"More than forty million Americans claim Irish ancestry. This lively book explains how and why they got to the U.S. and shows how their history made them who they are. From prehistoric Ireland to Irish schools in America, this well-illustrated book provides an essential overview of the ties between the Emerald Isle and the New World."--

I am the wind which breathes on the water. I am the swell of the sea. I am the light of the sun. I am the point of the battle spear. I am the God who gives fires to the mind. Who announces the ages of the moon? Who speaks to the setting of the sun? I, only I. Aislinn ni Sorar, druid priestess of ancient Ireland, is a visionary. Raised according to the ancient ways and seeking to use her gifts to keep the old magic strong, she has the power to part the mists of time and see events that might shape a nation. But Aislinn's own past is shrouded in mystery, and her quest to discover that past will bring her pain, as well as true love, and will set in motion a chain of events that will alter both her own future and that of her beloved Ireland. For there is a new spirit upon the land whose presence heralds a rendering--and a remaking--of this world. His way had been foretold long ago and threatens to change everything. And Aislinn is at the heart of that change. Will she give up everything that she loves to help her people find the true God, or will she turn to the dark forces that threaten to keep the old ways at any cost? Daughter of Ireland continues Juilene Osborne-McKnight's exploration of Irish history, combining fine historical research with skillful storytelling. Her focus this time is none other than Cormac mac Art, ancient and venerated King of Ireland, and the path the Irish people follow to find the one true God. Osborne-McKnight has crafted an engaging young heroine who chronicles both Celtic mythology and early pagan/Christian theology through her travels, and re-creates a world whose conflicts over power, religion, and law are as immediate and far-reaching as those same conflicts in our own time. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Sons of Mil long held the dream of the Island of Destiny close to their hearts. A dream perhaps, but to these restless, adventuring people it was a shining emerald prize to be won by those who were brave or foolhardy enough to sail to the very ends of the known world. For the Bard Amergin and his people that dream comes true. When they land safely on the shores of this enchanted isle, they know that they have won the favor of their gods. In joy, they begin to build their settlement. Soon it is clear that they are not alone in this green and pleasant land; their fellow inhabitants are the secretive Danu, a people who resonate power and mystery in abundance. As Amergin negotiates with the Danu so that both peoples may peacefully share the island's wealth, he sees their beauty, their wisdom, and their love for the land. And one more thing. Amergin's second sight shows him that the Danu are not human. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The man who came to be known as St. Patrick of Ireland was captured by Irish slave raiders at the age of sixteen. Now forty years old, Padraig "is full of anger and is determined to bring Christianity to Ireland, even if he has to beat it into the 'lazy, loathsome' Irish. But something happens to change this resolute missionary, something shrouded in mystery and wonder."--Jacket.

"With We Carry Their Bones, Erin Kimmerle continues to unearth the true story of the Dozier School, a tale more frightening than any fiction. In a corrupt world, her unflinching revelations are as close as we'll come to justice." –Colson Whitehead, Pulitzer-Prize Winning author of The Nickel Boys and The Underground Railroad Forensic anthropologist Erin Kimmerle investigates of the notorious Dozier Boys School—the true story behind the Pulitzer Prize–winning novel The Nickel Boys—and the contentious process to exhume the graves of the boys buried there in order to reunite them with their families. The Arthur G. Dozier Boys School was a well-guarded secret in Florida for over a century, until reports of cruelty, abuse, and “mysterious” deaths shut the institution down in 2011. Established in 1900, the juvenile reform school accepted children as young as six years of age for crimes as harmless as truancy or trespassing. The boys sent there, many of whom were Black, were subject to brutal abuse, routinely hired out to local farmers by the school’s management as indentured labor, and died either at the school or attempting to escape its brutal conditions. In the wake of the school’s shutdown, Erin Kimmerle, a leading forensic anthropologist, stepped in to locate the school’s graveyard to determine the number of graves and who was buried there, thus beginning the process of reuniting the boys with their families through forensic and DNA testing. The school’s poorly kept accounting suggested some thirty-one boys were buried in unmarked graves in a remote field on the school’s property. The real number was at least twice that. Kimmerle’s work did not go unnoticed; residents and local law enforcement threatened and harassed her team in their eagerness to control the truth she was uncovering—one she continues to investigate to this day. We Carry Their Bones is a detailed account of Jim Crow America and an indictment of the reform school system as we know it. It’s also a fascinating dive into the science of forensic anthropology and an important retelling of the extraordinary efforts taken to bring these lost children home to their families—an endeavor that created a political firestorm and a dramatic reckoning with racism and shame in the legacy of America.

"Home is a complex ideation for many POC and migrant peoples. I Always Carry My Bones explores how familial history echoes inside a person and the ghosts of lineage dwell in a body. Sometimes we haunt. Sometimes we are the haunted. Pierced by an estranged relationship to Mexican culture, the ethereal ache of an unknown father, the weight of racism and poverty in this country, the indentations of abuse, and a mind/physicality affected by doubt, these poems root in the search for belonging-a belonging inside and outside the flesh. Space-making requires a clawing at the atrocities of today's social injustices. Space-making requires a dismantling of violent systems against brown and black bodies. Home is the place where the horrid and beautiful intertwine and carve a being into existence. At times, the reaction is recoil: "biomimicry-how I adapt away/ from you-biomimicry-as if to chant my way/ into something worthy of your affection." At other times, the reaction is love: "if we fracture a system long enough/ our voices build/ a neoteric system/ with our voices inside." The voices in these poems are never truly singular. POC, trans/queer individuals and all marginalized people hold evolutionary revolutions in our cells. In language and elements, we are a collective. Survival held in our adaptation-another action that culls from us. We summon the magic inside of us to create a world in which we see ourselves beyond the death expected of us. We pray to our own tongues to conjure ourselves into existence. This book longs for a sanctuary of self-the dwelling of initial energy needed for our collective fight for human rights"--

The history of Ireland has traditionally focused on the localized struggles of religious conflict, territoriality and the fight for Home Rule. But from the early Catholic missions into Europe to the embrace of the euro, the real story of Ireland has played out on the larger international stage. Story of Ireland presents this new take on Irish history, challenging the narrative that has been told for generations and drawing fresh conclusions about the way the Irish have lived. Revisiting the major turning points in Irish history, Neil Hegarty re-examines the accepted stories, challenging long-held myths and looking not only at the dynamics of what happened in Ireland, but also at the role of events abroad. How did Europe's 16th century religious wars inform the incredible violence inflicted on the Irish by the Elizabethans? What was the impact of the French and American revolutions on the Irish nationalist movement? What were the consequences of Ireland's policy of neutrality during the Second World War? Story of Ireland sets out to answer these questions and more, rejecting the introspection that has often characterized Irish history. Accompanying a landmark series coproduced by the BBC and RTE, and with an introduction by series presenter, Fergal Keane, Story of Ireland is an epic account of Ireland's history for an entire new generation.