Henry James's Style of Retrospect traces James's engagement with the writing of the recent past across the last twenty-five years of his life and examines the thoroughgoing change his style underwent in this last phase of his career, as his focus turned from the observation of contemporary manners to biographical commemoration and autobiographical reminiscence, and the balance of his output gradually shifted from fiction to non-fiction. The 'late personal writings' of the book's subtitle are works of retrospective non-fiction. They are a varied group, representing a broad array of genres and occasions: commemorative essays and obituary tributes, textual revisions and accounts of revisiting familiar places, cultural and literary criticism, biography and autobiography, and family memoir. Oliver Herford proposes that we read the late personal writings as a coherent sequence, bound together by a close texture of cross-references and allusive echoes, and united by James's newly discovered sense for the literary possibilities of non-fiction. Closely analyzing the style of these writings, this study offers a boldly revisionist account of the way style itself challenges and preoccupies the very late James. A linked series of innovative close readings takes the major works of this period in sequence, addressing a key point of style in each: particular attention is paid to procedures of reference (to the historical past, to real persons and places and objects), a dimension of style often neglected and sometimes actively slighted in analyses of James's late work. Henry James's Style of Retrospect asks what it means for so distinguished a novelist to alter the foundations of his written manner so strikingly in late life, and shows how we may begin to reconfigure our understanding of late Jamesian aesthetics accordingly.

Henry James's Style of Retrospect examines the last twenty-five years in the writing life of Henry James (1843-1916), one of the most important novelists of the nineteenth century. It addresses a significantly under-appreciated dimension of James's late-life output: not his fiction, but rather the substantial body of retrospective and commemorative non-fiction (the 'late personal writings' of the title) which he began to produce in the 1890s, and whichcame to assume a leading role in the last phase of his career. It addresses these works from a literary-critical viewpoint, analysing the way James's style changed in response to the conditions imposed onhim--but also the opportunities revealed to him--by the project of writing about the real past; the book's main contribution is to develop a cumulative analysis of his style in the period 1890DS 1915. It also has a biographical aspect, however, and tells a story of his professional and emotional life in these years that particularly emphasises his investment in historical and personal continuity, his sense of the duties of commemoration, and his interest in the experiences of ageing andremembering.

A novus hit squad is chasing you, and they are getting closer... In the year 3421, human, novus, and alien races coexist through political strife perpetuated by daily United Planetary Congress interactions, the foundation of political theater. An encrypted code, capable of crippling a newly developed artificial earth planet, is stolen from an atmospheric control outpost orbiting Atlas. Agent Jonah, Galactic Interpol Society top-priority agent, must immerse himself within the violent shadows surrounding his new mission as he enters the Revised Washington District. A novus crime lord leading a reputable novus terrorist organization lends aid to a powerful political figure pulling the strings. To further complicate Jonah's investigation, a rogue galactic agent bites at his heels every step of the way. Follow Agent Jonah through vivid action sequences and futuristic locales to find out if he can overcome all obstacles and save Atlas from an evil politician's plot for power dominance in the galaxy. Army combat veteran Bryan DeMinico gives readers a Sci-Fi world full of hi-tech spy activities, sleek technologies, socio-political interactions spanning across two earth planets, mix in a new humanoid race, colonized space worlds, and add a dash of discovered aliens on Planet Amephirous.

A superb introduction to the work of John Cage, celebrated minimalist composer, who died in 1992, aged 79 years. Printed in the style requested by the author, this book summarises his major works in one volume.

This publication traces James's engagement with the writing of the recent past across the last 25 years of his life and examines the thoroughgoing change his style underwent in this last phase of his career, as his focus turned from the observation of contemporary manners to biographical commemoration and autobiographical reminiscence, and the balance of his output gradually shifted from fiction to non-fiction.

Featuring works of Anita Rée (1885-1933) from all of her mediums including paintings, watercolors, drawings and handcrafted works, this book sheds new light on a multifaceted oeuvre that ranges from impressionistic outdoor painting to cubistic Mediterranean landscapes to portraits inspired by New Objectivity. As an independent woman of the art world Rée was between tradition and modernity, a German artist with international aspirations, and a Jew raised as a Protestant, Rée had several existences she lived between. Subsequently, Rée's subject matter refers to her in-between existence in a changing modern society during the Weimar Republic, and leads to the still relevant question of identity. Her self portraits reveal the self as a foreign being. She also depicts people of different origin, intimate female nudes, and exaggerated society gentlemen, the southern landscape as a place of yearning, figural images as secular portrayals with religious content, and solitary animals in barren dunes. This volume, showcasing Rée's range of work, delves into the marginalized feelings of the artists, and is sure to delight fans of Modern art.00Exhibition: Hamburger Kunsthalle, Hamburg, Germany (06.10.2017-04.02.2018).