This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

by Bob Staake A visually stunning reinterpretation of the fairy tale classic! Mesmerized as a child by the nightmarish prose and haunting images contained in the book, noted author/illustrator Bob Staake gives a 21st century spin to these 14 stories - each more politically incorrect than the next.

1845 classic children's book relates the consequences, in funny rhyming couplets, that befall children who torment animals, play with matches, suck their thumbs, and fidget at meals.

A recent upsurge in interest in Der Struwwelpeter, written by Heinrich Hoffman has initiated a new wave of spin-offs, parodies, and retellings of these immensely popular stories. Hoffman's style, which is instructive and moralistic, coupled with the sadistic content of his works lend a unique quality to the stories that we don't see in contemporary children's literature. Struwwelpeter: Humor or Horror? is a critical analysis of the now infamous Struwwelpeter stories. While Hoffman intended his depictions of amputated limbs and burning children to be humorous and to warn children against misbehavior, some find the punishments can be excessively vicious. Looking beyond the history of child rearing practices and children's literature, Barbara Smith Chalou considers the socio-historic context in which the book was written and makes comparisons to contemporary children's fare that is similarly violent, but intended to be humorous.

Meet Slovenly Kate, Envious Tom, Tell-Tale Jenny, and other disagreeablecharacters in this comic collection ofcautionary tales. Originally published in1874 as part of the Struwwelpeter series,these stories recount the horrible buthumorous fates of naughty children.Includes a wealth of additional rhymesand fables, plus delightful illustrationsby Theodor Hosemann.Reprint of the very rare 1875 edition.96pp.