London is in flux. The clop of the hansom cab has given way to the madness of the motorcar. And Sherlock Holmes, safe in the bee-loud glades of the Sussex downs, is lured back to London when a problem is posed to him by Dr. Watson and Watson’s friend, Col. Higgins. Is the transformation of Eliza Doolittle from girl of the streets to duchess more than it seems? Is it really the work of Henry Higgins’s phonetics lessons or has another girl been substituted for her, and why? Has the original girl been murdered? Even Eliza’s father can’t say for sure. Posing as a rich American gangster, Holmes infiltrates the Higgins household. He meets Freddy, a seemingly ubiquitous suitor, and the mysterious Baron Von Stettin, Bavarian attaché. He brushes up against a doctor whose potions can turn Eliza from a spitfire into a kitten. And he faces a deadly enemy who had been thought dead for twenty years. The world of Sherlock Holmes will never be the same.

Paris, 1890. When Sherlock Holmes finds himself chasing an art dealer through the streets of Paris, he’s certain he’s smoked out one of the principals of a cunning forgery ring responsible for the theft of some of the Louvre’s greatest masterpieces. But for once, Holmes is dead wrong. He doesn’t know that the dealer, Theo Van Gogh, is rushing to the side of his brother, who lies dying of a gunshot wound in Auvers. He doesn’t know that the dealer’s brother is a penniless misfit artist named Vincent, known to few and mourned by even fewer. Officialdom pronounces the death a suicide, but a few minutes at the scene convinces Holmes it was murder. And he’s bulldog-determined to discover why a penniless painter who harmed no one had to be killed–and who killed him. Who could profit from Vincent’s death? How is the murder entwined with his own forgery investigation? Holmes must retrace the last months of Vincent’s life, testing his mettle against men like the brutal Paul Gauguin and the secretive Toulouse-Lautrec, all the while searching for the girl Olympia, whom Vincent named with his dying breath. She can provide the truth, but can anyone provide the proof? From the madhouse of St. Remy to the rooftops of Paris, Holmes hunts a killer—while the killer hunts him.

An inspiring guide to saying thank you, one heartfelt note at a time. We all know that gratitude is good for us--but the real magic comes when we express it. Writer Gina Hamadey learned this life-changing lesson firsthand when a case of burnout and too many hours on social media left her feeling depleted and disconnected. In this engaging book, she chronicles how twelve months spent writing 365 thank-you notes to strangers, neighbors, family members, and friends shifted her perspective. Her journey shows that developing a lasting active gratitude practice can make you a happier person, heal complicated relationships, and reconnect you with the people you love--all with just a little bit of bravery at the mailbox. How can we turn an often-dreaded task into a rewarding act of self-care that makes us feel more present, joyful, and connected? Whether we're writing to a long-lost friend, a helpful neighbor, or a child's teacher, this inspiring book helps us reflect on meaningful memories and shared experiences and express ourselves with authenticity, vulnerability, and heart. Informed by Hamadey's year of discovery as well as interviews with experts on relationships, gratitude, and more, this deceptively simple guide offers a powerful way to jump-start your joy. Hamadey found herself thanking not only family members and friends, but less expected people in her sphere, including local shopkeepers, physical therapists, long-ago career mentors, favorite authors, and more. Once you get going, you might find yourself cultivating an active gratitude practice, too--one heartfelt note of thanks at a time.

Pygmalion is a play by George Bernard Shaw, named after a Greek mythological figure. It was first presented on stage to the public in 1913.

In the fourth book from the Agatha Award nominated writing team of D.E. Ireland, famous literary characters Eliza Doolittle and Henry Higgins find they may have brought trouble with them when they attend a country house party in With A Little Bit of Blood. Eliza is not happy when Higgins buys a snazzy roadster. Her misgivings prove correct when he becomes injured in a motor car crash. Forced to play nursemaid, Eliza is thrilled to accept an invitation to a house party from Lord Ashmore and his bride, the former Clara Eynsford-Hill. But upon their arrival at Banfield Manor, Eliza is dismayed to see her sweetheart Freddy arm in arm with a beautiful actress. Higgins is shocked to learn the woman who once stalked him is also attending the party. Things grow even worse when spiritualist Madame Evangeline arrives and warns of impending danger. Her prediction comes true when someone is killed during the following day's shoot in the forest. Higgins and Eliza suspect it wasn't an accident, but murder. Every guest hides a dark secret that involved the dead man. But who hated him more? The French aviator, the American cinema actress, a lady novelist, the Austrian count, or a knighted explorer of the Amazon? Madame Evangeline's séance may reveal what is really going on. But her cryptic words deepen the mystery, especially after another guest turns up dead. Who is behind these murders? And has Higgins himself been targeted? As the day of the fox hunt begins, it seems likely that more than the fox will die. Before that happens, Eliza and the Professor must discover who may have a little bit of blood on their hands.

Do you cringe when a talking head pronounces “niche” as NITCH? Do you get bent out of shape when your teenager begins a sentence with “and”? Do you think British spellings are more “civilised” than the American versions? If you answered yes to any of those questions, you’re myth-informed. In Origins of the Specious, word mavens Patricia T. O’Conner and Stewart Kellerman reveal why some of grammar’s best-known “rules” aren’t—and never were—rules at all. This playfully witty, rigorously researched book sets the record straight about bogus word origins, politically correct fictions, phony français, fake acronyms, and more. Here are some shockers: “They” was once commonly used for both singular and plural, much the way “you” is today. And an eighteenth-century female grammarian, of all people, is largely responsible for the all-purpose “he.” From the Queen’s English to street slang, this eye-opening romp will be the toast of grammarphiles and the salvation of grammarphobes. Take our word for it.

This fascinating book traces the entire story of Westport Country Playhouse from its beginnings in the midst of the Depression to its 75th-anniversary renovations and rejuvenation. Filled with colorful characters, it is a story that will appeal to everyone who has ever been enchanted by live theatre.