimate and undermine them. Through a mosaic of voices and tales, we learn of the women’s miraculous rise, their time of prosperity—and how they carried with them the seed of their own destruction. “A thrilling tale.” —Publishers Weekly “A masterful, engaging and utterly fascinating story by three wonderful writers.” —SFRevu.com “The Steel Seraglio brings its alternate world of struggle, politics and magic very much to life.” —Locus

The subject of this vast, astonishing and brilliantly readable work of history is the bizarre story of the Ottoman Empire, seen through the lives and actions of its sultans, with their absolute power and terrifying cruelty, their love of pomp and magnificence and their overwhelming venality and corruption. The author describes the men, the events, the daily life, the strange customs of Turkey's court, from her emergence as a great power in the sixteenth century to the death of Kemal Ataturk, who overthrew the Sultanate to establish a new and more modern form of tyranny. This book is a unique and fascinating record of four centuries of glory, debauchery, splendor and cruelty. --from inside jacket flap.

In the wake of the fear that gripped Europe after the fall of Constantinople in 1453, English dramatists, like their continental counterparts, began representing the Ottoman Turks in plays inspired by historical events. The Ottoman milieu as a dramatic setting provided English audiences with a common experience of fascination and fear of the Other. The stereotyping of the Turks in these plays—revolving around complex themes such as tyranny, captivity, war, and conquests—arose from their perception of Islam. The Ottomans' failure in the second siege of Vienna in 1683 led to the reversal of trends in the representation of the Turks on stage. As the ascending strength of a web of European alliances began to check Ottoman expansion, what then began to dazzle the aesthetic imagination of eighteenth century England was the sultan's seraglio with images of extravaganza and decadence. In this book, Esin Akalin draws upon a selective range of seventeenth and eighteenth century plays to reach an understanding, both from a non-European perspective and Western standpoint, how one culture represents the other through discourse, historiography, and drama. The book explores a cluster of issues revolving around identity and difference in terms of history, ideology, and the politics of representation. In contextualizing political, cultural, and intellectual roots in the ideology of representing the Ottoman/Muslim as the West’s Other, the author tackles with the questions of how history serves literature and to what extent literature creates history.

This Turkish bestseller tells the story of a real-life Sephardic Jewish woman who gained access to Suleiman the Magnificent.