"The eighth Poldark novel"--Half title page.

A shipwrecked sailor disturbs the life of a journalist in a late nineteenth-century English seaside town in this reimagining of Ibsen’s The Lady from the Sea. After a ferocious storm shipwrecks young Norwegian sailor Hans Lyngstrand in the English Channel near Dengate, aspiring journalist Martin Bridges takes a job at the local newspaper. When Hans moves into Martin’s boardinghouse to convalesce and Martin interviews the young sailor for the paper, it upends Martin’s otherwise uneventful world. Hans tells him of the shipwreck—and of his encounter with a vicious sailor vowing to seek revenge, who Hans believes may still be alive. So begins a complex friendship between the two young men that will cause Martin to reexamine his relationships with everyone around him. In The Stranger from the Sea, the backstories Paul Binding creates for the characters of Ibsen’s classic The Lady from the Sea unfold in tandem with the secret romances, rivalries, and heartaches of a seemingly unremarkable town. The result is a lyrical and quietly captivating novel that will mesmerize readers from its opening pages. “A sensitive depiction of youthful sexuality, the anguish of failed relationships, and the rights of women in a male-dominated world,” —TLS

Parade's "10 Books Written by Women We Can't Wait to Read in 2019" | She Reads' "Most Anticipated Thillers of Summer 2019" | Pure Wow's "The Best Beach Reads of Summer 2019" | CrimeReads' "The Most Anticipated Crime Books of Summer" From bestselling author Michele Campbell comes A Stranger on the Beach, an edge-of-your seat story of passion and intrigue that will keep you guessing until the very end. Caroline Stark’s beach house was supposed to be her crowning achievement: a lavish, expensive space to showcase what she thought was her perfect family. But after a very public fight with her husband, she realizes things may not be as perfect as they seem: her husband is lying to her, the money is disappearing, and there’s a stranger on the beach outside her house. As Caroline’s marriage and her carefully constructed lifestyle begin to collapse around her, she turns to Aidan, the stranger, for comfort...and revenge. After a brief and desperate fling that means nothing to Caroline and everything to him, Aidan’s infatuation with Caroline, her family, and her house becomes more and more destructive. But who is manipulating whom in this deadly game of obsession and control? Who will take the blame when someone ends up dead...and what is Caroline hiding?

The Stranger From the Sea is the eighth novel in Winston Graham's hugely popular Poldark series, and continues the story after the fifth TV series, which has become an international phenomenon, starring Aidan Turner. Cornwall 1810. The Poldark family awaits the return of Ross from his mission to Wellington's army in Portugal. But their ordered existence ends with Jeremy Poldark's dramatic rescue of a stranger from the sea. Stephen Carrington's arrival in the Poldark household changes all their lives. For Clowance and Jeremy in particular, the children of Ross and Demelza, Stephen's advent is the key to a new world – one of both love and danger. The Stranger From The Sea is followed by the ninth book in the Poldark series, The Miller's Dance.

In this first novel of the Cape Hatteras Trilogy, twelve-year-old Ben rescues an English girl from a shipwreck off the Outer Banks of North Carolina; and, though she becomes part of his family, she never speaks.

A New York Times Notable Book of 2015 “A tour-de-force reimagining of Camus’s The Stranger, from the point of view of the mute Arab victims.” —The New Yorker He was the brother of “the Arab” killed by the infamous Meursault, the antihero of Camus’s classic novel. Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling’s memory, refuses to let him remain anonymous: he gives his brother a story and a name—Musa—and describes the events that led to Musa’s casual murder on a dazzlingly sunny beach. In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die. The Stranger is of course central to Daoud’s story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, The Meursault Investigation is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice.