Pinocchio, The Tale of a Puppet follows the adventures of a talking wooden puppet whose nose grew longer whenever he told a lie and who wanted more than anything else to become a real boy.As carpenter Master Antonio begins to carve a block of pinewood into a leg for his table the log shouts out, "Don't strike me too hard!" Frightened by the talking log, Master Cherry does not know what to do until his neighbor Geppetto drops by looking for a piece of wood to build a marionette. Antonio gives the block to Geppetto. And thus begins the life of Pinocchio, the puppet that turns into a boy.Pinocchio, The Tale of a Puppet is a novel for children by Carlo Collodi is about the mischievous adventures of Pinocchio, an animated marionette, and his poor father and woodcarver Geppetto. It is considered a classic of children's literature and has spawned many derivative works of art. But this is not the story we've seen in film but the original version full of harrowing adventures faced by Pinnocchio. It includes 40 illustrations.

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In 1940, Walt Disney released his second feature film: Pinocchio, based on Carlo Collodi’s 1883 Italian children’s novel. The film was groundbreaking: it pioneered the latest animation and sound technology of the era, and established a blueprint for Disney filmmaking that remains intact today. It became the first animated feature to win a competitive Academy Award® (in fact, it won two), and earned a place on the roster of the National Film Registry. Pinocchio’s crucial role has endured decades, given its rare 100% rating on the film website Rotten Tomatoes and the lively discourse that continues to surround the film today. To celebrate the film’s 75th anniversary, author J.B. Kaufman presents a complete history of the making of Pinocchio, from source material to rerelease. Pinocchio, published in partnership with the Walt Disney Family Foundation and the Walt Disney Family Museum, is an in-depth exploration of the making of the film. Academy Award-winning animator and film historian John Canemaker says of Pinocchio: “In great detail, J. B. Kaufman reveals the struggles, triumphs and disappointments encountered by Disney and his staff during the creation of this sacred monster of a film. Woven here is a once-upon-a-time story sure to fascinate and inform readers, an exciting adventure into the inner workings of a one-of-a kind studio and team at its creative peak.” Go behind to the scenes with stories of the inner workings of the Golden Age of Animation, the animators’ personalities and story changes like why Jiminy Cricket’s character almost got left on the cutting room floor. Over 300 photographs, illustrations and concept sketches – many of which are available for the very first time – accompany the story behind the story. Become a part of the wild, legendary ride that was the making of Pinocchio.

With full page color illustrations from the Disney animated film of 1940, this is the story of Pinocchio, a puppet, Geppetto the toy store owner who created him, the Blue Fairy who brought the puppet to life, and Jiminy Cricket who tells the story of their adventures.

Everyone knows Pinocchio, but many people don't know the real story. The original book was written by Carlo Lorenzini alias Carlo Collodi. It was published for the first time in 1883 with the title "The adventures of Pinocchio: The Story of a Puppet". Since then, many versions have been proposed, especially cinematographic ones, which have modified and softened both the character and the plot.In the original story the world in which Pinocchio lives is merciless and cruel, populated by thieves, murderers and cheaters who will do anything to try to kill or rob.As he grows and matures, Pinocchio must not only learn to defend himself from danger, but also from bullying classmates and from the deception of kind and flattering men. He also learns not to place too much trust in judges, police and doctors. This may seem excessive to us today, but warning children about the injustices and cruelty of the real world was a feature of children's literature of the 1800s. However, the use of irony and the imaginary characters (puppets, animals, fairies) go a long way towards mitigating the dramatic reality described in the story.The original book uses 19th-century Italian and is strongly influenced by terms and idioms typical of the Tuscan language. In this edition, the language has been simplified and updated, to adapt it to intermediate level students of Italian.

Told as a story of cosmic beginnings, this version of Pinocchio is about the formative energy and magic that reside in the wood that becomes the boy. This version is also about life on the molecular level and what it means to think about our composition as human beings from the point of view of energy and cosmic matter. Born in 1975, Alessandro Sanna is one of Italy's leading contemporary illustrators. He has earned wide recognition for his work, which has appeared in the New York Times Book Review and the New Yorker. He is a prolific and popular author and has received many awards. He lives and works in Mantua, Italy.

Readers familiar only with the Disney adaptations of Collodi’s classic will be surprised by this dark masterpiece, a central work in the Italian literary canon. First published in serial form in 1881 in the Italian periodical Giornale dei Bambini,The Adventures of Pinocchiogarnered immediate acclaim as a children’s story. Today Italians consider Pinocchio, along withThe Divine ComedyandThe Decameron, one of their most important works of literature. Collodi did more than merely weave a captivating tale. Through metaphor and allusion he summed up the national character of Italy and made biting commentary on many of the prominent social concerns of the nineteenth century, among them the despair and hunger of poverty, the importance of an education, and the hypocrisy of the judicial and medical establishments. Indeed, the universality of Collodi’s themes led Benedetto Croce to remark, “The wood from which Pinocchio is carved is humanity itself.” This vibrant new translation fully renders Collodi’s subtle and sarcastic wit, reclaiming the book for adult readers. The evocative illustrations by Carmelo Lettere are as delightfully refreshing and timeless as the story itself.