(Book). Human beings are natural storytellers, and it's never been easier to access digital technologies that allow anyone, anywhere to share their story with the world. More stories are being produced and consumed now than at any other time in our species' history yet, for some reason, it's never been more difficult to cut it as a creative. Consumers are paying less (if anything) for all forms of entertainment, traditional media companies are tanking, and the advertising realm has been turned on its head. Although operating budgets have increased in every sector, storytellers are making less than ever before, as the lion's share of new revenues cyclically feed mechanisms for distribution and monetization. Our media landscape is, in short, unsustainable and in the midst of a crisis. What went wrong? How can we fix it? Although he presides over Avid, the leading provider of audio and video technology for creatives and media professionals, Louis Hernandez Jr. isn't your typical multinational CEO. In his two previous books, Too Small to Fail: How the Financial Industry Crisis Changed the World's Perceptions and Saving the American Dream: Main Street's Last Stand , he chartered his vision of an egalitarian America structured around the communities that compose its very foundation. He brings the same mindset the same notion of countless small actors with unlimited potential to the tumultuous world of media with his third book, The Storyteller's Dilemma: Overcoming the Challenges in the Digital Media Age . In The Storyteller's Dilemma , Hernandez puts forth another comprehensive vision for our future that aims to advantage all while disadvantaging none. This book is neither a diatribe against economic elites nor a postmortem analysis of the ills of digital distribution. Instead, it proposes a new approach with the potential to benefit all involved parties an approach that at once embraces the intensifying power of storytelling and eschews the notion that disruption and instability must greet an industry hand-in-hand. Rather than favoring any given group over another, Hernandez imagines a streamlined world of shared platforms and common standards that empower storytellers, developers, and deliverers alike. By dispensing of business models that have proved unviable in the digital age, we can turn higher profits while more equitably compensating creatives and creative endeavors. In today's networked world, the economics of storytelling matters to everybody. It's time we all got onboard.

The ingenious ways dilemmas are addressed in non-Western traditions Dilemmas explores some of the most pressing existential problems of our times, from climate change, political conflict, and social injustice, to balancing one’s own needs against those of others. Pushing back against the tendency to think of dilemmas as clear-cut binary choices, renowned anthropologist Michael Jackson shows us some of the ingenious ways that dilemmas are addressed in non-Western thought and oral traditions, as well as in Western philosophy. Drawing on examples from myth, literature, and his extensive ethnographic fieldwork in West Africa and Aboriginal Australia, each of thirteen chapters examines a particular dilemma and how it is experienced, circumvented, or reimagined. From the struggles of the Aboriginal people of Central Australia for land rights to Walter Benjamin’s harrowing journey across the Pyrenees as he fled German-occupied France in 1940; from the story of a suburban family in Aotearoa New Zealand adjusting to life in a commune to the dilemmas of migrants from the Global South trying to reconcile their search for a better life with their longing for home—Jackson interweaves philosophical reflections, insights from his anthropological fieldwork, and individual life stories. In striking a balance between our contradictory impulses to be both apart from and together with others, Jackson makes a case against identitarian essentialism, showing us how the oppositional thinking through which we often frame our contemporary dilemmas may be overcome.

In a time of drought in the Kingdom of Morocco, a storyteller and a boy weave a tale to thwart a Djinn and his sandstorm from destroying their city.

The far north coast of Scotland. Spring 1745. It begins with a murder. But is it a murder when someone is forced to kill his brother, so that he might save his own life? The guilty man is a nobody, a poor fisherman. The person who arrogantly and unthinkingly makes him commit this terrible act, simply to see how he behaved, is the richest man in Scotland, the Earl of Dunbeath. Dunbeath invents his game of life the Prisoner s Dilemma. He invites his old friend, David Hume, to Caithness to play the new game with him. But into their planned discussions blow two survivors from a shipwreck - the beautiful and brilliant Sophie Kant and the calm, charismatic captain, Alexis Zweig. What follows is a claustrophobic and fast-moving game of cat and mouse, as the characters drive relentlessly towards their destinies in life and death, love and betrayal and the passion they each have to achieve their different ambitions. Under the game-playing, the deceits and feints, the science and the philosophy, is a simple tale of three utterly determined and ruthless men struggling to the death to succeed in the race for an extraordinary woman. Which of them will win? How? And why? ,

A woman's birthday party takes a dark turn in a poignant, heart-stopping new novel from the reigning queen of suspense, New York Times and USA Today bestselling author of Behind Closed Doors, The Breakdown, and Bring Me Back. “A heartbreaking page-turner that will have you up at night reading just one more chapter.” —Catherine Steadman, #1 New York Times bestselling author of Something in the Water “The phenomenal B.A. Paris has done it again! I devoured The Dilemma in one sitting—it grabbed me from the very first page and wouldn’t let go until I’d finished. Secrets, guilt, shame and heartbreak—this story has it all in spades.”—Sandie Jones, New York Times bestselling author of The Other Woman Knowing the truth will destroy her. Keeping it secret will destroy him. It’s Livia’s 40th birthday, and her husband Adam is throwing her the party of a lifetime to make up for the wedding they never had. Everyone she loves will be there, except her daughter Marnie, who’s studying abroad. But Livia is secretly glad Marnie won’t be there. Livia has recently uncovered a secret about their daughter which, if revealed, will shake the foundation of their family to its core. She needs to tell Adam, but she’s waiting until the party is over so they can have this last happy time together. Adam, meanwhile, has his own surprise for Livia: he’s arranged for Marnie to secretly fly back for the party. But before Marnie arrives, Adam hears some terrible news. Now he too is faced with a dilemma: Does he share what he's learned with his wife? Is hiding the truth the same as telling a lie? And how far are Adam and Livia willing to go to protect the ones they love—and give each other a last few hours of happiness?

This is the seed of The Storytellers' Journey, Joseph Daniel Sobol's history of the past thirty years of American storytelling. In this compelling examination of the contemporary search for myth, Sobol explores the social and psychological roots of the storytelling revival and the ever-resurgent power of the storyteller. Drawing on interviews with dozens of storytellers around the country, Sobol paints the revival as part of a larger process of cultural revitalization. He traces the growth of the preeminent revival organization, the National Association for the Preservation and Perpetuation of Storytelling (NAPPS), and details the individual passions, the organizational politics, and the economic, social, and mythic forces that have combined to transform a ragtag assemblage of enthusiasts into a national and international network of arts professionals. A seemingly chance encounter between a restlessly ambitious high school teacher and a coonhunting tale on the car radio sets off a chain of inspirations that changes the face of a small southern town, touches lives across America, and revitalizes a homely but treasured art form.

This book offers an account of the surprising interaction between trauma and justice. Moving from texts by Arendt, Benjamin, Freud, Zola, and Tolstoy to the Dreyfus and Nuremberg trials, and the trials of O. J. Simpson and Adolf Eichmann, Felman argues that the adjudication of collective traumas in the 20th century transformed both culture and law.